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#11
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OK - I sure don't see anything that looks like a flat plate of glass!
All 5 have curvature. What does the 80 mm distance represent? The preceding distances look like spacings, not cumulative distance. The only thing I can envision 80 mm meaning would be overall length? Murray |
#12
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OK - I sure don't see anything that looks like a flat plate of glass!
All 5 have curvature. What does the 80 mm distance represent? The preceding distances look like spacings, not cumulative distance. The only thing I can envision 80 mm meaning would be overall length? Murray |
#13
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I posted a zipped file containing the Zeiss, B&L and a third English
(apparently never commercialized) variant in the same family (Double Gauss?). Also, I posted a B&L lens factory data sheet for a 12" Metrogon. Kind of disappointing the resolution is 'only' 32 (I assume lp/mm) on axis, but maybe that's pretty good for a lens that covered 9"x18". www.uptowngallery.org/Murray/Metrogon/ |
#14
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Looks like the 3rd lens was by Hasselkus & Richmond in England. It used
5 elements like the Metrogon, with the pair of them using the 5th element on opposite sides of the assembly (one placed it in front, the other in the rear). The English design claimed usability at f/5.6. The Zeiss design claims 100 degree coverage at f/6.3, so maybe this one will really cover 8x10, perhaps with some margin. Murray |
#15
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In article .com,
murrayatuptowngallery wrote: Looks like the 3rd lens was by Hasselkus & Richmond in England. It used 5 elements like the Metrogon, with the pair of them using the 5th element on opposite sides of the assembly (one placed it in front, the other in the rear). The English design claimed usability at f/5.6. The Zeiss design claims 100 degree coverage at f/6.3, so maybe this one will really cover 8x10, perhaps with some margin. Another similar lens is the Rectagon/Super Rectagon from Goerz. The basic Rectagon must _just barely_ cover the image area of the 9" square aero format, because it does *not* cover 8x10 out to the corners; it comes up about 5mm short. I have tested this myself on an 11x14 camera with two different Rectagons so I am sure it is the case. Goerz marketed the Super Rectagon for pictoral use on 8x10 cameras, however, so it must cover. I don't know how it differs from the standard Rectagon in design. -- Thor Lancelot Simon "The inconsistency is startling, though admittedly, if consistency is to be abandoned or transcended, there is no problem." - Noam Chomsky |
#16
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In article .com,
murrayatuptowngallery wrote: Looks like the 3rd lens was by Hasselkus & Richmond in England. It used 5 elements like the Metrogon, with the pair of them using the 5th element on opposite sides of the assembly (one placed it in front, the other in the rear). The English design claimed usability at f/5.6. The Zeiss design claims 100 degree coverage at f/6.3, so maybe this one will really cover 8x10, perhaps with some margin. Another similar lens is the Rectagon/Super Rectagon from Goerz. The basic Rectagon must _just barely_ cover the image area of the 9" square aero format, because it does *not* cover 8x10 out to the corners; it comes up about 5mm short. I have tested this myself on an 11x14 camera with two different Rectagons so I am sure it is the case. Goerz marketed the Super Rectagon for pictoral use on 8x10 cameras, however, so it must cover. I don't know how it differs from the standard Rectagon in design. -- Thor Lancelot Simon "The inconsistency is startling, though admittedly, if consistency is to be abandoned or transcended, there is no problem." - Noam Chomsky |
#17
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#18
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Is this in reply to the stuff I sent? The spacings in lens
prescriptions are from the center of one surface to the next. Overall length of the lens is gotten by adding all the thicknesses and spacings on the axis of the lens. I am looking at the group using Google so there may be a missing message. Richard Knopow |
#19
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murrayatuptowngallery wrote: snip Street wisdom on Metrogon cell spacing for barrel or other use is as follows. I would ignore street wisdom, and would only use patents as a very rough guide. I designed and built a Topogon type lens about 15 years ago (250mm EFL for 11x14) for my personal use, and despite the fact that I knew *everything* about the lens including the as-built parameters I still resorted to trial and error to get the central air gap exactly right. The following test takes advantage of the fact that a well-built Topogon lens has an extremely flat field with virtually zero astigmatism. Get the central air gap wrong and you will get lots of astigmatism. Screw the cells into the shutter or barrel and mount onto your camera. Stop down the lens to about f/22 - f/32 to completely eliminate oblique spherical aberration. At small apertures the main effect of getting the central air gap wrong will be astigmatism, which will look alot like field curvature. If you try this test at wide apertures you will be completely confused by the enormous oblique spherical that occurs off-axis. It may also be worth putting a green filter on the lens since Topogons tend to suffer from chromatic variation of astigmatism. Mount the camera to a tripod, and try to place the center of rotation as close to the entrance pupil of the lens as possible. Rotate the camera on the tripod while observing the image of a distant point source such as a streetlight. Change the air gap by screwing the front cell in or out until the point image stays sharp during the camera rotation. After you get the spacing figured out, you will probably need to machine a spacer so that everything comes out right when you tighten the cells. As I said, I knew everything about my Topogon type lens: radii, indices, spacings. Despite this, my "dead reckoning" of the central air gap by re-fitting the design according to measured parameter data was off by several tenths of a millimeter. Brian www.caldwellphotographic.com |
#20
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Dr BC, good to hear from you again too. Your web site was sluggish or
down so I had to wait for a posting from you. I acquired a complete 12" Metrogon pair, but it's not my nature to allow the orphan front cell with apparent fungal etching (I previously emailed you about) to rest in peace...it still passes light, so I'm going to do something with it! Murray |
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