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Clearing Agent in BNW processing
I have a procedure for developing 35mm negatives that requires, after
fixation, to use a 'hypoclearing agent' (using kodak d-79 developer and fixer). Is this necessary? I had thought that I can use a 28% dilution of acetic acid for this, or is that good for something else?? the agent http://www.kodak.com/global/en/profe...4.7.46&lc =en Also, what is the difference between stock solution and working solution, for say developer? When I make it per the mixing instructions, resulting in a gallon, do I have the stock solution or the working solution? What do I have to do to get it to the working solution then? Or does 'working solution' simply mean 'the volume that you are working with right now'? Because I am looking here http://www.kodak.com/global/en/profe...4.14&lc=en#004 and it says a working solution lasts one month in a tank/bottle. I'm wondering if its at all worth it to make a 'stock' solution and store that for a while. Probably not tho. |
#3
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wrote in message
ups.com... I have a procedure for developing 35mm negatives that requires, after fixation, to use a 'hypoclearing agent' (using kodak d-79 developer and fixer). Is this necessary? I had thought that I can use a 28% dilution of acetic acid for this, or is that good for something else?? the agent http://www.kodak.com/global/en/profe...4.7.46&lc =en Hypoclearing just reduces wash time (by about 75%). You'll have to wash your film for 20-30 minutes as opposed to 5-10 minutes. And no, the acetic acid could be used as a stop after developing, but won't hypoclear a thing. These questions are best posted rec.photo.darkroom--you'd have ten answers already, including suggestions for making your own hypoclear! (maybe) Also, what is the difference between stock solution and working solution, for say developer? When I make it per the mixing instructions, resulting in a gallon, do I have the stock solution or the working solution? What do I have to do to get it to the working solution then? Or does 'working solution' simply mean 'the volume that you are working with right now'? With hypo clear you mix a stock and from that you dilute 1:4 Because I am looking here http://www.kodak.com/global/en/profe...4.14&lc=en#004 and it says a working solution lasts one month in a tank/bottle. I'm wondering if its at all worth it to make a 'stock' solution and store that for a while. Probably not tho. That's what I do. I never make a working solution, except in the canister thingy itself. I just take the top off and eyeball 1:4--the film's already fixed then so there's no worries. -- Regards, Matt Clara www.mattclara.com |
#4
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In article . com,
wrote: I have a procedure for developing 35mm negatives that requires, after fixation, to use a 'hypoclearing agent' (using kodak d-79 developer and fixer). Is this necessary? It is if you're using TMAX film (it's what clears the purple coloring from the film). I had thought that I can use a 28% dilution of acetic acid for this, or is that good for something else?? No, use proper hypo-clear. Chris |
#5
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In article . com,
wrote: I have a procedure for developing 35mm negatives that requires, after fixation, to use a 'hypoclearing agent' (using kodak d-79 developer and fixer). Is this necessary? It is if you're using TMAX film (it's what clears the purple coloring from the film). I had thought that I can use a 28% dilution of acetic acid for this, or is that good for something else?? No, use proper hypo-clear. Chris |
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Colin D wrote:
wrote: I have a procedure for developing 35mm negatives that requires, after fixation, to use a 'hypoclearing agent' (using kodak d-79 developer and fixer). Is this necessary? I had thought that I can use a 28% dilution of acetic acid for this, or is that good for something else?? 28% acetic acid - or 'glacial' acetic acid is too strong as is for a stop bath. The usual dilution is 48ml of 28% acetic acid to a litre of water, to make a final solution of about 1.4 - 1.7% acetic acid. The action of the stop bath is to arrest the developer activity, as most developer solutions work in an alkaline environment, and an acid environment stops the developer action immediately. Colin I'm not the guy who asked the question, but thanks Colin for a useful answer to the question. Regards, DAve |
#9
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Colin D wrote:
wrote: I have a procedure for developing 35mm negatives that requires, after fixation, to use a 'hypoclearing agent' (using kodak d-79 developer and fixer). Is this necessary? I had thought that I can use a 28% dilution of acetic acid for this, or is that good for something else?? 28% acetic acid - or 'glacial' acetic acid is too strong as is for a stop bath. The usual dilution is 48ml of 28% acetic acid to a litre of water, to make a final solution of about 1.4 - 1.7% acetic acid. The action of the stop bath is to arrest the developer activity, as most developer solutions work in an alkaline environment, and an acid environment stops the developer action immediately. Colin I'm not the guy who asked the question, but thanks Colin for a useful answer to the question. Regards, DAve |
#10
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Colin D wrote: 28% acetic acid is too strong as is for a stop bath. The usual dilution is 48ml of 28% acetic acid to a litre of water, to make a final solution of about 1.4 - 1.7% acetic acid. The action of the stop bath is to arrest the developer activity, as most developer solutions work in an alkaline environment, and an acid environment stops the developer action immediately. Colin I'm not the guy who asked the question, but thanks Colin for a useful answer to the question. Regards, DAve Ok Dave, pleased to drop a diamond, as my old mother used to say. Note that 28% acid is not glacial, I could have put that better, though. Glacial acid is about 98% pure, freezes at about 16.7 deg C, so in a cold room it will freeze, hence the term 'glacial'. The fumes from glacial acetic acid are quite corrosive and will do your lungs a lot of no good. This is why most supplies are 28% strength, but at that it still has a pungent smell which will trigger asthmatics into a bout of wheezing, so don't breathe it any more than necessary. Colin |
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