If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. |
|
|
Thread Tools | Display Modes |
#21
|
|||
|
|||
Lith film emulation
On 2007-10-28, piterengel wrote:
On Oct 28, 3:48 am, "Ken Hart" wrote: "piterengel" wrote in message oups.com... snip These are my first two results. I've mounted on camera an EFKE 25 film, I've taken 8 pictures, cut this first part adn put into a tank. Than I've taken again 8 pictures, the same of first time, cut film and put un another tank. I've dobe this three times. Than I've developed first part with ID-13 for 3 mins. Images are well contrasted BUT NOT enough. I remember I'm trying to obtain LINE works. With the second part I've used Kodak D-85 for 2.5 mins. SURPRISE! Everything is disappeared!!! I've a totally empty film, without any shadow or kind of figure! What's happen? the D-85: Completely clear, including no edge printing? That's a processing problem. Either the developer had no activity at all, or you confused the developer and the fixer, and fixed the film first, completely clearing it. (Everyone has to make that mistake at least once...I'm waiting for it to happen to me!) You might want to take a chunk of film and just put it in the developer to see if it turns black, and how long it takes. Assuming that errors can occour, this is not the case. I've prepared D-85 and immediately put into the tank, so I've developed film, not fixed. The fact is that everything is disappeared form film, numbers of pictures and trade mark too. Surely this is an extremely strong developer, I'm thinking to try again it but diluited ten times. It seems to me that if you are sure you used the solution for D-85 that you prepared, and get blank without even the edge numbers and trademarks, before you even fixed the film, then the developer solution must have been prepared incorrectly or the chemicals you used may have been mislabelled. Assuming you are using 35mm film. In my experience, the sheet litho film (Kodak 2553, IIRC) not only has no edge notches, making printing on the correct side something of an artistic experience, but also it has no edge markings. Diluting the developper 10x will not help you. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 07:45:01 up 5 days, 3 min, 1 user, load average: 4.08, 4.08, 4.09 |
#22
|
|||
|
|||
Lith film emulation
On Oct 28, 12:53 pm, Jean-David Beyer
wrote: On 2007-10-28, piterengel wrote: On Oct 28, 3:48 am, "Ken Hart" wrote: "piterengel" wrote in message groups.com... snip These are my first two results. I've mounted on camera an EFKE 25 film, I've taken 8 pictures, cut this first part adn put into a tank. Than I've taken again 8 pictures, the same of first time, cut film and put un another tank. I've dobe this three times. Than I've developed first part with ID-13 for 3 mins. Images are well contrasted BUT NOT enough. I remember I'm trying to obtain LINE works. With the second part I've used Kodak D-85 for 2.5 mins. SURPRISE! Everything is disappeared!!! I've a totally empty film, without any shadow or kind of figure! What's happen? the D-85: Completely clear, including no edge printing? That's a processing problem. Either the developer had no activity at all, or you confused the developer and the fixer, and fixed the film first, completely clearing it. (Everyone has to make that mistake at least once...I'm waiting for it to happen to me!) You might want to take a chunk of film and just put it in the developer to see if it turns black, and how long it takes. Assuming that errors can occour, this is not the case. I've prepared D-85 and immediately put into the tank, so I've developed film, not fixed. The fact is that everything is disappeared form film, numbers of pictures and trade mark too. Surely this is an extremely strong developer, I'm thinking to try again it but diluited ten times. It seems to me that if you are sure you used the solution for D-85 that you prepared, and get blank without even the edge numbers and trademarks, before you even fixed the film, then the developer solution must have been prepared incorrectly or the chemicals you used may have been mislabelled. Assuming you are using 35mm film. In my experience, the sheet litho film (Kodak 2553, IIRC) not only has no edge notches, making printing on the correct side something of an artistic experience, but also it has no edge markings. Diluting the developper 10x will not help you. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 07:45:01 up 5 days, 3 min, 1 user, load average: 4.08, 4.08, 4.09 I'm sure both to have developed and not fixed the film and to have usaed the right chemicals. I think simply D-85 is too strong and completely unsuitable for Efke 35 mm film. I suspect that the critical component is acetone, used instead of paraformaldehyde as said before. Being this the "infectant" but necessary component for ultracontrast developer, maybe it is too effective into bath. P. |
