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"David Littlewood" wrote in message
... In article , Bandicoot writes "David Littlewood" wrote in message .. . In article . com, writes I've worked with a couple of tilt / shift systems and it has always seemed to me that the tilt and shift are in the same direction for typical subjects. The focus plane and perspective plane are usually tilted in the same direction, both for architecture and table top work. I'm trying to think of a subject where I needed to control perspective in one direction and depth of field in the other. Obviously you and the Canon designers have one in mind but I'm drawing a blank. I can imagine shooting along the front of a building, controlling vertical convergence with shift and using the flat field geometry to give sufficient vertical depth of field but allowing normal perspective and large depth of field horizontally would be a possibility but that would be a minor application. Actually, that is precisely the kind of thing it would be used for, and for my kind of photography would be the normal case. I cannot think of a single occasion when I would have wanted the tilt and shift in the same plane - but then I don't do much table-top photography. I *do* use it a lot for architecture, and such a need has *never* arisen. Never? As in, you've never wanted to sit the camera near the nice black and white chequered floor, use some rise to get in the top of the door at the end of the corridor, and then some tilt to get the floor tiles all sharp? ;-) Peter (No, neither have I. I do use fall and tilt in the same direction quite often in landscapes though.)) I can see that this would be a valid application; nevertheless, it is not something I have ever needed to do in 35mm landscape work - there is so much more depth of field. Now in 5x4, that's a different story. David Ahhh - I didn't specify 35mm, for a reason.... Peter |
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