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#181
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Nick Zentena wrote:
Let me put it this way. The world knows how to read latin. If you hand a book in latin to the average person how much effort will they make to read it? Now imagine if the book might contain nothing but a collection of shopping lists? A Canticle for Leibowitz -Walter M. Miller, 1959 -- -- rec.photo.equipment.35mm user resource: -- http://www.aliasimages.com/rpe35mmur.htm -- e-meil: there's no such thing as a FreeLunch.-- |
#182
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#183
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#184
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In message ,
Brian C. Baird wrote: Not really. You can buy new turntables and convert those records analog output (which wasn't bad considering the inherent flaws) to digital with relative ease. It would be nice if someone made a scanner that scanned the grooves and was able to distinguish between intentional grooving and dust/scratches/warpage/noise and output at least 96KHz 24-bit digital audio. Maybe someday we'll have big flatbed scanners that scan everything including DVDs, CDs, and vinyl records. -- John P Sheehy |
#185
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#186
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wrote in message
... It would be nice if someone made a scanner that scanned the grooves and was able to distinguish between intentional grooving and dust/scratches/warpage/noise and output at least 96KHz 24-bit digital audio. Such technology has been around for a long time already. Maybe someday we'll have big flatbed scanners that scan everything including DVDs, CDs, and vinyl records. Oh, you were joking. I don't get it. |
#187
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#188
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"Mxsmanic" wrote in message ... writes: It would be nice if someone made a scanner that scanned the grooves and was able to distinguish between intentional grooving and dust/scratches/warpage/noise and output at least 96KHz 24-bit digital audio. As I recall, someone did this, some years ago. I know that optical playing systems for phonograph records were developed at one time, too. One way to do it is to make multiple recordings at the same time, and then reject everything that isn't common to all of the samples. This presupposes that the noise will be random, and unlikely to be common to more than one sample. |
#189
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"William Graham" wrote in message
news:Srk7d.303671$Fg5.280045@attbi_s53... One way to do it is to make multiple recordings at the same time, and then reject everything that isn't common to all of the samples. This presupposes that the noise will be random, and unlikely to be common to more than one sample. Pops and scratches are generally symetric, easy to 'tween'. It's a well known science. |
#190
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In message Srk7d.303671$Fg5.280045@attbi_s53,
"William Graham" wrote: "Mxsmanic" wrote in message .. . writes: It would be nice if someone made a scanner that scanned the grooves and was able to distinguish between intentional grooving and dust/scratches/warpage/noise and output at least 96KHz 24-bit digital audio. As I recall, someone did this, some years ago. I know that optical playing systems for phonograph records were developed at one time, too. One way to do it is to make multiple recordings at the same time, and then reject everything that isn't common to all of the samples. This presupposes that the noise will be random, and unlikely to be common to more than one sample. I was thinking more along the lines of embedded noise. -- John P Sheehy |
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