#23
|
|||
|
|||
Lith film emulation
On Oct 28, 4:01 pm, piterengel wrote:
On Oct 28, 12:53 pm, Jean-David Beyer wrote: On 2007-10-28, piterengel wrote: On Oct 28, 3:48 am, "Ken Hart" wrote: "piterengel" wrote in message groups.com... snip These are my first two results. I've mounted on camera an EFKE 25 film, I've taken 8 pictures, cut this first part adn put into a tank. Than I've taken again 8 pictures, the same of first time, cut film and put un another tank. I've dobe this three times. Than I've developed first part with ID-13 for 3 mins. Images are well contrasted BUT NOT enough. I remember I'm trying to obtain LINE works. With the second part I've used Kodak D-85 for 2.5 mins. SURPRISE! Everything is disappeared!!! I've a totally empty film, without any shadow or kind of figure! What's happen? the D-85: Completely clear, including no edge printing? That's a processing problem. Either the developer had no activity at all, or you confused the developer and the fixer, and fixed the film first, completely clearing it. (Everyone has to make that mistake at least once...I'm waiting for it to happen to me!) You might want to take a chunk of film and just put it in the developer to see if it turns black, and how long it takes. Assuming that errors can occour, this is not the case. I've prepared D-85 and immediately put into the tank, so I've developed film, not fixed. The fact is that everything is disappeared form film, numbers of pictures and trade mark too. Surely this is an extremely strong developer, I'm thinking to try again it but diluited ten times. It seems to me that if you are sure you used the solution for D-85 that you prepared, and get blank without even the edge numbers and trademarks, before you even fixed the film, then the developer solution must have been prepared incorrectly or the chemicals you used may have been mislabelled. Assuming you are using 35mm film. In my experience, the sheet litho film (Kodak 2553, IIRC) not only has no edge notches, making printing on the correct side something of an artistic experience, but also it has no edge markings. Diluting the developper 10x will not help you. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 07:45:01 up 5 days, 3 min, 1 user, load average: 4.08, 4.08, 4.09 I'm sure both to have developed and not fixed the film and to have usaed the right chemicals. I think simply D-85 is too strong and completely unsuitable for Efke 35 mm film. I suspect that the critical component is acetone, used instead of paraformaldehyde as said before. Being this the "infectant" but necessary component for ultracontrast developer, maybe it is too effective into bath. P. I've found on an old italian darkroom cookbook these two developers. 1) FERRANIA R7 PART A sodium sulfite 45 g hydroquinone 10 g sodium carbonate 30 g potassium bromide 2 g water to 500 ml PART B sodium hydroxyde 8 g water to 500 ml Mix Part A and Part B. 2) AGFA 22 metol 0.8 g sodium sulfite 40 g hydroquinone 8 g potassium carbonate 50 g potassium bromide 5 g water to 1000 ml Both two are given to be very high contrast developers. What do you think about them? P. |
#24
|
|||
|
|||
Lith film emulation
On 2007-10-28, piterengel wrote:
On Oct 28, 4:01 pm, piterengel wrote: On Oct 28, 12:53 pm, Jean-David Beyer wrote: On 2007-10-28, piterengel wrote: On Oct 28, 3:48 am, "Ken Hart" wrote: "piterengel" wrote in message groups.com... snip These are my first two results. I've mounted on camera an EFKE 25 film, I've taken 8 pictures, cut this first part adn put into a tank. Than I've taken again 8 pictures, the same of first time, cut film and put un another tank. I've dobe this three times. Than I've developed first part with ID-13 for 3 mins. Images are well contrasted BUT NOT enough. I remember I'm trying to obtain LINE works. With the second part I've used Kodak D-85 for 2.5 mins. SURPRISE! Everything is disappeared!!! I've a totally empty film, without any shadow or kind of figure! What's happen? the D-85: Completely clear, including no edge printing? That's a processing problem. Either the developer had no activity at all, or you confused the developer and the fixer, and fixed the film first, completely clearing it. (Everyone has to make that mistake at least once...I'm waiting for it to happen to me!) You might want to take a chunk of film and just put it in the developer to see if it turns black, and how long it takes. Assuming that errors can occour, this is not the case. I've prepared D-85 and immediately put into the tank, so I've developed film, not fixed. The fact is that everything is disappeared