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#11
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Epson 4870
"Bart van der Wolf" wrote: All we know is that the Nyquist limit defines the threshold beyond which aliasing will interfere with the result, and contrast can approach zero at the threshold, depending on phase and prefiltering. We know a bit more than that. The Nyquist frequency only applies to infinitely periodic sinusoidal signals, so finite square wave patterns just slightly below the Nyquist can't be rendered. Not even close. "Nyquist" or N/2 differs with sampling density. Failure to include the higher frequency components actually creates the Gibbs phenomenon, an overshoot that enhances edge contrast... AKA "ringing". But we are not adding periodic sinusoidal signals of an infinitely increasing frequency. We are sampling. Actually, we're not. We're talking about reasonable expectations for how many pixels it takes to represent a line pair in a digital image created by downsampling a grossly soft scan. Scanner CCDs also depend on fill-factor (or spot size for drumscanners), because that will determine how high the feature contrast will be. In sampling theory, where one is trying to capture infinitely periodic signals slightly below the Nyquist frequency, one must use point samples. That is not how a CCD array scans the image, each sensel samples an area. Exactly. Scanning doesn't come anywhere near meeting the conditions required for the Nyquist theorem to apply. And digital images themselves don't either, since patterns are usually a single line or just a few cycles. A sensor element has a finite size, e.g. 4x4 micron, a point sample has a *much* smaller area. An area sample can quantize to different amplitudes depending on the percentage of area exposed. And thus can't accurately render frequencies near the Nyquist frequency. So basically, the theory in the vicinity of the Nyquist theory isn't applicable. (Representing finite patterns involves much higher frequencies.) Sorry, that isn't true, the theory is about sampling, and since we are sampling, we cannot ever recreate the original continuous input signal. Huh? The above is quite true. Nyquist claims you can, under certain conditions, accurately record frequencies up to but not including the Nyquist frequency. Actual sampling in scanners doesn't meet the criterion of the Nyquist theorem. The sampling is what causes the loss, not whether it is area or point sampled. No, Nyquist says you can accurately reconstruct frequencies up to but not including the Nyquist as long as you point sample. However, that does influence the amplitude of the frequency component, or the shape of the MTF curve. And where it goes to zerog. So the idea that two pixels can represent a line pair is unreasonable. Well that obviously is not true, Sorry: "So the idea that two pixels can _correctly_ represent an arbitrarily positioned line pair is unreasonable." Happier? because there is a number of different ways (contrasts) a line pair can be represented, but you probably mean they can't be imaged by a sampling system with *absolute* accuracy. I agree, but never said otherwise. The issue with the 4870 (and other staggered array sensor scanners) is that the effective fill factor is very high, and that produces smooth edge transitions. This is further contrast reduced by the lens, uncoated glass platen, and internal reflections, and we also have to presume correct positioning in a fixed focus plane. I don't care what the issues a given the actual performance of the beast, I want to know what's a good target resolution to downsample to. David J. Littleboy Tokyo, Japan |
#12
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Epson 4870
"David J. Littleboy" wrote in message ... SNIP We're talking about reasonable expectations for how many pixels it takes to represent a line pair in a digital image created by downsampling a grossly soft scan. That would depend on: 1. The amount of sharpening before scaling down, if any, and 2. the resampling method and amount used for scaling down, and 3. the sharpening needed to compensate for resampling losses. A scan of a theoretically perfect image can be mimicked by scanning a 5 degree slanted sharp edge, somewhat similar to the principle used by the ISO to determine scanner resolution. A home made solution is by mounting a razor blade in a 35mm slide mount. Another way is by mounting a piece of aluminum/aluminium foil, folded once to form a straight edge and flattened with careful pressure. The slant will reduce the differences between more or less perfect alignment with the sensor array. That will produce a target that is not yet blurred by a camera lens, so only the scanner can introduce deterioration. After scanning you'll also notice the amount of lens flare and internal reflection caused by the scanner (surround the slide mount with a full glass platen mask for best results on a flatbed scanner). Try and avoid blooming due to overexposure of the unobstructed view of the lightsource. Then you can draw several across edge luminance profiles (try two 90 degrees rotated scans to have both a sensor and a stepper motor resolution) and count the number of pixels it takes e.g. between 90% of maximum Luminance and 10% above minimum Luminance close to the edge on the Raw gamma 1.0 data. Try several sharpening radii with a modest amount to see which helps to improve the steepnes of the transition, and use that for the above step 1. Then use a resampling method that makes sense for the intended image content, using an amount to reduce the number of transition pixels to between two and three. Finally, sharpen to compensate for resampling losses. That should give the best quality, and largest possible uncompromised scan size your scanner can produce. Applying the same steps to a film scan should also produce good quality, but one may want to deviate a bit based on film characteristics and intended use. If e.g. one finally needs to enlarge again for output, then why reduce size first, and if the final image needs to be reduced further then it is better not to resample twice. Final sharpening should be based on final output size. Testing the performance as described above will give a good feeling what is needed to approach the best possible 10%-90% Luminance difference transition width in a real image. Lower image contrasts will only lose visible contrast faster, but the width of the transition is never larger. As an example, my Epson 2450 @ 2400 ppi takes 10 pixels to cross the edge, and after USM Amount 30, Radius 3.0, Threshold 0, that is reduced to 5. Reducing that Image size to 50% gives me a 2-3 pixel transition which can be further small radius sharpened to exaggerate the edge transition for a visually pleasing result. A bit more sharpening in the beginning is also possible. In fact these settings increased the resolution from 31.5 cy/mm to 50.1 cy/mm on a sample of Fuji RA film I had scanned long ago, allowing a pretty decent 5-6x enlargement of the film. Bart |
#13
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Epson 4870
Thanks to everyone who replied.
"RSD99" wrote in message ... Anybody have any real-world experience with the new Epson 4870 Scanner and either medium format or large format negatives and/or transparencies? |
#14
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Epson 4870
"David J. Littleboy" wrote: .... *: My opinion is that the offset CCD that Epson uses is complete garbage and a complete waste of time, and that these scanners barely resolve 1/2 their advertised resolution. Others are of the opion that it's a brilliant, mathematically justified concept perfectly capable of the full advertised resolution. Empirical results support my interpretationg. David J. Littleboy Tokyo, Japan I'm with you on this one - trying scans at different resolutions I didn't really see any improvement going from 1600 to 3200 dpi. But for 6x6 medium format on up to A3 paper, 1600's about enough to give a 300 dpi print, so fine for me. Anything larger I'd have to get printed the old fashioned way anyway! Simon. |
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