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#11
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below $1000 film vs digital
"Michael Benveniste" wrote in message ... "Mike Henley" wrote in message om... I'll use a budget of no more than $999.99. What is your budget for recurring costs? The incremental cost to put a shot "in the can" and to preview it is effectively free for digital but not for film. I care most about *image quality*, as this will be the only reason I'd want to step up from my film compacts. By image quality I mean both in its original form (film/digital) or transferred to other media (printed/scanned). I know what I mean by "image quality," but the term has different meanings for different people. To me, the single most important factor in image quality is to properly adjust the nut behind the finder. But if you're more concerned about technical issues such as sharpness, given a one-time $1000 budget for equipment, of the choices you mention a medium format camera is today's winner. New, you can purchase a Mamiya 645E Pro Value pack with an 80mm f/2.8 lens for $775 at Adorama. Add a lens hood ($31), cable release ($23), and something like a Manfrotto 3001N tripod and 3030 head ($144) and you can start shooting. You can do even better with used manual-focus medium-format (MFMF?) gear. Recently, I purchased a Pentax 645 with a 120 insert, a 75mm lens and a 135mm lens for about $500. OTOH, if your definition of "image quality" includes digital editing, with your budget you may be better off starting digital. If it includes very selective focus or the ability to tailor apparent perspective by choice of focal length, you may be better off with 35mm. -- Michael Benveniste -- Spam and UCE professionally evaluated for $419. Use this email address only to submit mail for evaluation. Hello Michael I wonder if I may add a dash of realism to the topic you raised? Earlier posters are quite correct. If you go digital you will need to think about having a good computer and certainly if pro standard is your overall aim pro standard equipment in not without cost, You will (may? should?) consider some image processing software too. computer - software - hardware is reasonable for any standard digital setup. On the other hand goinf film based means darkroom equipment, chemicals, dedicated space for it that is lightfree to a very strict standard. On top of all the chemicals, incidentally some of which are closely linked to dermatitis, waste disposal (effluent) problems you will still need a computer - software - hardware (pro standard scanner) Please do not let anyone tell you otherwise. The wise choice IMHO is digital Why bother with a darkroom? Besides that, a computer always comes in handy even if it is just for posting to rec.photo.digital From an ecological point of view re-usable memory cards are far more eco-friendly than rolls and rolls of film, paper, developres fisers, fixatives, ... The beauty of digital is that it so easily integrates with what one may already have. There again, I amd a P&S amateur :-) das B ps - the way digitals work with flas is fantastic, well it is on my Fuji (no burnouts :-) d B |
#12
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below $1000 film vs digital
bagal wrote:
On the other hand goinf film based means darkroom equipment, chemicals, They invented this thing called a lab. dedicated space for it that is lightfree to a very strict standard. On top of all the chemicals, incidentally some of which are closely linked to dermatitis, waste disposal (effluent) problems you will still need a computer - software - hardware (pro standard scanner) That computer might give you some nasty health problems to. The wise choice IMHO is digital Why bother with a darkroom? Besides that, Quality? a computer always comes in handy even if it is just for posting to rec.photo.digital From an ecological point of view re-usable memory cards are far more eco-friendly than rolls and rolls of film, paper, developres fisers, fixatives, ... Hardly. All those things create mountains of toxic waste. Worse how many people just throw computer products into the trash? Ooops. BTW nothing in some developers that you can't buy at the grocery store. Nick |
#13
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below $1000 film vs digital
Mike Henley wrote:
I have a budding collection of reasonably inexpensive but good retro compact film cameras and I'm considering purchasing a more serious "photographer's" one to start using soon, as i safely know now that I do like this hobby. Welcome to a marvelous experience!! I'll use a budget of no more than $999.99. I care most about *image quality*, as this will be the only reason I'd want to step up from my film compacts. By image quality I mean both in its original form (film/digital) or transferred to other media (printed/scanned). The choices i have are either... - A quality film SLR (very easy to get within budget, heck, even $200 is enough for the pentax zx/mz-m). For the money, get yourself a really clean Nikon F2(AS?) and 50mm f/1.4. Add a couple other pristine prime lenses as you go along. Entirely manual, one of the finest mechanical bodies ever made, and a keeper whatever else you get. It once was the flagship