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Amature needs feedback on portrait lighting



 
 
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  #11  
Old March 23rd 07, 04:03 PM posted to rec.photo.digital
Neil Harrington
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Posts: 2,001
Default Amature needs feedback on portrait lighting


"DeanB" wrote in message
oups.com...
On Mar 23, 12:20 am, David Dyer-Bennet wrote:
DeanB wrote:
Ok, aside from the dinner around her face, and spilt on her sweater,
and the generally unprepared I-just-dont-care hairstyle, can some here
take a look at the lighting in this portrait and tell me what you
think?


http://i11.tinypic.com/2colx5e.jpg


I had the flash (sb800) pointing up around 45 degrees and around to
the right also 45 degrees, so there was no direct flash onto her face.
Above the flash was a 2' reflector, about 2 feet above the camera and
to the right, angled to reflect onto her.


This is my first ever evening with the flash and reflector, so I
openly welcome all criticism.


50mm f/1.4 @ f4, distance 4', wb(flash), ev 0.0


First of all, definitely underexposed.

If you get her further from the backdrop, the shadow there will be
thrown further from her (probably out of the photo entirely, which is
good).

See how sharp a shadow the chin is casting on the neck? *Something* is
sending hard light her way; quite possibly the head is spreading the
beam wider than you expect, or something, and it's reaching her direct
in addition to off the reflector. (That's the first, very dark, shadow,
not the second, larger, lighter, softer-edged one.)

Aside from the strictly technical, I like her expression and head
position. The contrast of the relatively formal pose and relatively
careful lighting does contrast somewhat strangely with the amount of
dinner visible :-).- Hide quoted text -

- Show quoted text -


Hi David - thanks for the reply!

I noticed after I posted that the sharp shadow was there, seems that
the flash was definitely providing some direct light, just a few
degrees it seems, now I look at the setup. There are two lights in
here eyes too.

Is it coming out underexposed because of the white background? I had
the camera set to matrix metering centered on her face so I thought it
would be ok, but it seems not. There was no real ambient light, so
should I just increase the flash ev up a little, maybe 1/3 or 2/3
stop? (She's asleep now, so I'll have to wait till tomorrow


Maybe it's just me, but I don't think it *is* underexposed. The shadow
detail in her dark hair looks pretty good; since it's very dark hair I don't
know if you'd want more than there is.

I have found 45 degrees tilt to be too direct for bounce flash, and I
generally use 60 degrees. How much (or if) the 45 degrees of swivel would
change that I don't know, but the hard shadow under her chin and the second
darker shadow close behind her head indicates she's getting too much direct
light somehow. I think the double highlights in her eyes indicate that too.
As David says she is too close to the backdrop, and I think those regular
vertical stripes are somewhat distracting. I believe it would be much better
with a more natural room setting behind her rather than a background of that
kind.

Have you considered swiveling the flash so that it points *backward* and to
one side and up toward the reflector? If your reflector is not too small,
and it's not inconvenient for you to get it in that position, you might want
to try it.

But anyway, you have a cute picture of a really cute little girl there.

Neil


  #12  
Old March 23rd 07, 05:01 PM posted to rec.photo.digital
ASAAR
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Posts: 6,057
Default Amature needs feedback on portrait lighting

On Fri, 23 Mar 2007 10:31:18 -0500, David Dyer-Bennet wrote:

One of our cats reacts fast enough to *always* have her eyes closed
when I use the preflashes; I've had to resort to manual exposure
to get decent pictures of her.


Would the greater delay after a P&S's preflash help with you cat
photos, or would it just allow more time for the cats to move out of
the frame? The manual for one of Metz's little wireless flashes
mentions that its default delay after detecting a preflash is 45ms,
as most cameras have a preflash delay that is greater than this.
For "problem" cameras the flash's delay can be adjusted to anything
from 5 to 255ms. I can't imagine any decent camera having a 1/4
second preflash delay, but it might be needed for some of the under
$100 no-name digital cameras.


  #13  
Old March 23rd 07, 05:05 PM posted to rec.photo.digital
bugbear
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Posts: 1,258
Default Amature needs feedback on portrait lighting

ASAAR wrote:
On Fri, 23 Mar 2007 10:00:21 +0000, bugbear wrote:

I know "little" of this, but I don't see how a camera
can "meter" for flash light, which doesn't exist
until you hit the shutter


From the SB-800's manual:

Monitor Preflashes
Just before the flash fires, the SB-800 fires a series of
imperceptible preflashes that are detected by the camera’s
TTL Multi-Sensor and analyzed for brightness and contrast


• i-TTL mode
This is a TTL auto flash mode in the Nikon Creative Lighting System.
Monitor Preflashes are fired at all times. The subject is correctly
exposed by the light from the flash lighting and the exposure is less
affected by the ambient light (p. 37).



For the OP's picture, if more ambient light was used the
under-chin shadows would have been lightened. But that would be
difficult as 1/60 sec, f/4 was used for the exposure. Brighter room
lighting or an additional flash could help, and possibly by also
reducing the SB-800's output level.


(who had a Pentax LX film camera that actually did meter
*during* exposure, but it couldn't do flash that way)


It would be nice if metering could be done off the sensor as it
was done off the film, as the preflashes can present problems, but I
think that the occurrences of such problems are pretty rare.



Cool - I stand corrected, and better informed to boot!

