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#51
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Turning film cameras into digital cameras
In article ,
dj_nme wrote: A good point, it must have had enough interfacing to tell the digital back when to start and stop capturing. Either that or the DCS controls the shutter mechanism, as there is an additional shutter-grip that is part of the DCS back. The descriptions online of the original DCS aren't detailed enough to draw any solid conclusion. I doubt that the F3 reports when the shutter is released. Controlling both the back and the F3 using a separate shutter release sounds like a reasonable approach. -- That was it. Done. The faulty Monk was turned out into the desert where it could believe what it liked, including the idea that it had been hard done by. It was allowed to keep its horse, since horses were so cheap to make. -- Douglas Adams in Dirk Gently's Holistic Detective Agency |
#52
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Turning film cameras into digital cameras
Philip Homburg wrote:
In article , dj_nme wrote: A good point, it must have had enough interfacing to tell the digital back when to start and stop capturing. Either that or the DCS controls the shutter mechanism, as there is an additional shutter-grip that is part of the DCS back. The descriptions online of the original DCS aren't detailed enough to draw any solid conclusion. I doubt that the F3 reports when the shutter is released. Controlling both the back and the F3 using a separate shutter release sounds like a reasonable approach. How was the release arranged on F3s with motor drives? Was there a separate release or did the regular release activate the motor? If the latter, that interface could probably be used for the sensor. -- -- --John to email, dial "usenet" and validate (was jclarke at eye bee em dot net) |
#53
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Turning film cameras into digital cameras
"Philip Homburg" wrote in message
.phicoh.net... In article .com, wrote: Why use that old camera, if you can get a new one cheap? Why indeed. Why use an old camera with some kind of digital kludge if you can get a new one that performs better, costs less, and is more convenient? -- That was it. Done. The faulty Monk was turned out into the desert where it could believe what it liked, including the idea that it had been hard done by. It was allowed to keep its horse, since horses were so cheap to make. -- Douglas Adams in Dirk Gently's Holistic Detective Agency You have to remember that when digital film for 35mm cameras was being toyed with the cost of a cheap digital camera was between $600 and $1000. So if you could just pop in a cartridge that looked like a roll of 35mm and get digital for about $200 it would have been a hot seller. But, it just wasn't meant to happen. Fortunately digital cameras even at higher prices caught on and then we had the digicam flood of the late 1990's and early 2000's and the prices dropped and the quality kept going up. =(8) |
#54
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Turning film cameras into digital cameras
? ?????? ??? ?????? oups.com... On Apr 10, 12:57 pm, "Tzortzakakis Dimitrios" wrote: ? "Bill Funk" ?????? ??? ??????news:6k6j13pkgphiovcm4icl5gnaps45eim2q6@4ax. com... On 8 Apr 2007 12:19:21 -0700, wrote: Someone mentioned that there are too much things to put into that tiny cartridge. However, technology has changed in the past 6 years alone. People can now jam in 2 GB (or even 4 GB) data into that same SD card. Can we jam in a tiny memory chip into the 35 mm cartridge? The idea sounds good, but the problem of interfacing that drop-in with the camera fails miserably. Thgere's not even a way to tell the drop-in when the camera opened the shutter. Another point I brought up the last time this was suggested is a real killer: heat. How do you get the heat out of the camera? Plus, there's still the problem that the sensor is thicker than film is. A back is a far better solution (at least it has a chance), but backs must be made specific for each individual make/model, and must still interface with the camera electronically. It's easier and far cheaper to make much more functional digital DSLRs from scratch. -- I agree absolutely-to succesfully engineer something a good idea is not always enough-you have to think how you can built what you need from parts already existing on the market-custom build parts cost a lot.You must also do this according to mass production, and there must be people that will buy your goods, enough so you have profit.Just think of records and audio cassetes-their market share is shrinking on and on, so most companies cease production or in the better case serious limit it.Before cd burners people used to tape cds, and in the 80s TDK made 4 flavours of normal bias tapes.My point is that just very few people would be interested to refurbish their 20 year old film camera so that it will take at best mediocre digital photos.And, as most previous posters have indicated, there are difficulties that would make realisation almost impossible-energy source, processing and flash memory in the size of a film cartridge, and sensor squeezed in the film plane and the interface between camera and sensor?Why not just give away the sucker and buy a brand new fully functional dSLR, for less than 1000 euros, complete with kit lens and cruise control? -- Tzortzakakis Dimitrios major in electrical engineering mechanized infantry reservist dimtzort AT otenet DOT gr I have a different point: It takes about 4 tons of gold ore to produce 1 oz of gold in the mining industry. However, it only takes 0.5 tons of computer junks containing circuit boards to produce the same of gold. I am familiar with the mining industry, and people go to the end of the earth to move mountains to get those precious but minute quantity stuff. We are in the west have been squandering the earth's natural resources, burning gas and energy through endless wars, and know little about the meaning of recycling. In the far east, for example people utilize the coconut tree from its leaves, its trunks, its fruit, and even its husk for many generation. Similar thing with the complete consumption from banana trees. Here, however, as long as we can get some work to do, and spend and spend money at the same time, it is considered good for the economy and well-being. Why use that old camera, if you can get a new one cheap? But I am using my old camera!