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#11
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On Sun, 17 Apr 2005 03:29:48 -0400, Stacey wrote:
RichA wrote: The megapixel numbers game? Since most uneducated consumers only see numbers (just like with computer CPU's) it's not likely to stop. Now if they came up with a real ISO rating system or a "MP performance number" like AMD did with their CPU's, this might stop so they could concentrate on things other than MP? What I found funny recently was one person who was viewing images on their computer screen at full size. They thought the camera was producing blurry images but I pointed out the actually size (if they could see the whole image in one shot) would be almost 45" across! Printed at 6" x 4" the images were sharper than any film cam the person had used. -Rich |
#12
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RichA wrote:
On Sun, 17 Apr 2005 03:29:48 -0400, Stacey wrote: What I found funny recently was one person who was viewing images on their computer screen at full size. Exactly. Instead of looking at real prints, people look at full size images on a computer monitor and complain about stuff they see. But like someone else said, people buy a 6MP pocket cam and think it's as good as a dSLR.. -- Stacey |
#13
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Psych-O-Delic Voodoo Thunder Pig testing@123 wrote:
There's a diffraction limit of something like 1500/f lp/mm for all lenses, and that is the point at which there is almost no contrast left. A more useful point is that at which there is 50% contrast -- the famous MTF50. Norman Koren gives this as f[50] = 0.38/(N*W) N is the f-stop setting and W is the wavelength of light in mm = 0.0005 mm for a typical daylight spectrum. For f/8, that works out at 95 lp/mm. This is somewhat like the speed of light in optical terms -- it's an absolute limit to resolution. Lens aberrations become a problem wider than f/8 or f/5.6 on lenses of this size, so opening the lens wider doesn't help. So, there is a limit to the resolution of a small sensor. About how many pixels then, would be the maximum for a DX-sized sensor, at F8 with 50% contrast? My algebra isn't so hot anymore! Well, I already said that was 95 line pairs per mm, and the sensor is 24 mm wide. Go on, it's only a division. Andrew. |
#14
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Since most uneducated consumers only see numbers (just like with computer
CPU's) it's not likely to stop. All the companies have to do is start quantifying other aspects. -- Mark Lauter Photos, Ideas & Opinions http://www.marklauter.com |
#15
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If they stopped at say 20 megapixels
for a DSLR of traditional 35 mm configuration, Yes, 20 would be plenty.. this week. g could they then start to concentate on the other image anomolies digital cameras have? Like the color fringing.. I keep wondering why they don't create a spherical sensor, like the back of the human eye. -- Mark Lauter Photos, Ideas & Opinions http://www.marklauter.com |
#16
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Mark Lauter wrote:
If they stopped at say 20 megapixels for a DSLR of traditional 35 mm configuration, Yes, 20 would be plenty.. this week. g could they then start to concentate on the other image anomolies digital cameras have? Like the color fringing.. I keep wondering why they don't create a spherical sensor, like the back of the human eye. The sensors are integrated circuits. These are made by cutting slices of a silicon crystal and then printing circuitry on the surface of the slice. Andrew. |
#17
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In article ,
Mark Lauter wrote: Like the color fringing.. I keep wondering why they don't create a spherical sensor, like the back of the human eye. Many reasons, including cost (silicon wafer processing is set up to produce flat objects, not curved ones), and the fact that all existing lenses are designed to try and produce a flat field. |
#18
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The sensors are integrated circuits. These are made by cutting slices
of a silicon crystal and then printing circuitry on the surface of the slice. 2 words - Bucky Balls! http://goldennumber.net/buckyball.htm -- Mark Lauter Photos, Ideas & Opinions http://www.marklauter.com |
#19
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Like the color fringing.. I keep wondering why they don't create a
spherical sensor, like the back of the human eye. Many reasons, including cost (silicon wafer processing is set up to produce flat objects, not curved ones), and the fact that all existing lenses are designed to try and produce a flat field. Not *all* lenses - I'm using two to read this right now. New lenses would be cheaper because they wouldn't have to create a flat field. I'd have to read up on digital sensors to figure out an answer to that, but i'd say the back doesn't have to be perfectly round - even our eye isn't. it just has to be made of lots of wafers and I think smaller silicon wafers are cheaper to make than big ones. -- Mark Lauter Photos, Ideas & Opinions http://www.marklauter.com |
#20
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On Mon, 18 Apr 2005 19:46:37 GMT, Mark Lauter
wrote: Not *all* lenses - I'm using two to read this right now. New lenses would be cheaper because they wouldn't have to create a flat field. Interesting idea. I've wondered about it myself on occasion. Going a step further, I also like to speculate about an optical sensor with variable curvature. Eww, now I'm imagining getting eyeball goo all over my hands while changing lenses. (Sorry everyone -- this is an example of "vitreous" humor.) -- Ben Rosengart (212) 741-4400 x215 Sometimes it only makes sense to focus our attention on those questions that are equal parts trivial and intriguing. --Josh Micah Marshall |
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