BugBear
  #14  
Old March 23rd 07, 06:55 PM posted to rec.photo.digital
DeanB
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Posts: 121
Default Amature needs feedback on portrait lighting

On Mar 23, 11:17 am, Signal wrote:
"DeanB" wrote:
Ok, aside from the dinner around her face, and spilt on her sweater,
and the generally unprepared I-just-dont-care hairstyle, can some here
take a look at the lighting in this portrait and tell me what you
think?


http://i11.tinypic.com/2colx5e.jpg


I had the flash (sb800) pointing up around 45 degrees and around to
the right also 45 degrees, so there was no direct flash onto her face.
Above the flash was a 2' reflector, about 2 feet above the camera and
to the right, angled to reflect onto her.


This is my first ever evening with the flash and reflector, so I
openly welcome all criticism.


50mm f/1.4 @ f4, distance 4', wb(flash), ev 0.0


Is that a radiator she's sat in front of?

I don't like the shadow under her chin - looks like she's wearing a
choker.

--
S i g n a l @ l i n e o n e . n e t- Hide quoted text -

- Show quoted text -


Its a vertical blind. I was actually trying to keep the background
white, as in not dull gray.

I thank all of you for your most valuable input, I appreciate it very
much. I have a 100mm f/4.0 Nikon Micro lense, maybe I will try that
and take the camera back. I assume it is capable of magnificent
portraits, even if I am not!


  #15  
Old March 23rd 07, 09:39 PM posted to rec.photo.digital
Allen
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Posts: 368
Default Amature needs feedback on portrait lighting

David Dyer-Bennet wrote:
snip
One of our cats reacts fast enough to *always* have her eyes closed when
I use the preflashes; I've had to resort to manual exposure to get
decent pictures of her.

It seems to work with some people, too. I guess they find it convenient
to get a clear signal when it's time to blink :-).

Cats seem to sense instantly when _anything_ is about to happen, not
when it does happen. Several years ago we had six cats; our son loves
cats, so we decided that we would get a picture of us with all six of
them. Our son-in-law came over and took 25 exposures (back in 35mm
days). Of those 25, one showed _parts_ of all six cats. It was an
experience that we never tried again.
  #16  
Old March 23rd 07, 09:49 PM posted to rec.photo.digital
David Dyer-Bennet
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Posts: 1,814
Default Amature needs feedback on portrait lighting

Allen wrote:
David Dyer-Bennet wrote:
snip
One of our cats reacts fast enough to *always* have her eyes closed
when I use the preflashes; I've had to resort to manual exposure to
get decent pictures of her.

It seems to work with some people, too. I guess they find it
convenient to get a clear signal when it's time to blink :-).

Cats seem to sense instantly when _anything_ is about to happen, not
when it does happen. Several years ago we had six cats; our son loves
cats, so we decided that we would get a picture of us with all six of
them. Our son-in-law came over and took 25 exposures (back in 35mm
days). Of those 25, one showed _parts_ of all six cats. It was an
experience that we never tried again.


Yes, I know exactly what you mean!

http://dd-b.net/cgi-bin/picpage.pl/photography/gallery/Lois%20McMaster%20Bujold%201996?pic=ddb%20199603%2 0042-15

(only one cat)
  #17  
Old March 23rd 07, 11:23 PM posted to rec.photo.digital
Jim
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Posts: 323
Default Amature needs feedback on portrait lighting


"DeanB" wrote in message
oups.com...
snip

I thank all of you for your most valuable input, I appreciate it very
much. I have a 100mm f/4.0 Nikon Micro lense, maybe I will try that
and take the camera back. I assume it is capable of magnificent
portraits, even if I am not!


First of all, a micro lens is not necessarily any better at normal distances
than any other lens.
The 105 f2.5 AIS lens would be the one to use anyway.
Secondly, all the lens and camera do is record the scene that the
photographer setup.
So, you need to study the lighting of your photographs and determine how to
change your lighting for the better.
Jim


  #18  
Old March 24th 07, 01:21 PM posted to rec.photo.digital
Bill K
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Posts: 263
Default Amature needs feedback on portrait lighting

On Mar 22, 11:20 pm, David Dyer-Bennet wrote:
DeanB wrote:
Ok, aside from the dinner around her face, and spilt on her sweater,
and the generally unprepared I-just-dont-care hairstyle, can some here
take a look at the lighting in this portrait and tell me what you
think?


http://i11.tinypic.com/2colx5e.jpg


I had the flash (sb800) pointing up around 45 degrees and around to
the right also 45 degrees, so there was no direct flash onto her face.
Above the flash was a 2' reflector, about 2 feet above the camera and
to the right, angled to reflect onto her.


This is my first ever evening with the flash and reflector, so I
openly welcome all criticism.


50mm f/1.4 @ f4, distance 4', wb(flash), ev 0.0


First of all, definitely underexposed.

If you get her further from the backdrop, the shadow there will be
thrown further from her (probably out of the photo entirely, which is good).

See how sharp a shadow the chin is casting on the neck? *Something* is
sending hard light her way; quite possibly the head is spreading the
beam wider than you expect, or something, and it's reaching her direct
in addition to off the reflector. (That's the first, very dark, shadow,
not the second, larger, lighter, softer-edged one.)

Aside from the strictly technical, I like her expression and head
position. The contrast of the relatively formal pose and relatively
careful lighting does contrast somewhat strangely with the amount of
dinner visible :-).


David, you always have good advice and offer excellent critiques. I
learned a lot from your post. I think Dean did pretty well for the
first time out.
--
Gator Bait

 




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