form film, numbers of pictures and trade mark too. Surely this is an extremely strong developer, I'm thinking to try again it but diluited ten times. It seems to me that if you are sure you used the solution for D-85 that you prepared, and get blank without even the edge numbers and trademarks, before you even fixed the film, then the developer solution must have been prepared incorrectly or the chemicals you used may have been mislabelled. Assuming you are using 35mm film. In my experience, the sheet litho film (Kodak 2553, IIRC) not only has no edge notches, making printing on the correct side something of an artistic experience, but also it has no edge markings. Diluting the developper 10x will not help you. I'm sure both to have developed and not fixed the film and to have usaed the right chemicals. I think simply D-85 is too strong and completely unsuitable for Efke 35 mm film. I suspect that the critical component is acetone, used instead of paraformaldehyde as said before. Being this the "infectant" but necessary component for ultracontrast developer, maybe it is too effective into bath. P. I never heard of using acetone instead of paraformaldehyde. That might be a mistake in the formula. The only thing a "too strong" developer might do is make the image too contrasty (sort-of impossible when developing lith film), or too foggy. You are not getting fog. You are not getting anything. If your film really should have edge markings, then you are not developing enough (at all, actually). I've found on an old italian darkroom cookbook these two developers. There are a lot of formulae going around. Most of only historical interest. I know nothing about these. R7 seems like it would be a high contrast developer, but nothing like what you would want for lith film. Agfa 22 might be somewhat higher contrast than R7 or D76, but not what would normally be required for lith film. 1) FERRANIA R7 PART A sodium sulfite 45 g hydroquinone 10 g sodium carbonate 30 g potassium bromide 2 g water to 500 ml PART B sodium hydroxyde 8 g water to 500 ml Mix Part A and Part B. 2) AGFA 22 metol 0.8 g sodium sulfite 40 g hydroquinone 8 g potassium carbonate 50 g potassium bromide 5 g water to 1000 ml Both two are given to be very high contrast developers. What do you think about them? P. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 14:05:01 up 5 days, 6:23, 4 users, load average: 4.11, 4.18, 4.16 |
#25
|
|||
|
|||
Lith film emulation
On Oct 28, 7:13 pm, Jean-David Beyer
wrote: On 2007-10-28, piterengel wrote: On Oct 28, 4:01 pm, piterengel wrote: On Oct 28, 12:53 pm, Jean-David Beyer wrote: On 2007-10-28, piterengel wrote: On Oct 28, 3:48 am, "Ken Hart" wrote: "piterengel" wrote in message groups.com... snip These are my first two results. I've mounted on camera an EFKE 25 film, I've taken 8 pictures, cut this first part adn put into a tank. Than I've taken again 8 pictures, the same of first time, cut film and put un another tank. I've dobe this three times. Than I've developed first part with ID-13 for 3 mins. Images are well contrasted BUT NOT enough. I remember I'm trying to obtain LINE works. With the second part I've used Kodak D-85 for 2.5 mins. SURPRISE! Everything is disappeared!!! I've a totally empty film, without any shadow or kind of figure! What's happen? the D-85: Completely clear, including no edge printing? That's a processing problem. Either the developer had no activity at all, or you confused the developer and the fixer, and fixed the film first, completely clearing it. (Everyone has to make that mistake at least once...I'm waiting for it to happen to me!) You might want to take a chunk of film and just put it in the developer to see if it turns black, and how long it takes. Assuming that errors can occour, this is not the case. I've prepared D-85 and immediately put into the tank, so I've developed film, not fixed. The fact is that everything is disappeared form film, numbers of pictures and trade mark too. Surely this is an extremely strong developer, I'm thinking to try again it but diluited ten times. It seems to me that if you are sure you used the solution for D-85 that you prepared, and get blank without even the edge numbers and trademarks, before you even fixed the film, then the developer solution must have been prepared incorrectly or the chemicals you used may have been mislabelled. Assuming you are using 35mm film. In my experience, the sheet litho film (Kodak 2553, IIRC) not only has no edge notches, making printing on the correct side something of an artistic experience, but also it has no edge markings. Diluting the developper 10x will not help you. I'm sure both to have developed and not fixed the film and to have usaed the right chemicals. I