professional 35mm camera of choice, and there's no way you will ever outgrow it. snip Additionally, within that same budget, i'm also considering a Medium format camera, such as a 645 rangefinder (on *image quality* criterium only. Film isn't much more expensive than 35mm, and weight and size no issue as none of above will fit in a belt-pouch anyway). How would it compare to the above, especially to digital SLR? Even more, how would it compare to state-of-the-art digital such as that $8000 canon, or the 14mp new Kodak, because if it is favorably comparable it may mean it'll be better for me than affordable digital for some many years to come. Get yourself an old TLR squareshooter and discover what real image quality is all about. Nothing digital under ten grand US will match what you get. Many of those old cameras had extremely sharp lenses when stopped to f8 or thereabouts. And get a decent tripod. And use it!! Etc, etc. Bill Tallman wtallman at olypen dot com |
#14
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below $1000 film vs digital
"Mike Henley" wrote in message om... I have a budding collection of reasonably inexpensive but good retro compact film cameras and I'm considering purchasing a more serious "photographer's" one to start using soon, as i safely know now that I do like this hobby. I'll use a budget of no more than $999.99. I care most about *image quality*, as this will be the only reason I'd want to step up from my film compacts. By image quality I mean both in its original form (film/digital) or transferred to other media (printed/scanned). The choices i have are either... - A quality film SLR (very easy to get within budget, heck, even $200 is enough for the pentax zx/mz-m). - A digital SLR (canon or nikon; new or like new from ebay). - an all-in-one 8mp digital, such as the canon or olympus. How do these compare? (on the eventual *image quality* criterium only, across media, regardless of eventual use of the image. I don't care much about other features. Also, regardless of running costs, as I have all I'd need to run a digital camera, from computer and peripherals including memory chips, and film isn't expensive to run after all when all things considered, it'd cost me ~$5 per 35mm film total, purchased and developed, which isn't a lot considering it cost me a few times that in day expenses when i went to a scenic spot nearby to take pictures.) Additionally, within that same budget, i'm also considering a Medium format camera, such as a 645 rangefinder (on *image quality* criterium only. Film isn't much more expensive than 35mm, and weight and size no issue as none of above will fit in a belt-pouch anyway). How would it compare to the above, especially to digital SLR? Even more, how would it compare to state-of-the-art digital such as that $8000 canon, or the 14mp new Kodak, because if it is favorably comparable it may mean it'll be better for me than affordable digital for some many years to come. Get an obsolete Rollei and a case of obsolete HP-5/NPH. That's it. End of story; no more "Now what you need is". Bob Hickey |
#15
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below $1000 film vs digital
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#16
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below $1000 film vs digital
Here is a scenario Nick:
email from publisher: we have been let down by witheld copyright on image and needs shots of montains with snow. Can you get some to us by 9pm tonight? 1 - search through a couple of thousand prints, find a few that are suitable, get the original plus negs to publisher using courier express 2 - search the database, find pics, send images in appropriate format by email. which, if any, wins in the 21st century? das B "Nick Zentena" wrote in message ... bagal wrote: On the other hand goinf film based means darkroom equipment, chemicals, They invented this thing called a lab. dedicated space for it that is lightfree to a very strict standard. On top of all the chemicals, incidentally some of which are closely linked to dermatitis, waste disposal (effluent) problems you will still need a computer - software - hardware (pro standard scanner) That computer might give you some nasty health problems to. The wise choice IMHO is digital Why bother with a darkroom? Besides that, Quality? a computer always comes in handy even if it is just for posting to rec.photo.digital From an ecological point of view re-usable memory cards are far more eco-friendly than rolls and rolls of film, paper, developres fisers, fixatives, ... Hardly. All those things create mountains of toxic waste. Worse how many people just throw computer products into the trash? Ooops. BTW nothing in some developers that you can't buy at the grocery store. Nick |
#17
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below $1000 film vs digital
"Mike Henley" wrote in message
