If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. |
|
|
Thread Tools | Display Modes |
#11
|
|||
|
|||
Photographing birds in flight
On Tue, 03 Apr 2007 21:37:55 +0930, jmc wrote:
I think your style for the most part might work better for me, 'cept the shifting autofocus bit. I'm still learning my camera, and definitely can't manage that without looking. So I've been using the center autofocus. Good point about the eyes, but for now that's a bit beyond my skill with moving animals, I'm happy if I can just keep the birdie in the frame. I guess that your camera's autofocus sensors are all equivalent, so eventually you'll want to become proficient shifting between them. My D50 on the other hand has its most accurate and sensitive AF sensor in the center of the frame, so photographers should at least be aware of their camera's capabilities and limitations to be able to know how to use them most effectively. It's going to take me some time getting up to speed in this area, I think. |
#12
|
|||
|
|||
Photographing birds in flight
Ken Lucke wrote:
In article , change username to rnclark wrote: First off, Roger, don't take any of my comments below as arguing with you - I agree with virtually everything you said (for someone of your skill level), I just want to clarify and perhaps justify the reasons why I said what I did. Hi Ken, OK, no problem When following moving animals (birds or 4-legged critters) the mere fact they are moving often means the light is changing. Thus I do not like manual. Agree 100% here - it's too hard (at least for me) to be adjusting that AS you're tracking and panning and trying to keep up with an animal. It's hard for me too. Sometimes I just blow it. I'm still learning too. And since I don't get to photograph every day, I get rusty. On a big trip, like a birding trip, I find I get my best shots starting 2 or 3 days in, as that is when a have had enough practice that I get it right more often. I would rather use exposure compensation to adapt to the situation. An example is an animal moving between shade and sun, another is rising or setting sun where light levels are changing fast. Second, auto-bracketing, assuming 3 shots means only one is correctly exposed. That means you have 2/3 chance of missing the peak action. I guess that's true - unless you've got the 1D Mark III at 10fps g. No matter what speed, auto bracketing still means you could miss some peak action. I still do it myself, and I only have 3fps - so I get one chance per second, which is OK for me at this point. However, this (as were most of my suggestions) intended to help him get a feel for whaqt settings are going to work for him - then he can stick more closely to just those - with exceptions, of course. That's a good point. It could help one learn what is a better exposure. With large pixel size DSLRs, the signal-to-noise ratio is good enough that if you are under a little it is no big deal. Autofocus point should be set on the animals eye(s), not necessarily the center (and in my style rarely the center) autofocus point. I was thinking of his trying learn to track and pan, that it would be easier to keep the bird centered with the center autofocus. Your skills are much higher than his (or mine) at this point, so you're good at switching autofocus points and tracking and panning all at the same time - that's definitely a learned skill, and the tracking and panning are probably the parts he should learn first, IMO. I agree. One needs to start small and work up, but in order to work up, one needs to know the higher goal in order to make that next step. During action, I follow the subject, constantly shifting the AF point to keep a good composition, and adjust exposure compensation as needed and keeping the AF point on the eye(s). This is the hard, learned part that you've obviously got down pat, and probably should be the secondary step for him. Unfortunately, I don't have it down pat (you haven't seen the hundreds, thousands, tens of thousands of mistakes I've made, as I don't put them on my web site). Although I am getting better. When I first started with DSLRs I probably got less than 50% of my shots in focus. Now with better DSLR (1D Mark II versus a D60) but with the same lens (500 mm f/$ L IS), I probably get 90% in focus. The problem is I still cut off wings, feet, tails, heads when trying to follow the action. I also keep monitoring the exposure time and adjust ISO up or down as light levels rise or fall. I use the lowest ISO that the conditions will allow. You need to know your camera well in order to do this in a split second, never removing your eye from the viewfinder while following the action. I also don't agree with the "need" to have the sun behind