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#21
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Hasselblad path
In article , Stacey
wrote: Unless it has a magneto, it needs voltage for the -battery/coil- type ignition to work and a generator Actually, Stacey, one doesn't need a magneto, either. If you run a generator (rather than an alternator) and also add a capacitor to a batteryless system, you can start the vehicle by 'bumping' (pushing) it. One rotation or two charges the capacitor which energizes the coil and you are off and running. I used such a system for years on motorcycles. |
#22
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Hasselblad path
To answer your question I can say a qualified yes. Qualified for two
reasons: 1. I only have extensive experience with the Fuji S2 Pro, but most brand name DSLRs should give you good results. If not they would not remain in business. 2. No digital sensor will match the dynamic range of film. It just is not there yet. You can double shoot and do tricks in PhotoShop but you cannot truely match film. I get great results with my S2 and probably use it for 75% of my professional work and 100% of my personal work. The S2 compares well with the Hasselblads in all areas except dynamic range and enlarge-ability to monster sizes. I usually shoot the S2 in manual mode and try to do things at as low an ISO as I can. Try some testing with your Canon and MF and I think you will be surprised at the results on prints up to 11X14. Wayne "Fred Mueller" wrote in message ... I am what I guess they call a serious amateur. I have a fair amount invested in a hasselblad outfit and I have a darkroom. I've also been recently impressed and convinced that digital capture/output has fully arrived, at least in the 35mm format. I've even bought a Canon digital Rebel/300D, but that's a story for a different day. I love the hasselblad and my hope is that eventually (2-5 years?) we will see full frame digital scanning backs that the non-professional can justify financially (I could tolerate $3000+ for a full frame digital back). The canon digital rebel of today for under $1000 has the capability of the $10,000 digital cameras of four years ago. Is my thinking merely wishful thinking that MF backs will make any similar progress? That leads me into the next question about the here and now. Are there film scanners (budget ~$2000) that will actually help me see image quality from a MF negative (how about B&W negs) that exceeds what I can expect from a pure digital capture from the current crop of mid level digital SLR's (e.g. Nikon D2h or Canon 1d. I tried searching the newsgroup on this topic, and if it has been discussed before, I must not be using the right query and apologize. Fred |
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