(Kodak CX 7300 3.2 MP).Altough I have a steady job and enough money,I'm not getting a more modern Sony S-600 or Nikon Coolpix L-70 for (~169 euros)with at least 6.0 MP for the reasons you just described.As long as my Kodak is happily working,I will keep it (my sister has a Canon A-40,2.2 MP and she's not changing it).I don't fancy very much the throwaway doctrine, but sometimes it's unevitable (or even necessary;think of hygiene and one use injection needles:how would you feel if you had a shot with a used and sterilized needle?)Here, we have soda in plastic bottles in the summer, and most people drink with their mouth from the bottle, without a glass.How would you feel if the company reused these bottles?While steel can be easily (or almost)recycled, PCB (printed circuit boards)not so. -- Tzortzakakis Dimitrios major in electrical engineering mechanized infantry reservist dimtzort AT otenet DOT gr |
#55
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Turning film cameras into digital cameras
On Apr 6, 9:28 pm, wrote:
Let's for the moment we think "out of the box". If there is a product which has the shape of either a 35 mm or 120 film cartridge, and you can just load it into your old film camera. However, this product acts like a digital "film", in which it will store images in digital format, instead of into film, would you buy such a product? It is just exactly like your old film cartridge, put into the back of your camera, set the camera as it has a film in it, advance the lever , take photos, go to next shot, etc. The difference would be when you complete the shots (24 or 36 exposure), you connect this cartridge to your computer and downloaded the digital data, just like a media card in your digital cameras. This product would be re-used again and again, just like the digital cameras. Some of you may said that is the same question whether there is a "back cartridge" that can be fitted into the old Hasselblad, Mamiya RB or M645, in which it changes into digital cameras. However, I heard that this speacil back is very expensive. Correct me if such a product exist for professional photographers, but at a very high costs! (such that it is just easier to throw away the old cameras and buy a new digital one). The next question is whether technically this is possible. Will people buy them, and use their old cameras (which some had invested heavily before the digital era came to play). This sounds like a crazy idea, but I sometime wonder that if it is possible. There are lots of smart people and inventors in this world, and I am sure they have the brain to create such a product. I am sure that this would not be welcomed by digital cameras' manufacturers, as it will compete with their product. Although some of the "players" are still the same (Kodak, Fuji, Nikon, Canon, Pentax, etc). Unfortunately, we are living in a world which are driven by narrow "track of minds", set by big corporations which decided upon our direction into the future. Thanks for sharing my "dream". I am now awake from my day dreaming. Thanks for the discussion. My father has an old Hasselblad that he is looking into getting a digital back for and we were just in a photography shop in downtown Chicago doing some pricing for it, as well as online. Yes it is a small fortune to do so! It is the convenience factor that is so appealing, being able to slip a SD card from the camera to the PC or Mac is just far too appealing these days Kind regards, Danepipesmoker www.iansforest.com |
#56
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Turning film cameras into digital cameras
In article ,
=\(8\) wrote: You have to remember that when digital film for 35mm cameras was being toyed with the cost of a cheap digital camera was between $600 and $1000. So if you could just pop in a cartridge that looked like a roll of 35mm and get digital for about $200 it would have been a hot seller. So, when Kodak was selling digital cameras based on 35mm film cameras for $10000 or more, you assume that somebody would have been capable of producing a far more difficult 'digital film' for $200? Somehow that doesn't strike me as realistic. Even today, assuming you can get an older APS-C sized sensor almost for free, I doubt that you can retail such a digital film cartridge for $200. -- That was it. Done. The faulty Monk was turned out into the desert where it could believe what it liked, including the idea that it had been hard done by. It was allowed to keep its horse, since horses were so cheap to make. -- Douglas Adams in Dirk Gently's Holistic Detective Agency |
#57
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Turning film cameras into digital cameras
In article ,
J. Clarke wrote: How was the release arranged on F3s with motor drives? Was there a separate release or did the regular release activate the motor? If the latter, that interface could probably be used for the sensor. The motor drive advances after the shutter release. You can use that signal to detect when the shutter has closed, but you also need a signal when the shutter is about to open. The motor drive doesn't need to know then the shutter opens, and the flash gets signaled when the shutter is open, instead of when the shutter is about to open. I don't know about the data back signals. -- That was it. Done. The faulty Monk was turned out into the desert where it could believe what it liked, including the idea that it had been hard done by. It was allowed to keep its horse, since horses were so cheap to make. -- Douglas Adams in Dirk Gently's Holistic Detective Agency |
#58
