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#1
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Scanning glass mount slides
Presumably a film scanner cannot cope with a glass mounted slide, especially
the 'anti-newton' types which of course give a noticeable blurring when projected so would no doubt completely throw a scanner ...? Any experiences? |
#2
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ITMA wrote:
Presumably a film scanner cannot cope with a glass mounted slide, especially the 'anti-newton' types which of course give a noticeable blurring when projected so would no doubt completely throw a scanner ...? Any experiences? I have done a little bit of experimenting with Gepe glass mounts, and drum scanning oil. The combination are then used in a film scanner. There is no patterning problem, the colours are easier to accurately capture, and the dynamic range seems to improve slightly. The only problem is this is a slow process. Without the drum scanning oil, I think the only reason to use a glass mount would be if the original transparency has curled badly. Ciao! Gordon Moat A G Studio http://www.allgstudio.com/gallery.html Updated! |
#3
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Gordon Moat wrote in message ...
ITMA wrote: Presumably a film scanner cannot cope with a glass mounted slide, especially the 'anti-newton' types which of course give a noticeable blurring when projected so would no doubt completely throw a scanner ...? Any experiences? I have done a little bit of experimenting with Gepe glass mounts, and drum scanning oil. The combination are then used in a film scanner. There is no patterning problem, the colours are easier to accurately capture, and the dynamic range seems to improve slightly. The only problem is this is a slow process. Without the drum scanning oil, I think the only reason to use a glass mount would be if the original transparency has curled badly. http://www.allgstudio.com/gallery.html Updated! I'm thinking about getting a 35mm film scanner to deal with my slides... approaching the digital age at a cautious pace! One newbie question, which I have never seen the answer to: does the autofocus feature on film scanners deal with moderately warped / curled slides? Thanks Ed |
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#5
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Ed Blagden wrote:
Gordon Moat wrote in message ... ITMA wrote: Presumably a film scanner cannot cope with a glass mounted slide, especially the 'anti-newton' types which of course give a noticeable blurring when projected so would no doubt completely throw a scanner ...? Any experiences? I have done a little bit of experimenting with Gepe glass mounts, and drum scanning oil. The combination are then used in a film scanner. There is no patterning problem, the colours are easier to accurately capture, and the dynamic range seems to improve slightly. The only problem is this is a slow process. Without the drum scanning oil, I think the only reason to use a glass mount would be if the original transparency has curled badly. http://www.allgstudio.com/gallery.html Updated! I'm thinking about getting a 35mm film scanner to deal with my slides... approaching the digital age at a cautious pace! One newbie question, which I have never seen the answer to: does the autofocus feature on film scanners deal with moderately warped / curled slides? No, and the autofocus is not always the best choice for certain slides. Some scanners have a fixed DoF that covers a certain width of film, and might actually do okay with a slightly curved piece of film. It is better to find a scanner that lets you manually adjust the focus. Some films will give much better results by adjusting the focus slightly before, or slightly after, the point that the autofocus suggests. As a newcomer to this technology, you should also know that the default settings are not always the best choice. There is also an issue of the scan preview window not always giving an accurate looking (colour) preview, though better software often is very close. There is VueScan, which is fairly low cost, and works with many more common scanners, and at the high end is SilverFast. SilverFast is actually more capable, though much more expensive. Also, SilverFast will not work with all scanners. At the professional level, the idea is to get an extremely accurate scan, and not have any need for adjustments in PhotoShop (or whatever editor you use). Some film scanners have a good enough range of adjustments to allow that, but many do not, thus requiring adjustments to the scanned file. You might be surprised that some lower cost scanners are very good, though sometimes let down by the included software. Anyway, best of luck with your search. Ciao! Gordon Moat A G Studio http://www.allgstudio.com/gallery.html Updated! |
#6
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Gordon Moat wrote in message ...
[SNIP] No, and the autofocus is not always the best choice for certain slides. Some scanners have a fixed DoF that covers a certain width of film, and might actually do okay with a slightly curved piece of film. It is better to find a scanner that lets you manually adjust the focus. Some films will give much better results by adjusting the focus slightly before, or slightly after, the point that the autofocus suggests. [SNIP] Ciao! Gordon Moat A G Studio http://www.allgstudio.com/gallery.html Updated! Thanks for the advice, Gordon. Presumably going for a scanner with a higher DOF is a good idea... any ideas about where to research such arcania? |
#7
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Remove the slide from the glass mount and remount it a non glass plastic mount.