you. While this is a fine strategy in many situations, lighting can be more dramatic and show texture better when the sun is not directly behind you. It does become more of a challenge to keep the eyes well lit if the sun is not behind you, but I feel many images are more interesting this way. That was meant to address his "dark body against a light background" problem with the underexpsuure of the bird's body - I agree it's not a necessity, but it I thought it might help him out a little with that problem. Didn't really mean to make it sound like an absolute. Ok, no problem. Unfortunately these days I think there are too many how-to books and web sites that say you gotta do this. While they are certainly good guides, e.g. landscape photography near sunrise of sunset, there are often great pictures under other conditions too, and I think that needs to be pointed out. and few enough animals (like one or two). As animal count goes up, the image just looks cluttered until the animal count gets huge, like hundreds. Even then, I love the images where the camera is zoomed in on one animal in a packed herd of hundreds or thousands, with one animal picked out and the rest of the bodies pressed around it. Zebras epecially look good this way - maybe some day I'll get to go shoot one of those images myself. Yes, I agree. Roger, your pictures always make my efforts seem so lame. :^( Just keep trying. It wasn't that long ago that I took pretty crappy wildlife images. Knowing what can be done, and a route to get there is a large part of the battle. Then persistence and practice can take you there. We are all learning. I am still learning. I missed some nice shots on my recent Africa trip because I wasn't good enough. Oh well, I'll just have to go back ;-). For wildlife action, equipment does make a difference. My images got much better when I moved from consumer zooms to fixed focal length lenses. Not only are they sharper, they tend to auto-focus faster, and they tend to be faster aperture too (there are exceptions, like the 70-200 L IS). But in the above 200 mm range in the Canon line, the fixed focal lenses are better. Roger |
#13
|
|||
|
|||
Photographing birds in flight
On 2007-04-01 02:58:17 -0400, jmc said:
I've finally purchased a longer lens for my XTi - the Canon 70-300mm DO IS ISM. Nice lens, the shorter physical length is a lot more stable in my small hands. I have been getting some very good pictures with this lens, so I'm quite happy with it, despite the high cost. I've been practicing taking pictures of birds in flight - raptors, for the most part. Not surprisingly, all of the ones taken with the sky as background, came out with very dark birds. Also, for non-soaring birds, I'm finding it very hard to follow them, and get decent pictures. Is there a tutorial on the 'net somewheres that'll help me learn how to take better bird action photos? How much do I compensate when the bird is silhouetted against the sky? Pictures where the bird's not silhouetted against the sky come out better: http://www.photosig.com/go/photos/view?id=1959314 Thanks for any advice or information! jmc A much longer lens.. a 300mm lens is hardly enough to get a decent shot of a bird in flight unless you are extradonarily lucky. Good God, a 200 mm is hardly enough to get a decent pic of a bird at my bird feeder, a mere 15 feet away. However, if you try and we must all, use spot metering, aperature priority or manual and take lots of photos, at leasy with digital, thats cheap. -- Jim |
#14
|
|||
|
|||
Photographing birds in flight
I've been practicing taking pictures of birds in flight - raptors, for
the most part. Not surprisingly, all of the ones taken with the sky as background, came out with very dark birds. Also, for non-soaring birds, I'm finding it very hard to follow them, and get decent pictures. A few tricks: 1. Set the exposure manually. You can use the "sunny 16" rule (e.g., f/16, 400ASA, 1/400; or, better, f/8, 200ASA, 1/800), or just meter something that's about as light as the bird. Then take a few shots and check the histogram to make sure you've got the exposure right. 2a. If the birds are far away, set the FOCUS manually, too. Use infinity minus a bit, and you'll get perfect focus with absolutely no hunting. 2b. I know the 30D can follow soaring birds and keep focus. (Take a look at: http://www.posted-online.com/ArizonaBirds/ In particular, take a look at the owl series that begins on: http://www.posted-online.com/ArizonaBirds/Page1.html and the hawk series that begins on: http://www.posted-online.com/ArizonaBirds/Page2.html ) I assume the Xti can keep up, too. Make sure you're only using the middle focus sensor, and keep the bird in the middle of the frame. 3. Some people turn off IS, but I don't think that's a good idea. I also don't think exposure bracketing is a good idea. You've got at least a 66% chance of mis-exposing the shot you want. 4. Shotting RAW will help if you get the exposure wrong, but with (1) that really should never happen. Good luck. -Joel |
