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#21
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Developer 911 in 714
Randall Ainsworth wrote:
In article , Geoffrey S. Mendelson wrote: If your only choices are HC-110 with some creative dilution, a C-41 (chromogenic) film, or digital photographs converted to black and white in photoshop, your appreciation might change. I went digital a few years back, so my darkroom days are over. I spent enough time in there (former professional). But if you like golf ball sized grain, HC-110 will do the trick. If I wanted golf-ball grain (and I do not, but I have a friend who does), Rodinal is probably the way to go. Or shoot very small negatives and enlarge a lot. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 10:40:01 up 32 days, 22:05, 3 users, load average: 4.32, 4.16, 4.12 |
#22
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Developer 911 in 714
Jean-David Beyer wrote:
If I wanted golf-ball grain (and I do not, but I have a friend who does), Rodinal is probably the way to go. Or shoot very small negatives and enlarge a lot. Rodinal was on it's way out HERE long before Agfa went out of business. I doubt there is any of the new stuff in the country. The last bottle of HC-110 was sold with an implication that it was the last that store would carry and they are the largest in the country. Geoff. -- Geoffrey S. Mendelson, Jerusalem, Israel N3OWJ/4X1GM IL Voice: (07)-7424-1667 Fax ONLY: 972-2-648-1443 U.S. Voice: 1-215-821-1838 Visit my 'blog at http://geoffstechno.livejournal.com/ |
#23
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Developer 911 in 714
"Jean-David Beyer" wrote in message newsubMh.17270$O_5.2796@trnddc03... If I wanted golf-ball grain (and I do not, but I have a friend who does), Rodinal is probably the way to go. Or shoot very small negatives and enlarge a lot. .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 10:40:01 up 32 days, 22:05, 3 users, load average: 4.32, 4.16, 4.12 What I don't understand is why so many people get big grain. Does everybody push everything or just leave it in too long. My usual is HP-5 in Rodinal, but I've had good results w/ Tri-X and HC-110, and I don't get much grain at all; as a matter of fact, I like the 20-30 old Tri-X grain much better. Actually, I don't care for any of the "fine grain" developers I've tried. Looks mushy or soft somehow. Bob Hickey |
#24
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Developer 911 in 714
"bob hickey" wrote: What I don't understand is why so many people get big grain. Does everybody push everything or just leave it in too long. Nah. I think it's the definition of the terms. Here, anything grainier than TMX100 in 6x7 is "golf ball" territory. I've see page after page of disgustingly grainy at 5x7 35mm work in the (now defunct?) Japanese B&W magazine (Natural Glow; it used to be fun when they had fewer Leica shots) and grainy 600 x 800 images on the web. Those guys seem to think that every surface having exactly the same texture is interesting. In real life, the textures are different... David J. Littleboy Who doesn't "get" 35mm. At all. Tokyo, Japan |
#25
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Developer 911 in 714
"bob hickey" wrote
What I don't understand is why so many people get big grain ... w/ Tri-X and HC-110 ... I don't get much grain at all We once had a shouting match on this subject when a member of the LF group "obviously assumed 4x5" and the one from r.p.e.35mm "obviously assumed 35mm". Needles to say each was soon convinced the other had lost touch with reality. It is a good idea to mention the film size [and sometimes print size] when debating grain. -- Nicholas O. Lindan, Cleveland, Ohio Darkroom Automation: F-Stop Timers, Enlarging Meters http://www.darkroomautomation.com/index.htm n o lindan at ix dot netcom dot com |
#26
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Developer 911 in 714
David J. Littleboy wrote:
Nah. I think it's the definition of the terms. Here, anything grainier than TMX100 in 6x7 is "golf ball" territory. It's also the concept of grain. Electronic media don't have it. There was a big problem in the TV industry when they went to video tape (1960s in the U.S. and the U.K.) because it did not look like film. Even today the debate continues in the movie industry. Grain is necessary to some people becuase it proves the original was film. Someday a bright programer will write a photoshop filter to create grain, and it will be impossible to tell. Imagine the conufsion. :-) Geoff. -- Geoffrey S. Mendelson, Jerusalem, Israel N3OWJ/4X1GM IL Voice: (07)-7424-1667 Fax ONLY: 972-2-648-1443 U.S. Voice: 1-215-821-1838 Visit my 'blog at http://geoffstechno.livejournal.com/ |
#27
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Developer 911 in 714
Nicholas O. Lindan wrote:
"bob hickey" wrote What I don't understand is why so many people get big grain ... w/ Tri-X and HC-110 ... I don't get much grain at all We once had a shouting match on this subject when a member of the LF group "obviously assumed 4x5" and the one from r.p.e.35mm "obviously assumed 35mm". Needles to say each was soon convinced the other had lost touch with reality. It is a good idea to mention the film size [and sometimes print size] when debating grain. Well, yes. But this is the rec.photo.equipment.large-format board, and it would not make sense to assume people would bother to get an adapter to use 35mm film in a large format camera. I have a roll film holder for my 4x5 cameras, but I never use it. -- .~. Jean-David Beyer Registered Linux User 85642. /V\ PGP-Key: 9A2FC99A Registered Machine 241939. /( )\ Shrewsbury, New Jersey http://counter.li.org ^^-^^ 09:55:01 up 33 days, 21:20, 3 users, load average: 4.52, 4.27, 4.27 |
#28
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Developer 911 in 714
"Jean-David Beyer" wrote
Nicholas Lindan wrote: We once had a shouting match on this subject when a member of the LF group "obviously assumed 4x5" and the one from r.p.e.35mm "obviously assumed 35mm". Needles to say each was soon convinced the other had lost touch with reality. Well, yes. But this is the rec.photo.equipment.large-format board, and it would not make sense to assume people would bother to get an adapter to use 35mm film in a large format camera. Do I sense some disingenuity? The newsgroup line of the above post has suddenly collapsed from the original's rec.photo.darkroom,rec.photo.equipment.35mm, rec.photo.equipment.large-format,rec.photo.equipment.medium-format to simply rec.photo.equipment.large-format. I have restored it to it's former glory - that is the whole point of it. -- Nicholas O. Lindan, Cleveland, Ohio Darkroom Automation: F-Stop Timers, Enlarging Meters http://www.darkroomautomation.com/index.htm n o lindan at ix dot netcom dot com |
#29
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Developer 911 in 714
On Wed, 21 Mar 2007 14:41:24 GMT, Jean-David Beyer
wrote: If I wanted golf-ball grain (and I do not, but I have a friend who does), Rodinal is probably the way to go. Or shoot very small negatives and enlarge a lot. Want something grainier than Rodinal ? Dektol ! == John S. Douglas Photographer & Webmaster Legacy-photo.com - Xs750.net |
#30
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Developer 911 in 714
Jean-David Beyer wrote:
Nicholas O. Lindan wrote: It is a good idea to mention the film size [and sometimes print size] when debating grain. Well, yes. But this is the rec.photo.equipment.large-format board, and it would not make sense to assume people would bother to get an adapter to use 35mm film in a large format camera. I have a roll film holder for my 4x5 cameras, but I never use it. Except that the OP cross posted it to r.p.darkroom, r.p.e.35mm, r.p.e.large-format and r.p.e.medium-format. |
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