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Tri-X turns 60
On Thu, 13 Mar 2014 21:39:44 -0400, "J. Clarke"
wrote: In article , says... On 3/13/14 5:50 PM, in article 2014031315504673476-savageduck1@REMOVESPAMmecom, "Savageduck" wrote: On 2014-03-13 22:32:57 +0000, newshound said: On 13/03/2014 19:20, George Kerby wrote: Nice article about Kodaks best B&W film... http://moreintelligentlife.com/conte...rd/tri-x-facto r?page=full I preferred FP4. Kodachrome II every time for colour, though. The last time I used Tri-X was back in 1971 when I still had a wet darkroom. Stainless steel reels, or those plastic ones where you "worked" the roll on from the outside to the center? When I conquered the ss reels and loaded film without any crimps, undeveloped area, or resulting 'half-moons', I thought I was king of the world! Now try doing that in the trunk to a Volvo sometime because it's the only place to which you have access that is dark enough after your changing bag blew away. I've loaded bulk film into cassettes while inside a wardrobe. -- Regards, Eric Stevens |
#23
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Tri-X turns 60
On 3/14/2014 9:16 AM, George Kerby wrote:
On 3/13/14 11:33 PM, in article , "RichA" wrote: On Thursday, March 13, 2014 3:20:05 PM UTC-4, George Kerby wrote: Nice article about Kodaks best B&W film... http://moreintelligentlife.com/conte...rd/tri-x-facto r?page=full Kodak's best was Tech Pan, it was beyond the capability of lenses. Tri-X was grainy and only used by news photogs because they understood how it functioned. HP-5 was better in the 1980's and currently, T-Max is much better as is XP-2, a chromogenic B&W film. The best developer for conventional black and white films, if you can still find it, is Agfa Refinal. Nope, Microdol-X... It depends. I mixed several different developers, using a formula I found in my Chemical Rubber Handbook. -- PeterN |
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