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Turning film cameras into digital cameras
Philip Homburg wrote:
In article , J. Clarke wrote: How was the release arranged on F3s with motor drives? Was there a separate release or did the regular release activate the motor? If the latter, that interface could probably be used for the sensor. The motor drive advances after the shutter release. You can use that signal to detect when the shutter has closed, but you also need a signal when the shutter is about to open. The motor drive doesn't need to know then the shutter opens, and the flash gets signaled when the shutter is open, instead of when the shutter is about to open. I don't know about the data back signals. My best guess is that the shutter release that is built into the DCS back triggers the back which then triggers the actual camera shutter and then the winder activates as on a normal motor-drive to recock the shutter. I could be wrong, though. |
#59
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Turning film cameras into digital cameras
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#60
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Turning film cameras into digital cameras
Tzortzakakis Dimitrios wrote:
? ?????? ??? ?????? oups.com... On Apr 10, 12:57 pm, "Tzortzakakis Dimitrios" wrote: ? "Bill Funk" ?????? ??? ??????news:6k6j13pkgphiovcm4icl5gnaps45eim2q6@4ax. com... On 8 Apr 2007 12:19:21 -0700, wrote: Someone mentioned that there are too much things to put into that tiny cartridge. However, technology has changed in the past 6 years alone. People can now jam in 2 GB (or even 4 GB) data into that same SD card. Can we jam in a tiny memory chip into the 35 mm cartridge? The idea sounds good, but the problem of interfacing that drop-in with the camera fails miserably. Thgere's not even a way to tell the drop-in when the camera opened the shutter. Another point I brought up the last time this was suggested is a real killer: heat. How do you get the heat out of the camera? Plus, there's still the problem that the sensor is thicker than film is. A back is a far better solution (at least it has a chance), but backs must be made specific for each individual make/model, and must still interface with the camera electronically. It's easier and far cheaper to make much more functional digital DSLRs from scratch. -- I agree absolutely-to succesfully engineer something a good idea is not always enough-you have to think how you can built what you need from parts already existing on the market-custom build parts cost a lot.You must also do this according to mass production, and there must be people that will buy your goods, enough so you have profit.Just think of records and audio cassetes-their market share is shrinking on and on, so most companies cease production or in the better case serious limit it.Before cd burners people used to tape cds, and in the 80s TDK made 4 flavours of normal bias tapes.My point is that just very few people would be interested to refurbish their 20 year old film camera so that it will take at best mediocre digital photos.And, as most previous posters have indicated, there are difficulties that would make realisation almost impossible-energy source, processing and flash memory in the size of a film cartridge, and sensor squeezed in the film plane and the interface between camera and sensor?Why not just give away the sucker and buy a brand new fully functional dSLR, for less than 1000 euros, complete with kit lens and cruise control? -- Tzortzakakis Dimitrios major in electrical engineering mechanized infantry reservist dimtzort AT otenet DOT gr I have a different point: It takes about 4 tons of gold ore to produce 1 oz of gold in the mining industry. However, it only takes 0.5 tons of computer junks containing circuit boards to produce the same of gold. I am familiar with the mining industry, and people go to the end of the earth to move mountains to get those precious but minute quantity stuff. We are in the west have been squandering the earth's natural resources, burning gas and energy through endless wars, and know little about the meaning of recycling. In the far east, for example people utilize the coconut tree from its leaves, its trunks, its fruit, and even its husk for many generation. Similar thing with the complete consumption from banana trees. Here, however, as long as we can get some work to do, and spend and spend money at the same time, it is considered good for the economy and well-being. Why use that old camera, if you can get a new one cheap? But I am using my old camera!(Kodak CX 7300 3.2 MP).Altough I have a steady job and enough money,I'm not getting a more modern Sony S-600 or Nikon Coolpix L-70 for (~169 euros)with at least 6.0 MP for the reasons you just described.As long as my Kodak is happily working,I will keep it (my sister has a Canon A-40,2.2 MP and she's not changing it).I don't fancy very much the throwaway doctrine, but sometimes it's unevitable (or even necessary;think of hygiene and one use injection needles:how would you feel if you had a shot with a used and sterilized needle?)Here, we have soda in plastic bottles in the summer, and most people drink with their mouth from the bottle, without a glass.How would you feel if the company reused these bottles?While steel can be easily (or almost)recycled, PCB (printed circuit boards)not so. You have to be a young fellow. The main thing I feel getting a shot with a used and sterilized needle is pain--the doctor can't get them as sharp by hand as the factory does with their tightly controlled mass production process (not to mention that sharpening needles is an inefficient use of physician/nurse/paramedic time) so after they've been in use for a while they get dull and _hurt_ going in. And glass soda bottles have always been reused. Both steel and glass can be heated to temperatures at which no known organism, virus, prion, or other contagion can survive. -- -- --John to email, dial "usenet" and validate (was jclarke at eye bee em dot net) |
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