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#1
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See what the RED camera can do.
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#2
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See what the RED camera can do.
Eric Stevens wrote:
http://www.gregfoto.com/portfolio/im...um_item_id=574 ummmm... wow! To be very critical, the high (full) res 4k sample is noisy. But 35mm cine frames are much much worse at that size. Peter Jackson (yeah I'm a kiwi too, but not a hobbit last time I checked in the mirror) commented that Red One at 4k was like "70mm" WRT resolution. To make it look like 35mm, his comment was that it's easy, shoot at 2k (or convert to 2k), and add grain. |
#3
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See what the RED camera can do.
Bigguy wrote:
Eric Stevens wrote: http://www.gregfoto.com/portfolio/im...um_item_id=574 Eric Stevens The still is very noisy - has this been shot at high ISO using available light? If you have to smooth or sub sample to get rid of the noise, the resolution claim would become questionable. BugBear |
#4
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See what the RED camera can do.
"Eric Stevens" wrote in message ... http://www.gregfoto.com/portfolio/im...um_item_id=574 Eric Stevens It reminds me of 35mm Agfachrome 1000, pushed +1 stop. That sequence could have been easily (and better image quality) with any dSLR. |
#5
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See what the RED camera can do.
"Eric Stevens" wrote in message
... http://www.gregfoto.com/portfolio/im...um_item_id=574 Eric Stevens It's interesting that the high res example they offer has not a single thing is in focus. |
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