That works for me. |
#8
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Ed Blagden wrote:
Gordon Moat wrote in message ... [SNIP] No, and the autofocus is not always the best choice for certain slides. Some scanners have a fixed DoF that covers a certain width of film, and might actually do okay with a slightly curved piece of film. It is better to find a scanner that lets you manually adjust the focus. Some films will give much better results by adjusting the focus slightly before, or slightly after, the point that the autofocus suggests. [SNIP] Ciao! Gordon Moat A G Studio http://www.allgstudio.com/gallery.html Updated! Thanks for the advice, Gordon. Presumably going for a scanner with a higher DOF is a good idea... any ideas about where to research such arcania? Unfortunately, there is very little information about this. There are a few individuals who publish some limited test information on some scanners, though I don't have a handy list available. Largely the scanner resolution numbers indicate the movement of a stepper motor, and might not indicate a true possible resolution. With flat bad scanners, that is mostly true, except for high end scanners like Creo or Fuji Lanovia. With drum scanners, the resolution is completely different from other types of scanners, and there is an extra variable with an aperture setting on the scanner, though largely even drum scanners of more than ten years ago can capture down to 6 µ (micron) film area. To understand that better, most film grains are actually less than 3 µ (micron) across. Newer drum scanners introduced in the last year can capture down to 3 µ size areas. I was guessing your interest was more along the lines of film scanners. Nearly all are CCD trilinear array scanners. Of the 2500 to 2900 resolution film scanners, almost all those are indicated a true possible capture resolution. With the 4000 to 5400 resolution scanners, many actually do not capture that full resolution, and some barely do better than the 2500 to 2900 scanners. Of course, there are other issues, like need for calibration, light sources failing at some point, speed of scanning, speed of communication (SCSI and FireWire generally quick, while nearly all USB are painfully slow), film holders and film loading, ability to avoid dust, or software issues. The basic idea is that you are not often giving up much going with what might seem like a lower resolution scanner. Look more at colour issues (when possible), or at the film holders. Many people are quite happy with Nikon film scanners, and they seem to be quite popular. I am one of the few that have not been happy with those, mostly due to breakdowns in high usage environments. The capture ability is quite good, but reliability could be better. The Minolta scanners are less known to me, though the few I have experience with seem fairly good. The newest 5400 is one I have not yet seen in action, though with the previous 4000 resolution models, they were not capturing a true 4000 resolution. Most of the Microtek scanners are the same as the older Polaroid film scanners, generally good, though the colour range could be better. The Canon film scanners work quite well once off the default settings, though are somewhat let down by their included software, which does not give a very accurate preview. I have also used some Sony and Kodak film scanners. I use to consider the Kodak scanners as quite good, though now I realize that they are really only good in a high volume environment. The colour range is not as good as it would seem from the specifications. I find colour issues to be much more troublesome than resolution, though all manufacturers list dynamic range information that is nearly useless to actually compare different scanners, nor to give a true idea of capability. A really great independent source of research is the FLAAR organization. They only test units for one year before giving an opinion. Some manufacturers do not want to submit a scanner to a one year test, so the few they have reports about might be not the latest in scanners (especially true with flat scanners). However, they are definitely the first place to check into more information: http://www.flaar.org/ Main page, which allows selection of other report areas. Some of the older gear they mention is still quite good. Since they are slow about reporting, there are some newer scanners that they have no written reports about. http://www.normankoren.com/makingfineprints2.html Norman Koren has some great information about several scanners. He also has several articles discussing colour issues, and scanner settings. While I do not find myself in total agreement with him, there is lots of very useful information on his site. http://fb42.s6.domainkunden.de/kunden/hamann/Artikel/Wann_macht_Trommelscannen_Sinn/EN_Scans_vergleich.htm Okay, really long link to type out, hopefully you can just click on it. This site has some great comparisons about different scanner types, and some really well considered information. Definitely worth the reading, if you are interested in the technology behind scanners. Kai Hamann is probably one of the most knowledgeable people I have ever read about for scanning technology. Norman Koren also has many links to other sites, which can help you research and compare many different scanners. You can spend quite a bit of time on his site, and using the links provided. Since I don't really know what you want to accomplish with your film scanning, it is tough for me to recommend any one scanner. I do recommend that whatever you choose, try to find a scanner supported by SilverFast software). While you might never feel the need to buy SilverFast AI, it is nice to have that option in the future. Ciao! Gordon Moat A G Studio http://www.allgstudio.com/gallery.html Updated! |
#9
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Remove the slide from the glass mount and remount it a non glass plastic mount.
That works for me. |
#10
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Gordon Moat wrote in message ...
[SNIP] No, and the autofocus is not always the best choice for certain slides. Some scanners have a fixed DoF that covers a certain width of film, and might actually do okay with a slightly curved piece of film. It is better to find a scanner that lets you manually adjust the focus. Some films will give much better results by adjusting the focus slightly before, or slightly after, the point that the autofocus suggests. [SNIP] Ciao! Gordon Moat A G Studio http://www.allgstudio.com/gallery.html Updated! Thanks for the advice, Gordon. Presumably going for a scanner with a higher DOF is a good idea... any ideas about where to research such arcania? |
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