om... I have a budding collection of reasonably inexpensive but good retro compact film cameras and I'm considering purchasing a more serious "photographer's" one to start using soon, as i safely know now that I do like this hobby. I'll use a budget of no more than $999.99. You... won't... know... until... you... try... them... all! I'm currently pretty happy with a 35mm p&s, a digital prosumer and a 6x6 SLR kit- but if I had to lose one, it's be the digital. Purely for practical reasons, though- I simply don't use the digital as often as the others. Of course, I only know which cameras I need because I tried them first! I looked up spec sheets, weighed opinions, made myself aware of everything's shortcomings and how they related to the style of my shooting, and then I tried out some cameras. Sometimes I made mistakes- I bought a Bronica ETRSi kit on the assumption that the prism kit would be lighter and more compact than a 6x6cm, and that i'd need TTL flash. In both cases, the opposite was true, which led me to sell my Bronica and buy a 'Blad. There is no Royal Road to learning; no-one gets it right first time (or second or third) and everyone has regrets over things they bought or sold. -- Martin Francis http://www.sixbysix.co.uk "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...." |
#18
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below $1000 film vs digital
For quality and cost-effectiveness, buy a Mamiya C220 or C330 with the 55mm
lens set and possibly the 80mm and 135mm lens sets, or the 105 and 180mm lens sets. (No longer in production, so will have to be second-hand - maybe from KEH). Buy a heavy tripod (and use it). Then get a reasonable flat bed scanner with film scanning facility built-in. You should get a reasonable photo-editing package bundled with the scanner - if not, download the Gimp from www.gimp.org. You will be getting quite large files - you will need a reasonable amount of memory - preferably 512Mb of RAM, and either a large hard drive or be prepared to burn a lot of CDROMs or DVDs. This is a set-up I have, and negs I have scanned and manipulated myself I can print (even using a consumer photo-printer) to a higher technical quality than pro labs have managed with hand-prints in the past using traditional printing methods. And when I get a professional print from a pro lab using my digital file - Wow! As another poster wrote, you could buy a 35mm SLR with 2 or 3 prime lenses and a dedicated quality film scanner. The results would be almost as good, unless you wanted to print above 10X8inches, and could be more convenient with 1 hour processing, easy availability of film and so forth. However, if you are seeking top quality you will have to accept a degree of inconvenience - it seems to be an iron law. Many people reckon the discipline of using a medium format camera on a tripod forces a more perceptive, reflective way of working on you, resulting in a higher proportion of keepers in your images. However, that's no use if you photograph sports. I've not put prices on these options, as I'm in the UK and I imagine they will be different in the USA, but I would be surprised if you couldn't follow the MF option within your budget. HTH Keith Patterson -- "There is no way to happiness... Happiness is the way..." "Mike Henley" wrote in message om... (Mike Henley) wrote in message . com... Additionally, within that same budget, i'm also considering a Medium format camera... I'm sorry, i should've used the word "alternatively" rather than "additionally", 'cos i only want to purchase *one* camera. By additionally, i meant an additional option, in addition to the above options, rather possibly implying that i wanted an additional camera, in addition to a camera from the above ones. |
#19
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below $1000 film vs digital
bagal wrote:
Here is a scenario Nick: email from publisher: we have been let down by witheld copyright on image and needs shots of montains with snow. Can you get some to us by 9pm tonight? 1 - search through a couple of thousand prints, find a few that are suitable, get the original plus negs to publisher using courier express 2 - search the database, find pics, send images in appropriate format by email. which, if any, wins in the 21st century? Find out the database is corrupt and none of the images can be saved. Find out the image is in a format that isn't accceptable. Fact is it can't even be read. Find out the image isn't high enough quality. The OP asked about best quality for the $$. Not the most crap for the $$. Nick |
#20
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below $1000 film vs digital
In article , "bagal"
wrote: Here is a scenario Nick: email from publisher: we have been let down by witheld copyright on image and needs shots of montains with snow. Can you get some to us by 9pm tonight? Uh - stock photos? Call an agent, or individual. Oh, I see, too spendy for the publisher. Okay, let's continue with your fantasy. 1 - search through a couple of thousand prints, find a few that are suitable, get the original plus negs to publisher using courier express 2 - search the database, find pics, send images in appropriate format by email. which, if any, wins in the 21st century? You don't need digital photography to have a database of image references. Successful photographers have been doing that since the PC was invented (I mean the so-called "IBM" microcomputer.) And there are plenty of successful photographers who have images onfile, managed by their agents, or themselves. |
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