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#1
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Olympus Pen Digital 4/3 advice please
Please no flamers. Please will the P&S troll stay out of this. i'm
looking for honest advice, preferably from someone with firsthand experience with the new Olympus 4/3 Pen Digital cameras. I am a film photographer using good SLRs (Pentax 6x7 for MF, Olympus OM2 and OM10, and Nikon F for 35mm) but I want to get a good digital camera. I was looking at the Nikon D5000 and the Olympus Digital Pen EP1. The Nikon will NOT take my manual F lenses, though they will fit on it. The Olympus, with an adaptor, WILL take all my OM lenses with full function except for the auto focus part. That makes the Olympus a much more attractive camera. But the EP1 has only a live screen, not a viewfinder, because it is not an SLR but is the closest thing to a digital "rangefinder" that I've seen. I don't know how that screen behaves in bright sunlight. Then they came out with the EP2 which has the EVF attachment, eliminating the problem of the LCD screen in sunlight, but it costs $300 more. And now I saw announced yet a third EP that is LESS expensive than the EP1 AND it contains a built in flash. So there must be a fair amount of compromise there. Does anyone have firsthand experience with any of these cameras and can you advise? If I leave the issue of compatible old lenses out of it, is the Nikon D5000 at the same street price as the EP1 a better camera with more functionality? Please no flames, no trolls, but helpful information would be very much appreciated. -- Michael |
#2
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Olympus Pen Digital 4/3 advice please
The upper end of the Nikon dSLR line will use your old film lenses and work
in metered modes without the kludge of an adaptor. These are large and heavy camera/lens combinations that are even heavier than film counterparts. I presume you are attracted to the d5000 because of its size. I'm sure it was just a bad sample but I bought one of these and returned it because it was a dud of duds (I think the sensor was not properly aligned so images were not uniformly sharp across the field) and would not work with older Nikon AF lenses. Theoretically older lenses may have problems with reflections between their uncoated rear elements and the image capture sensor but much of that is noise aimed at getting users to buy new lenses. I have never seen this as an issue when I use older Nikon lenses on Nikon dSLRs. If camera bulk is more of a concern for you than absolute image quality you have to check out the older and newer mini 4/3 cameras and see what works for you. The quality of data coming off the sensor is comparable to what the d5000 can ideally produce for most uses but noise may be a consideration if you routinely use ISOs higher than 400. In my experience with Nikons and Canons current APS-c sensors have acceptable noise out to ISO 800 but beyond that it's a subjective technical/aesthetic judgment. Noise that is seen in blown-up sections of an image on a computer monitor more often than not is a non-issue for the size the image will be used at or for printing or viewing, particularly with minor processing in Photoshop. A physically immutable property of smaller focal length lenses is diffraction error that affects image quality and this is a real issue with smaller sensor cameras that technology cannot change. I think the 4/3 sensor size is as small as it can get without relying on image processing to disguise the physical properties of light passing through a transparent medium. Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. I would not invest in a camera that did not have at least an eye-level EVF as a primary camera for "serious" use because there is no way to rely on the viewing screen attached to the back of a camera in sunlight. --- news://freenews.netfront.net/ - complaints: --- |
#3
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Olympus Pen Digital 4/3 advice please
On Sat, 20 Feb 2010 11:28:35 -0800, "c_atiel" wrote:
Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. That's a lie. Always has been, always will be, nothing but a lie. |
#4
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Olympus Pen Digital 4/3 advice please
On 2010-02-20 15:30:37 -0500, Dan M said:
On Sat, 20 Feb 2010 11:28:35 -0800, "c_atiel" wrote: Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. That's a lie. Always has been, always will be, nothing but a lie. P&S Troll: I asked you to PLEASE stay out of this discussion. You are contributing nothing but flame and gas. -- Michael |
#5
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Olympus Pen Digital 4/3 advice please
On 2010-02-20 14:28:35 -0500, c_atiel said:
