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#1
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17-40 mm vs 24-105 IS
I'm in the market to get some wide to normal coverage to complement a 70-200
IS and 100 USM macro, and would like to keep things simple. Prior to the recent release of the 24-105, I was leaning toward the 17-40. Now, however, you can get the 24-40 portion of that lens and have IS to boot with the 24-105. Perhaps 24 is wide enough, and supplement with 15mm fisheye. Whatever one I get, it will be the lens mounted on the camera as the default. I shoot Velvia and will use a tripod when convenient. Subjects vary from close-ups to general shots to occasional landscapes. I know this is a personal, subjective issue, but would appreciate some insight regardless. Thanks! |
#2
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17-40 mm vs 24-105 IS
"Donald Specker" wrote in message news:WmS4f.1893$%L.294@trndny09... I'm in the market to get some wide to normal coverage to complement a 70-200 IS and 100 USM macro, and would like to keep things simple. Prior to the recent release of the 24-105, I was leaning toward the 17-40. Now, however, you can get the 24-40 portion of that lens and have IS to boot with the 24-105. Perhaps 24 is wide enough, and supplement with 15mm fisheye. Whatever one I get, it will be the lens mounted on the camera as the default. The 24-105 is a wonderful lens, and on a film camera, 24mm is plenty wide enough for 99% of your shots (I'd bet...). I'd strongly recommend starting with that lens, and it's likely you'd never get the 17-40, or feel a need for it. I shoot Velvia and will use a tripod when convenient. Subjects vary from close-ups to general shots to occasional landscapes. I know this is a personal, subjective issue, but would appreciate some insight regardless. Thanks! |
#3
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17-40 mm vs 24-105 IS
I was looking for the new 24-105 IS but found them all backordered.
I wanted this lens to replace my 28-135 IS. So for about half the price, I ordered a used 17-40 f/4L from KEH and I'll have it Wednesday. This will augment the other lens, instead of replacing it. Most of my shooting is done telephoto rather than wide angle, so my shooting needs will probably differ from yours. The lack of IS on the 17-40 isn't that big a deal on a wide angle lens. I'm sure I'll be quite happy with it even though it may see limited use. However, for all around shooting I'd go with the 24-105 IS every time. I still have it on my wish list. |
#4
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17-40 mm vs 24-105 IS
In article WmS4f.1893$%L.294@trndny09 "Donald Specker" writes:
$Prior to the recent release of the 24-105, I was leaning toward the 17-40. $Now, however, you can get the 24-40 portion of that lens and have IS to boot $with the 24-105. Perhaps 24 is wide enough, and supplement with 15mm $fisheye. Whatever one I get, it will be the lens mounted on the camera as $the default. This is to a fair degree a personal preference. But when I shot film, 28mm was my widest lens (other than the last couple of months, when I already have the 17-40 in preparation for going digital), and it was almost always wide enough. 40, on the other hand, would often not be long enough; heck, on my 20D, where the 17-40 has a 27-64 equivalent field of view, it's often not long enough. So on film, with the choice narrowed down to these two lenses, the 24-105 would win easily for me, even if it didn't have IS. The times I'd need 40 would be far more frequent than the times I'd need 24. -- Stephen M. Dunn ---------------- http://www.stevedunn.ca/ ---------------- ------------------------------------------------------------------ Say hi to my cat -- http://www.stevedunn.ca/photos/toby/ |
#6
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17-40 mm vs 24-105 IS
I still have it on my wish list.
Along with wishing for talent? LOL! This from the guy who can't even focus his camera correctly. |
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