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split grade printing - can it be done with only G5 +G0 filters?
For a long time I've really been into using several exposures at
different grades when making a print. Sometimes, though, I'll have a print at, say, grade 2 where I want to dodge highlights only and not the shadows e.g. the whites of eyes - if the print consisted of an exposure at Grade 0 and another at Grade 5 - this would be easy - I'd do the dodging during the Grade 0 exposure - thus preserving the depth of the shadows. What I'm asking is - is there any chart or formula where I can break down an exposure of , say, Grade two into corresponding exposures at Grade 0 and Grade 5? Would this involve an overall time increase in overall exposure? Any thoughts? I use Ilford Multigrade filters. |
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split grade printing - can it be done with only G5 +G0 filters?
Jules,
shure you can! Have a look in "Way Beyond Monochrome" by Ralph W. Lambrecht & Chris Woodhouse, you'll find both a basic and an advanced explanation (and uncontrollable desire to try it out!). I bought the book a month ago and can strongly recommend it. Jan "Jules Flynn" schreef in bericht om... For a long time I've really been into using several exposures at different grades when making a print. Sometimes, though, I'll have a print at, say, grade 2 where I want to dodge highlights only and not the shadows e.g. the whites of eyes - if the print consisted of an exposure at Grade 0 and another at Grade 5 - this would be easy - I'd do the dodging during the Grade 0 exposure - thus preserving the depth of the shadows. What I'm asking is - is there any chart or formula where I can break down an exposure of , say, Grade two into corresponding exposures at Grade 0 and Grade 5? Would this involve an overall time increase in overall exposure? Any thoughts? I use Ilford Multigrade filters. |
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split grade printing - can it be done with only G5 +G0 filters?
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#4
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split grade printing - can it be done with only G5 +G0 filters?
From my limited experience, I would say that would be impossible. Tim
Rudman("Master Printer"), Eddie Ephraums("Variable Contrast") and others that write on printing all deal to some extent with split grading. There is so much variation of technique depending upon what effect you wish to achieve and what the strengths and weakness of the negative are. I have done printing with one principal grade and burned one section of the print with a second grade and another section of the print with a third grade. I have also done a true split grade of printing 1/2 of the exposure time at one grade and the other half of the exposure time at another grade(or any one of varying per centages). (And I have not always used just the extremes of filter grades--one could easily print at filter #2 and then burn the sky, for example, at grade 4). Just an opinion from a hobbyist. Sam " |
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