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#11
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Rich Pos wrote:
Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Looks like a cool event. Probably very popular, and lots of people. Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. I have several automotive images posted in the gallery area of my site. If you see something specific to ask about, feel free to ask me to give you a detailed answer. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Okay, strange one here is that a strong ND filter can help quite a bit. The idea is to through the crowds out of focus, and help isolate details. That means lots of wide open aperture shots. Another filter that can help is a light blue (like 82A, 82B) for chrome. Cars that are more red can benefit slightly from a warming filter. When you want to control reflections off windshield, or side glass, that polarizer would come in handy. Any comments on this type of photography will be appreciated. I do some automotive imagery as part of my work, and I have shot a few car collections, and exotic car events. What I notice is that people often look closely at the cars, and inspect the details. I go for the same approach with my images, though it is nice to get low, and do some wide angle shots. Sometimes the people around the cars can be very interesting, so there might be some opportunities there as well. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. The 20 mm should be awesome if you can get any dashboard shots. The 50 mm should be good for hoods, or quarter views. The 135 mm will help isolate details. The zoom lens might seem convenient, but unless it has a fairly large aperture, you might find you get too much clutter in the background. Thanks for any suggestions. RPŠ Perhaps a bit surprising, but I rarely use a tripod with some automotive imagery. There are times it can be really effect in the final image, though I think with crowds, you need to watch out for people stumbling into the tripod. A minipod, or clamp pod, might work better. Also, some car owners might get nervous with a tripod being moved around their cars. Enjoy your event. You have a way with wide views, so I expect to see some interesting images. Ciao! Gordon Moat A G Studio http://www.allgstudio.com/gallery.html Updated! |
#12
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"Rich Pos" wrote in message ... Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Any comments on this type of photography will be appreciated. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. Thanks for any suggestions. RPŠ I wouldn't worry about the flash too much, it would prolly just turn into more glare anyway. But def a polarizer. And take all the lenses as you never know how far away the ropes, if any, might be. I've gotten best luck w/ a slightly short lens. Nice perspective without distortion. Some slower film too, to get the strongest color and the widest f stop for more isolation. I try to get as close as possible and use the car to frame out people. Bob Hickey. |
#13
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"Rich Pos" wrote in message ... Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Any comments on this type of photography will be appreciated. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. Thanks for any suggestions. RPŠ I wouldn't worry about the flash too much, it would prolly just turn into more glare anyway. But def a polarizer. And take all the lenses as you never know how far away the ropes, if any, might be. I've gotten best luck w/ a slightly short lens. Nice perspective without distortion. Some slower film too, to get the strongest color and the widest f stop for more isolation. I try to get as close as possible and use the car to frame out people. Bob Hickey. |
#14
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"Rich Pos" wrote in message
... On Tue, 24 Aug 2004 16:33:43 -0700, "Skip M" wrote: "Rich Pos" wrote in message .. . Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Any comments on this type of photography will be appreciated. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. You'll probably get more use out of the WA and the zoom than any of the other lenses. The 135 will leave people with too much of an opportunity to get between you and your subject. I'd leave the tripod at home, and get/take a monopod. The tripod has too big a footprint for shooting in crowds, and takes too long to set up. If you're using flash, or shooting at midday, that may diminish the need for further stability, anyway. Hood ornaments are one of my favorite things to photograph on old cars, they're something you rarely see, anymore, and most are distinctive to one mfr. or another. Some were spectacular, I remember seeing a Delage, I believe, with a crystal ornament from Lalique. I always try to pick up things that are distinct about each model, like the front fender of a '57 Ferrari Testa Rossa, or the headlight of a Pierce-Arrow, something like that. Ah yes, the hood ornaments. There will be plenty of those Here is something stumbled across.... http://northstargallery.com/cars/cargalflyingladies.htm The ornaments and isolation shots is why I plan on taking the 135/ 2.0. Great *bokeh* and very limited DOF. I agree that the crowds will likely be a problem, that's why I'm bringing my friend _knuckles_. Mono pod is an excellent idea. It has only been used on occasion so this will be a great opportunity to give it a workout. Thanks for the ideas. RPŠ BTW: how does film respond when a polarizer is used with fill flash? Will this negate the removal of reflections in glass? That last is a good question that I'd like to see an answer for, also! I'd think that fill flash light would be more polarized than natural light, in the first place... -- Skip Middleton http://www.shadowcatcherimagery.com |
#15
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Rich Pos wrote in message . ..
Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Any comments on this type of photography will be appreciated. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. Thanks for any suggestions. Sounds to me like you'll be fine - you seem to have the major issues covered (polariser, some wide glass - you'll need that 20mm for interiors and engine bays). Be aware of metering - it's easy to underexpose interior shots and engine bay shots, with lots of shadow versus big shiny highlights. I've made that mistake *too many times* (dammit!). One my favourite shots of my old Datsun I took from some distance away with a 200mm - it really compressed the car and gave it an aggressive stance which I quite like. It's also good for shooting down the row of cars. Have a look at the gallery at www.dsrcvic.com where I've taken a few shots (not great, but it'll give you an idea). The main thing also to remember, is don't forget to take some photos of the *people*. It's too easy to get caught up on the nice shiny cars, and end up with photos that while nice, are not enduring. People add interest, imho, and at these sorts of gatherings, you'll likely find some real characters! It might be an idea to take a second body and some b&w, too. Have fun, show us the results! Cheers, Steve |
#16
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Rich Pos wrote in message . ..
Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Any comments on this type of photography will be appreciated. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. Thanks for any suggestions. Sounds to me like you'll be fine - you seem to have the major issues covered (polariser, some wide glass - you'll need that 20mm for interiors and engine bays). Be aware of metering - it's easy to underexpose interior shots and engine bay shots, with lots of shadow versus big shiny highlights. I've made that mistake *too many times* (dammit!). One my favourite shots of my old Datsun I took from some distance away with a 200mm - it really compressed the car and gave it an aggressive stance which I quite like. It's also good for shooting down the row of cars. Have a look at the gallery at www.dsrcvic.com where I've taken a few shots (not great, but it'll give you an idea). The main thing also to remember, is don't forget to take some photos of the *people*. It's too easy to get caught up on the nice shiny cars, and end up with photos that while nice, are not enduring. People add interest, imho, and at these sorts of gatherings, you'll likely find some real characters! It might be an idea to take a second body and some b&w, too. Have fun, show us the results! Cheers, Steve |
#17
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I once observed a photographer accidentally put a huge scratch down the side
of a classic car with the sharp tip of his monopod. My advice: keep anything sharp or pointy away from the cars - you don't want to see how protective some of the owners can be! Rob |
#18
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I once observed a photographer accidentally put a huge scratch down the side
of a classic car with the sharp tip of his monopod. My advice: keep anything sharp or pointy away from the cars - you don't want to see how protective some of the owners can be! Rob |
#19
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On Wed, 25 Aug 2004 03:06:08 GMT, "Bob Hickey"
wrote: "Rich Pos" wrote in message .. . Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Any comments on this type of photography will be appreciated. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. Thanks for any suggestions. RPŠ I wouldn't worry about the flash too much, it would prolly just turn into more glare anyway. But def a polarizer. And take all the lenses as you never know how far away the ropes, if any, might be. I've gotten best luck w/ a slightly short lens. Nice perspective without distortion. Some slower film too, to get the strongest color and the widest f stop for more isolation. I try to get as close as possible and use the car to frame out people. Bob Hickey. Hey Bob, how it goes. Thanks for the suggestion. I don't believe anything will be roped off but probably will be a good size crowd. I guess what I'll ultimately be doing is trying everything Film is cheap. Regards, RPŠ |
#20
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On Wed, 25 Aug 2004 03:06:08 GMT, "Bob Hickey"
wrote: "Rich Pos" wrote in message .. . Will be attending the Auburn-Cord-Dusenburg Festival and auction Labor day weekend. http://www.acdfestival.org/index.asp Seeing how I've never shot classic automobiles I am asking if anyone can give a few pointers or links so I have a decent chance to capture some nice photos. Have looked at some web sites and I really like the shots of isolated sections of the cars. The main problem I see is that most of the events will be taking place under harsh mid-day sun so I guess fill flash and/or polarizer will be essential. Any comments on this type of photography will be appreciated. Planning on bringing a 20mm, 50mm, 135mm and maybe a 35-105 zoom.... shooting 100 speed color film. As always, my mangled tripod will be along for the ride. Thanks for any suggestions. RPŠ I wouldn't worry about the flash too much, it would prolly just turn into more glare anyway. But def a polarizer. And take all the lenses as you never know how far away the ropes, if any, might be. I've gotten best luck w/ a slightly short lens. Nice perspective without distortion. Some slower film too, to get the strongest color and the widest f stop for more isolation. I try to get as close as possible and use the car to frame out people. Bob Hickey. Hey Bob, how it goes. Thanks for the suggestion. I don't believe anything will be roped off but probably will be a good size crowd. I guess what I'll ultimately be doing is trying everything Film is cheap. Regards, RPŠ |
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