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#22
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MF & Technical Pan, looking for optimum sharpness
(jjs) wrote in message ...
In article , (Michael Scarpitti) wrote: "jjs" wrote in message ... "Michael Scarpitti" wrote in message om... (jjs) wrote in message ... In article , John wrote: Try TMX and Rodinal 1:100 for 19min at 70F Thanks, John. I will consider it when I finish off the Agfa APX. Acutol and FP4 will obliterate TMX and Rodinal. The subject was how to get apparent (perceived) sharpness via edge effects from TM films. Acutol vs. Rodinal is a religious argument that I won't even entertain. TMX film, like other T-Max films, has poor edge sharpness. TM is crap. Pure and simple CRAP! But that's easy to see. Funny how many people's perception follow's Kodak's corporate literature rather than seeing with their own eyes. Who says the blind can't take pictures? But I'm not the only one who's saying this! Anchell and Troop say it too! |
#23
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MF & Technical Pan, looking for optimum sharpness
"Philippe Lauwers" wrote in message li.nl...
Hello, The last few weeks I've been shooting landscapes with a Hasselblad 503CW, using a CFE 2.8/80 mm- lens and TMX. Now that I've finally decided on how to build my compositions, I'm considering to start all over again using Technical Pan. For most pictures, the lens is stopped down to f11 or more. As you probably suspect from the combination medium-format / Technical Pan, I'll be trying to get the most out of my camera/film combination in terms of detail, sharpness, ... The technical data-sheet of my lens states that Depth Of Field data are 'calculated for a blur circle of 60 µm and do nog include the effect of lens aberrations. For very critical photography and great enlargements this blur will be visible.' (http://www.hasselblad.se/Archive/doc...oductsheets/CF E80.pdf). Further ause of DOF-data for apertures of 2 f-stops larger is suggested. Kodak claims that ther Technical Pan film (http://www.kodak.com/global/en/profe...p255/p255.jhtm l?id=0.1.18.14.21.22.16&lc=en) has an RMS-granularity of 5 (developed in Technidol, of which I have a few bottles craving for film in the darkroom). As far as I can figure out, the RMS-granularity is a standard deviation (been confronted with rms-values more then a few times throughout my education), but I don't know of what. There must be a link to the size of film-grain, but to me it's still a missing link. My question is not so much wether, for my specific case, I should take in account the 2-stop correction for DOF-data Hasselblad recommends. Most of all I would like to understand why (of maybe why not) I should consider this correction. Thx to all (and please accept my excuses for cross-posting), Philippe I have 18 rolls of Tech Pan for sale. This is medium format 120 film. All expired 3/2004. I bought direct from a kodak dealer. it was kept in their refridgerator. Make offer. |
#24
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MF & Technical Pan, looking for optimum sharpness
jjs wrote:
TM is crap. Pure and simple CRAP! But that's easy to see. Funny how many people's perception follow's Kodak's corporate literature rather than seeing with their own eyes. Who says the blind can't take pictures? Even funnier perhaps how some people are unable, no matter how hard they try, to get very good results using a simple film like TMax, and then complain about others who do. |
#25
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MF & Technical Pan, looking for optimum sharpness
In article , "Q.G. de Bakker"
wrote: jjs wrote: TM is crap. Pure and simple CRAP! But that's easy to see. Funny how many people's perception follow's Kodak's corporate literature rather than seeing with their own eyes. Who says the blind can't take pictures? Even funnier perhaps how some people are unable, no matter how hard they try, to get very good results using a simple film like TMax, and then complain about others who do. I've yet to see a TMax image that has the certain characteristics I particularly like. That does not mean I've never seen a good image made with TMax. |
#26
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MF & Technical Pan, looking for optimum sharpness
"jjs" wrote in message
... In article , "Q.G. de Bakker" wrote: jjs wrote: TM is crap. Pure and simple CRAP! But that's easy to see. Funny how many people's perception follow's Kodak's corporate literature rather than seeing with their own eyes. Who says the blind can't take pictures? Even funnier perhaps how some people are unable, no matter how hard they try, to get very good results using a simple film like TMax, and then complain about others who do. I've yet to see a TMax image that has the certain characteristics I particularly like. That does not mean I've never seen a good image made with TMax. You mean, it's "CRAP!" because it's not the other film? Or was there something more substantial there? |
#27
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MF & Technical Pan, looking for optimum sharpness
In article , "MikeWhy"
wrote: You mean, it's "CRAP!" because it's not the other film? Or was there something more substantial there? IMHO it is crap compared to, for example, the old Agfa APX 100 in Rodinal from 1:25 to 1:150, depending on contrast range. Grain has certain virtues. And I repeat, IMHO. But you knew this. Why do you ask? |
#28
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MF & Technical Pan, looking for optimum sharpness
jjs wrote:
You mean, it's "CRAP!" because it's not the other film? Or was there something more substantial there? IMHO it is crap compared to, for example, the old Agfa APX 100 in Rodinal from 1:25 to 1:150, depending on contrast range. Grain has certain virtues. And I repeat, IMHO. Yes, in your honest opinion. In my opinion, Agfa films will not be missed when they're gone soon. But saying that is not quite the same as saying they are crap. And even less saying that people who do like Agfa films are blind, and idiots because they blindly believe whatever that company tells them to believe about their products. In my honest opinion, people who say things like that are ... Anyway, i don't see how adding "IMHO" helps. |
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