think simply D-85 is too strong and completely unsuitable for Efke 35 mm film. I suspect that the critical component is acetone, used instead of paraformaldehyde as said before. Being this the "infectant" but necessary component for ultracontrast developer, maybe it is too effective into bath. P. I never heard of using acetone instead of paraformaldehyde. That might be a mistake in the formula. The only thing a "too strong" developer might do is make the image too contrasty (sort-of impossible when developing lith film), or too foggy. You are not getting fog. You are not getting anything. If your film really should have edge markings, then you are not developing enough (at all, actually). I've found on an old italian darkroom cookbook these two developers. There are a lot of formulae going around. Most of only historical interest. I know nothing about these. R7 seems like it would be a high contrast developer, but nothing like what you would want for lith film. Agfa 22 might be somewhat higher contrast than R7 or D76, but not what would normally be required for lith film. 1) FERRANIA R7 PART A sodium sulfite 45 g hydroquinone 10 g sodium carbonate 30 g potassium bromide 2 g water to 500 ml PART B sodium hydroxyde 8 g water to 500 ml Mix Part A and Part B. 2) AGFA 22 metol 0.8 g sodium sulfite 40 g hydroquinone 8 g potassium carbonate 50 g potassium bromide 5 g water to 1000 ml Both two are given to be very high contrast developers. What do you think about them? P. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 14:05:01 up 5 days, 6:23, 4 users, load average: 4.11, 4.18, 4.16 The fact is that EFKE KB 25 is NOT a lith film, but a normal b/w film. As I've said in the first post and in its title my pourpose is to try to emulate lith film using normal bw negatives choosing the appropriate developer. This because in Italy it is quite impossible to find real lith films. That's all. P. |
#26
|
|||
|
|||
Lith film emulation
On 10/28/2007 7:01 AM piterengel spake thus:
On Oct 28, 12:53 pm, Jean-David Beyer wrote: It seems to me that if you are sure you used the solution for D-85 that you prepared, and get blank without even the edge numbers and trademarks, before you even fixed the film, then the developer solution must have been prepared incorrectly or the chemicals you used may have been mislabelled. Assuming you are using 35mm film. In my experience, the sheet litho film (Kodak 2553, IIRC) not only has no edge notches, making printing on the correct side something of an artistic experience, but also it has no edge markings. Diluting the developper 10x will not help you. I'm sure both to have developed and not fixed the film and to have usaed the right chemicals. I think simply D-85 is too strong and completely unsuitable for Efke 35 mm film. While I can sympathize with your frustration here, I think you're mistaken in thinking that somehow a developer that's "too strong" for film would give completely blank results. Think about it: if a developer is too strong (i.e., too active), you're going to get something like completely *black* film, not completely blank. Something else is happening here. (Sorry, don't know enough about photochemistry to be of any help.) Richard K.? |
#27
|
|||
|
|||
Lith film emulation
"piterengel" wrote
in Italy it is quite impossible to find real lith films. I think you are looking in the wrong places. Lith film is very easily available in Italy. It's easily available everywhere - Ulan Bator to Ultima Thule. Finding it on the internet if you do not know the "magic word" is, of course, impossible. You might start with Agfa and ask them: http://www.agfa.com/en/gs/about_us/w...?countryId=108 Or Kodak - though they tend to be hopeless, kinda like their web site. http://graphics.kodak.com/US/ContactUs/default.htm Or contact a local offset printer and ask them. You would be looking for someone like this, only located in Italy. http://www.valleylitho.com/acatalog/...plies_179.html -- Nicholas O. Lindan, Cleveland, Ohio Darkroom Automation: F-Stop Timers, Enlarging Meters http://www.darkroomautomation.com/index.htm n o lindan at ix dot netcom dot com |
Thread Tools | |
Display Modes | |
|
|
Similar Threads | ||||
Thread | Thread Starter | Forum | Replies | Last Post |
cutting sheet lith film | sreenath | In The Darkroom | 4 | July 20th 07 12:59 PM |
Arista Ortho Lith Film Problem | Ron Gans | In The Darkroom | 24 | January 3rd 07 12:25 AM |
Tri-X emulation after the B&W from Colour post above | Jem Raid | Digital Photography | 6 | March 25th 06 08:51 PM |
solarizing lith film | Luis Ortega | Fine Art, Framing and Display | 4 | February 11th 06 09:07 PM |
What is "lith" printing, anyway? | David Nebenzahl | In The Darkroom | 8 | April 3rd 04 04:28 AM |