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Gregory W Blank wrote: In article , (Jed Savage) wrote: Are there clear test strips with varying opacity that I can lay over my paper and expose only once yet be able to calculate correct exposure? If so what are they called and where can I get one... if not, would it be possible to make such a thing? Perhaps by printing on a transparancy using an inkjet? Called a step wedge. Go here http://www.stouffer.net/ Get a 21 step wedge. If your doing real darkroom work as opposed to computer futzing a real step wedge is the best bet. Of course, you can also use a step wedge and photoshop to tell just how crappy your scanner's signal to noise ratio/ Dmax is so when you scan all your fine prints for even crappier inkjet output you can fantasize they have a superior tonal relationship... |
#12
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"Jed Savage" wrote in message om... Are there clear test strips with varying opacity that I can lay over my paper [...] What do you find daunting about making test strips? BTW - consider using F-Stop timing/metrics regardless of whether you go with some gadget or not. |
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#14
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"Jed Savage" wrote in message om... Are there clear test strips with varying opacity that I can lay over my paper and expose only once yet be able to calculate correct exposure? If so what are they called and where can I get one... if not, would it be possible to make such a thing? Perhaps by printing on a transparancy using an inkjet? You may be talking about the Kodak Projection Print Scale. I don't know if they are still available; last time I saw one was in high school (1970's-- no comments, please!). The teacher showed it to us, explained how it worked, and told us he would personnally keep the ass of anyone using one of them! The device is/was clear, about 5"x7", with a 10 or 12 slice "pizza". Each slice was a bit more dense than the last one, with the exposure seconds indicated. The device was placed over the printing paper and exposed with your neg for one minute. After developing, you determined which slice looked best, read off the exposure, and that was your starting exposure. Pros: neat, clean, no thought required. Con: the slices were so small that each one only showed the exposure for a bit of your neg. If I were given one of them, I would probably hang it on the wall as a curiosity. Using a half or quarter sheet of printing paper and a piece of black paper gives me much more flexibility. I can place the test print at the area of interest, and expose it to times that suit the needs of the neg in use. (For anyone who doesn't know what a test print is: Set up your enlarger with the neg in place. Put a sheet of photo paper on the easel. Cover all but 1/5 with an opaque card, expose for 5 seconds, uncover another 1/5, expose for 5 more seconds, uncover another 1/5, expose... Develope normally. You now have a print with 5 different exposures. Pick the best one and go to it!) Ken Hart |
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Tom Phillips wrote in message ...
Jed Savage wrote: Are there clear test strips with varying opacity that I can lay over my paper and expose only once yet be able to calculate correct exposure? Correct exposure for what? Making prints? No such thing as "correct exposure" (i.e., a standard exposure.) Base exposure varies from film to film and paper to paper. Correct exposure for making prints, which I understand is subjective. If so what are they called and where can I get one... if not, would it be possible to make such a thing? Perhaps by printing on a transparancy using an inkjet? I'd suggest a real step wedge for sensitometric applications. Don't really understand all this fascination with doing basic, simple darkroom stuff with a computer and printer. Waste of (much) excess time.. It would just be easier to run one 20 second exposure with a 20-step scale. I'll check into the wedge, I just wasn't sure what is was called. Thanks! |
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#17
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Jed Savage wrote: Tom Phillips wrote in message ... Jed Savage wrote: Are there clear test strips with varying opacity that I can lay over my paper and expose only once yet be able to calculate correct exposure? Correct exposure for what? Making prints? No such thing as "correct exposure" (i.e., a standard exposure.) Base exposure varies from film to film and paper to paper. Correct exposure for making prints, which I understand is subjective. Well, it's subjective, but a _base_ exposure is easily arrived at. Simply take an unexposed but developed piece of film, cut a hole in it, and print until you can't tell the difference between the black of the hole and the black of the unexposed negative fb+f. This provides a base maximum black. This is the base exposure for that film/paper, which varies for different film/paper combinations. In actual practice I ignore it. My exposures are according to the tonal values I want, which is completely subjective. A print made to "correct" exposure may be technically correct, but usually quite a boring print ;-) If so what are they called and where can I get one... if not, would it be possible to make such a thing? Perhaps by printing on a transparancy using an inkjet? I'd suggest a real step wedge for sensitometric applications. Don't really understand all this fascination with doing basic, simple darkroom stuff with a computer and printer. Waste of (much) excess time.. It would just be easier to run one 20 second exposure with a 20-step scale. I'll check into the wedge, I just wasn't sure what is was called. Thanks! Typical step wedges (also called step tablets) are 21 steps, each step aproximately 1/2 stop difference in density. You can print a step tablet (correctly exposed and developed on the _film_ you're using.) This can be used to draw a paper curve/see which contrast grade or filtered paper best suits your normal contrast negative. A good book on these methods is Phil Davis' Beyond the Zone System. |
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"Ken Hart" wrote in message
... [...] (For anyone who doesn't know what a test print is: [...] Well, that's one way, but it makes a lot of sense to make (for example) 5 strips so that you can place the strip over an area that represents the whole scene - then expose each entire strip using F-Stop times instead of linear times. |
#19
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Jed Savage wrote:
Tom Phillips wrote in message ... Jed Savage wrote: Are there clear test strips with varying opacity that I can lay over my paper and expose only once yet be able to calculate correct exposure? Correct exposure for what? Making prints? No such thing as "correct exposure" (i.e., a standard exposure.) Base exposure varies from film to film and paper to paper. Correct exposure for making prints, which I understand is subjective. If so what are they called and where can I get one... if not, would it be possible to make such a thing? Perhaps by printing on a transparancy using an inkjet? I'd suggest a real step wedge for sensitometric applications. Don't really understand all this fascination with doing basic, simple darkroom stuff with a computer and printer. Waste of (much) excess time.. It would just be easier to run one 20 second exposure with a 20-step scale. I'll check into the wedge, I just wasn't sure what is was called. Thanks! It's not a waste of time to find out the density range of printing paper by using a step density wedge. Look at www.stouffer.com (IIRC) . 21 steps of 0.15 density are a bountiful sufficiency for the task, and it need not be calibrated. One test of each grade of paper in each developer will tell you what density range of negative will "fit", but you may be tempted to buy a densitometer. |
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