#15
|
|||
|
|||
Photographing birds in flight
Examples:
No exposure compensation needed, AF on bird's eyes, and a good example of the impact of the animal directing its vision towards the camera: http://www.clarkvision.com/galleries...8715b-700.html [...] Beautiful gallery! According to the EXIF data, these are scans. Yes? -Joel ---------------------------------------------------------------------------- EXIF data for any image or web page: http://exif.posted-online.com ---------------------------------------------------------------------------- |
#16
|
|||
|
|||
Photographing birds in flight
A much longer lens.. a 300mm lens is hardly enough to get a decent shot
of a bird in flight unless you are extradonarily lucky. Good God, a 200 mm is hardly enough to get a decent pic of a bird at my bird feeder, a mere 15 feet away. However, if you try and we must all, use spot metering, aperature priority or manual and take lots of photos, at leasy with digital, thats cheap. Yes and no. I took these shots with a 28-125 (equiv): http://www.posted-online.com/ArizonaBirds/ including one of my favorites: http://posted-online.com/ArizonaBirds/pix/IMG_0359.jpg I like the context, and I couldn't have done that with a longer lens. -Joel ---------------------------------------------------------------------------- EXIF data for any image or web page: http://exif.posted-online.com ---------------------------------------------------------------------------- |
#17
|
|||
|
|||
Photographing birds in flight
2b. I know the 30D can follow soaring birds and keep focus. (Take a
look at: Sorry to follow up on my own post. In response to people who have asked, I've posted some close-ups on: http://www.posted-online.com/ArizonaBirds/Page1.html and http://www.posted-online.com/ArizonaBirds/Page2.html and moved the other pages, so the owl- and hawk-series pages are now: http://www.posted-online.com/ArizonaBirds/Page3.html and http://www.posted-online.com/ArizonaBirds/Page4.html BTW, for a good reason NOT to use JPEG, take a look at the bottom picture on http://www.posted-online.com/ArizonaBirds/Page1.html ( http://posted-online.com/ArizonaBirds/pix/14.jpg - 100K ). Notice the blue hues around the green leaves. There was no blue in the original picture. Sigh. -Joel |
#18
|
|||
|
|||
Photographing birds in flight
Dr. Joel M. Hoffman wrote:
Examples: No exposure compensation needed, AF on bird's eyes, and a good example of the impact of the animal directing its vision towards the camera: http://www.clarkvision.com/galleries...8715b-700.html [...] Beautiful gallery! According to the EXIF data, these are scans. Yes? Thanks. No, they are all digital, mostly 1D Mark II. There should be no exif data as the jpegs are stripped to reduce size. Roger |
#19
|
|||
|
|||
Photographing birds in flight
Beautiful gallery! According to the EXIF data, these are scans. Yes?
Thanks. No, they are all digital, mostly 1D Mark II. There should be no exif data as the jpegs are stripped to reduce size. There's lots of EXIF data, with fields such as "Progressive Scans," "Device Attributes," etc. I don't know much about the EXIF fields; I thought those looked like scanner attributes. BTW, as a reminder: http://exif.posted-online.com will display a web page and add EXIF-data boxes for all the images. -Joel |
#20
|
|||
|
|||
Photographing birds in flight
You remove the EXIF purposely to reduce the size, or reducing the size
removes the EXIF? I just went through this dilemma. When I created a web page for my birds from Arizona, I decided to keep the EXIF data in the thumbnails. This increased the size of each thumbnaim from about 7K to about 22K. That's a really big difference, especially for people using dial-up connections. -Joel |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Thread Starter | Forum | Replies | Last Post |
Flash usage with birds in flight | rugbyphoto | Digital Photography | 0 | April 10th 06 09:12 PM |
Advice Needed - Photographing Birds in Flight | Cockpit Colin | Digital SLR Cameras | 8 | October 4th 05 01:36 AM |
Photographing birds with a remotely controlled digital camera? | Dean Keaton | Digital Photography | 7 | February 15th 05 01:44 PM |
Photographing birds with a remotely controlled digital camera? | Dean Keaton | Photographing Nature | 7 | February 15th 05 01:44 PM |
Photographing birds with a remotely controlled digital camera? | Dean Keaton | Digital SLR Cameras | 10 | February 15th 05 01:44 PM |