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#21
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Variable Density Greyscale Film for audio
EarlyFilm wrote: Scott Dorsey wrote: I have been running variable area tracks on 7378 through the reversal chemistry and getting pretty decent results. VA tracks don't mush up as fast as VD in direct positive. A short film that I shot mostly on 7366 which was processed in reversal by A-1 can be seen this week at http://www.countgore.com/NewBlood.htm. Note that the transfer was done by pointing a video camera at the flatbed and you're listening to the optical track, so don't expect the best possible quality.... Scott, You shot a flame on extremely slow ortho finegrain master positive stock which you had reversal processed????? I'm impressed, but how and why? Flames are hard enough to shoot and make look good with the faster stocks intended for camera. Estar base 3366 might be OK for projection, but the acetate base 7366 stock tends to warp and/or cup under the heat of the projection lamp. A few years ago, the base in 7302 and 7366 were slightly different in chemistry and only the print stock resisted heat warp. I assume, but am not sure, if this is still the case. Earl. Speaking of flames, I'd like the light in my equipment to be powered by an anthracite-fueled fire. |
#22
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Variable Density Greyscale Film for audio
Radium wrote: EarlyFilm wrote: Scott Dorsey wrote: I have been running variable area tracks on 7378 through the reversal chemistry and getting pretty decent results. VA tracks don't mush up as fast as VD in direct positive. A short film that I shot mostly on 7366 which was processed in reversal by A-1 can be seen this week at http://www.countgore.com/NewBlood.htm. Note that the transfer was done by pointing a video camera at the flatbed and you're listening to the optical track, so don't expect the best possible quality.... Scott, You shot a flame on extremely slow ortho finegrain master positive stock which you had reversal processed????? I'm impressed, but how and why? Flames are hard enough to shoot and make look good with the faster stocks intended for camera. Estar base 3366 might be OK for projection, but the acetate base 7366 stock tends to warp and/or cup under the heat of the projection lamp. A few years ago, the base in 7302 and 7366 were slightly different in chemistry and only the print stock resisted heat warp. I assume, but am not sure, if this is still the case. Earl. Speaking of flames, I'd like the light in my equipment to be powered by an anthracite-fueled fire. And maybe -- or maybe not -- some fire fueled by bituminous coal. |
#23
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Variable Density Greyscale Film for audio
Radium wrote: Forget the reversal or the positive. I prefer to use the original negative film. THIRD BASE!!! J. Theakston |
#24
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Variable Density Greyscale Film for audio
J. Theakston wrote: Radium wrote: Forget the reversal or the positive. I prefer to use the original negative film. THIRD BASE!!! J. Theakston What do you mean? |
#25
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Variable Density Greyscale Film for audio
In article .com,
Radium wrote: THIRD BASE!!! J. Theakston What do you mean? No, What's on second. |
#26
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Variable Density Greyscale Film for audio
Radium wrote:
J. Theakston wrote: Radium wrote: Forget the reversal or the positive. I prefer to use the original negative film. THIRD BASE!!! What do you mean? Russian spy on phone: Hello, Uncle Joe? Yeah... They got a base in Cuba, they got a base in Japan... now they got a base in Turkey. Just wanted you to know. Thanks! hangs up Lou Costello: I heard you talking about bases, and I just wanted to ask what... Russian spy: What's on second... -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
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