The upper end of the Nikon dSLR line will use your old film lenses and work in metered modes without the kludge of an adaptor. These are large and heavy camera/lens combinations that are even heavier than film counterparts. I presume you are attracted to the d5000 because of its size. I'm sure it was just a bad sample but I bought one of these and returned it because it was a dud of duds (I think the sensor was not properly aligned so images were not uniformly sharp across the field) and would not work with older Nikon AF lenses. Theoretically older lenses may have problems with reflections between their uncoated rear elements and the image capture sensor but much of that is noise aimed at getting users to buy new lenses. I have never seen this as an issue when I use older Nikon lenses on Nikon dSLRs. If camera bulk is more of a concern for you than absolute image quality you have to check out the older and newer mini 4/3 cameras and see what works for you. The quality of data coming off the sensor is comparable to what the d5000 can ideally produce for most uses but noise may be a consideration if you routinely use ISOs higher than 400. In my experience with Nikons and Canons current APS-c sensors have acceptable noise out to ISO 800 but beyond that it's a subjective technical/aesthetic judgment. Noise that is seen in blown-up sections of an image on a computer monitor more often than not is a non-issue for the size the image will be used at or for printing or viewing, particularly with minor processing in Photoshop. A physically immutable property of smaller focal length lenses is diffraction error that affects image quality and this is a real issue with smaller sensor cameras that technology cannot change. I think the 4/3 sensor size is as small as it can get without relying on image processing to disguise the physical properties of light passing through a transparent medium. Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. I would not invest in a camera that did not have at least an eye-level EVF as a primary camera for "serious" use because there is no way to rely on the viewing screen attached to the back of a camera in sunlight. --- news://freenews.netfront.net/ - complaints: --- Thanks for the detailed reply. As a film photographer I almost never stray above ISO 400 (Tri X) and usually am at 100 (Ektachromes) or lower (64 with what's left of my Kodachrome, or Velvia 50) so the noise issue over 400 is not much of an issue for me. It is the viewing screen issue in sunlight that is the biggest putoff. I hope someone who actually uses this camera will add to the discussion because I really need some hands on experience with that viewfinder to talk to me. -- Michael |
#6
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Olympus Pen Digital 4/3 advice please
On Sat, 20 Feb 2010 21:27:55 -0500, Michael The Complete Idiot
Spewed: On 2010-02-20 15:30:37 -0500, Dan M said: On Sat, 20 Feb 2010 11:28:35 -0800, "c_atiel" wrote: Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. That's a lie. Always has been, always will be, nothing but a lie. I asked you to PLEASE stay out of this discussion. You are contributing nothing but flame and gas. On the contrary, I am correcting some often spewed misinformation. There's no need for anyone to refute it if they have as much experience with cameras as I have. So there will be no flame nor gas from it. Those that do refute it are just displaying their ignorance and inexperience. If you can't correct their lies then I will. On the upside, now you know you can't trust anything that person said because they displayed their lack of expertise and experience with any camera that has an EVF. You can use that lie of theirs to diminish the importance of their opinion. Make their lies work in your favor by weeding out the pretend-photographer bull**** artists that spew them. Get smarter. If not, your loss and yours alone. |
#7
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Olympus Pen Digital 4/3 advice please
On Sat, 20 Feb 2010 22:13:19 -0600, Dan M
wrote: On Sat, 20 Feb 2010 21:27:55 -0500, Michael The Complete Idiot Spewed: On 2010-02-20 15:30:37 -0500, Dan M said: On Sat, 20 Feb 2010 11:28:35 -0800, "c_atiel" wrote: Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. That's a lie. Always has been, always will be, nothing but a lie. I asked you to PLEASE stay out of this discussion. You are contributing nothing but flame and gas. On the contrary, I am correcting some often spewed misinformation. No, you continue to be nothing but an idiot and an annoyance. |
#8
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Olympus Pen Digital 4/3 advice please
On Sat, 20 Feb 2010 23:24:06 -0500, rwalker wrote:
On Sat, 20 Feb 2010 22:13:19 -0600, Dan M wrote: On Sat, 20 Feb 2010 21:27:55 -0500, Michael The Complete Idiot Spewed: On 2010-02-20 15:30:37 -0500, Dan M said: On Sat, 20 Feb 2010 11:28:35 -0800, "c_atiel" wrote: Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. That's a lie. Always has been, always will be, nothing but a lie. I asked you to PLEASE stay out of this discussion. You are contributing nothing but flame and gas. On the contrary, I am correcting some often spewed misinformation. No, you continue to be nothing but an idiot and an annoyance. I see, you're another troll's-misinformation spewing idiot. Let's break it down for you. For example: On a Canon Powershot S5IS, the EVF refresh rate is ~1/60th of a second for all shutter speeds at 1/60th of a second or faster. 17 milliseconds between refreshed images in the EVF. Documented and proved with the CHDK program's internal benchmark tests. The S5IS is capable of responding to a motion-detection script in CHDK and taking an image in 45 milliseconds. This is the total time from the image changing on the CCD in the FOV until the shutter is snapped. 45-55 milliseconds, by the way, is the same amount of time delay from half-press to captured image too, if done by an alert hand. (The idiots at dpreview don't even know how to test these features properly.) If we figure in the time for image processing from the true image on the CCD until it appears on the EVF (the EVF data being the stream that is used for the motion detection algorithm), then the delay between real image on the CCD and EVF display is only 28 milliseconds. This is 45ms (total time) minus 17ms (the EVF refresh rate). That's 1/38th of a second. Faster than the refresh rate on all TVs that you've been viewing all your life. Faster than the refresh rate of all movies you've seen in a theater. Faster than human reaction time. The ONLY time there is a lag in an EVF that is longer than human-reaction time is if you use a shutter-speed slower than human reaction time. An EVF has a true, real-time, shutter-speed preview. So you may dial-in the exact shutter speed you need for those milky water effects or knowing if it's fast enough to stop that bee's wings in flight with no blur, before you even press the shutter and capture its image. All seen in real-time. Minus the 1/38th second delay between CCD's real image and EVF display. My, what terrible terrible EVF lag, 28 milliseconds. Your own mirrors on DSLRs take longer than that to flip out of the way. Then on top of it you can't even see what you are capturing while the mirror is up. Now if you really want to talk about viewfinder lag, let's address the one that exists in all DSLRs with their slow and loudly slapping sloppy mirrors. Are you getting smarter yet? Are you starting to now realize just how ****ingly stupid that you and everyone else has become? From pretend-photographer trolls relentlessly spewing their troll's-bull**** and all of you swallowing without question right it to the hilt. You're all such sad sorry excuses for humans. "Monkey-see, monkey-do" has never been truer than in these newsgroups. |
#9
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Olympus Pen Digital 4/3 advice please
Dan M wrote:
You're all such sad sorry excuses for humans. "Monkey-see, monkey-do" has never been truer than in these newsgroups. It's amazing that such a scholar and gentleman such as yourself would spend so much time among the hoi poloi. -- lsmft |
#10
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Olympus Pen Digital 4/3 advice please
On Sat, 20 Feb 2010 21:06:05 -0800 (PST), Rich
wrote: On Feb 20, 2:28*pm, "c_atiel" wrote: Electronic view finders are slow and frustrating to use even in their best current eye level iterations compared to now ancient optical mirror/prism SLR technology. I was using one tonight. The E-P2's problem isn't the viewfinder, which is good, maybe as good as the G1's. It's problem is the dead- slow and hunty AF. The Panasonic offering runs rings around it. Slow auto-focus reports for all cameras are more often caused by human error. Someone not being able to hold a camera still enough for it to lock onto something to focus on. Especially common with those using superzoom lenses who report "hunty" and slow auto-focus speeds. They are expecting the camera to compensate for their own muscle jitters now being amplified with focal-lengths over 400mm. Something they've never even attempted before. Or pointing it at a solid color wall or wispy clouds and expecting the camera to focus on that. What were you trying to focus on, at what focal-length lens? Was this with or without image-stabilization turned on? If on, then was this at the "always on" setting or the "shoot only" setting? It makes a difference to auto-focus speeds. What were the light-levels at the time? What is your own hand-held record-attempt to get a tack-sharp image using long focal-lengths and slow shutter-speeds? With or without IS. They all determine auto-focusing speeds. These significant things too are always conveniently omitted from the test reports authored at dpreview.idiots. How anyone can ever take their "test" results seriously is beyond me. Until we know these things, you may have been testing both cameras under vastly different circumstances involving focal-lengths, subject-matter, light-levels, and image-stabilization settings. Maybe not even taking these things into account to formulate your own opinion properly because you don't even realize how much they can change auto-focusing speeds. Until we know more it just makes your personal review pointless, or just plain biased. |
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