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#11
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Why go dSLR?
"Roland Karlsson" wrote in message
... (Jed Savage) wrote in om: My question is really what benefits do the dSLR cameras have over non-SLR? There are three advantages 1. Currently you must buy a dSLR to get a large sensor. 2. SLR's has a very attractive view finder - WYSIWG. 3. You can get change lenses. You area rguing against 3. But 1 and 2 are two very real advanatages. Offset by greater weight, bulk, cost and inconvenience. Cheers, David |
#12
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Why go dSLR?
"Phil Wheeler" wrote in message
... David Dyer-Bennet wrote: Roland Karlsson writes: (Jed Savage) wrote in .com: My question is really what benefits do the dSLR cameras have over non-SLR? There are three advantages [snip] 2. SLR's has a very attractive view finder - WYSIWG. Opinions vary; I think the viewfinder of an SLR is *less* WYSIWYG than the live LCD preview that non-SLR digitals normally have. Definitely not the case in bright sunlight :-) Fine with an EVF, though. Cheers, David |
#13
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Why go dSLR?
"Bob" wrote in message
... [] Note that the DSLR user had to go all the way up to ISO 1600 to get 1/20 s - and his (handheld) shot is still blurred - while I took my shot at 1/13s and ISO 125. You shouldn't be taking hand held shots! That doesn't compare the cameras, it compares nerves... Now I can go buy a Nikkor vibration reducing lens and get far far better results. Oh, well, not taking hand-held shots would rule out about 100% of my photography! My trade-off is to use a light-weight point-and-shoot that I can take everywhere, and support it just as I am able. Today, I cannot stand the bulk of extra lenses, flashguns or tripods, so an SLR or DSLR is not an alternative for me. Propping the camera up against a wall or other support enables hand-held long exposures. Swivel bodied cameras like the Nikon Coolpix 990/995/4500 are, in some respects, even more flexible at allowing discrete, hand-held shots where a DSLR would need a tripod (and make an audible shutter noise when working). Cheers, David |
#14
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Why go dSLR?
Alfred Molon wrote in
: Bob wrote: Much to my surprise, I also found that the D70 camera made vastly superior pictures as well! And both cameras cost me about the same price - I now consider the Minolta an over-priced POS. Concerning the supposed superiority of a DLSR compared to a P&S have a look at these photos, both taken in the Nubian Museum in Aswan (Egypt), both at the same time (after sunset at 6 something pm): Olympus 5050: http://www.molon.de/galleries/Egypt/.../img.php?pic=7 1/13s f/1.8 at 8.2mm (=40mm) iso125 Pentax *ist D: http://www.pbase.com/image/25743311 1/20s f/4.0 at 38.0mm iso1600 Note that the DSLR user had to go all the way up to ISO 1600 to get 1/20 s - and his (handheld) shot is still blurred - while I took my shot at 1/13s and ISO 125. That's probably because the 5050 starts at F1.8, while the lens of the Pentax DSLR the photographer was using probably started at F4.0. Now, a 5050 at ISO 125 has less noise than a DSLR at ISO 1600. I can assure you that the full size image of the 5050 is pretty noiseless and very sharp. Meanwhile my 10D could be used with a 50 f1.8 or a 28-135 IS lens to give either better shutter speed with lower noise or a lower shutter speed with image stabiliser. I don’t see that your comparison says much about D-SLRs in general just because someone couldn’t hold a camera as steady at 1/20s as you can at 1/13s. When you have a different camera & lens in the hands of a different photographer on a different day it is hard to make any meaningful conclusions about what made the difference. -- Mark Heyes (New Zealand) See my pics at http://homepages.ihug.co.nz/~markh/ "There are 10 types of people, those that understand binary and those that don't" |
#15
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Why go dSLR?
"Steve Almond" wrote in message
... [] Are DSLRs really better for landscapes? I thought the low end models had problems getting wide angle? Steve For panoramic landscapes, multiple pictures and software can overcome most wide-angle limitations. 28mm is available in many quality point-and-shoot cameras today, e.g. Nikon Coolpix 5400. Cheers, David |
#16
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Why go dSLR?
In article ,
Steve Almond wrote: "Jeff Durham" wrote in message . .. If you are interested in pictures at a family outing, stick with a point and shoot digital camera. If you are interested in a wide range of photography (landscapes, fireworks, portraits, closeups of insects, flowers, ...), get an SLR. Are DSLRs really better for landscapes? I thought the low end models had problems getting wide angle? Easilly solved with a fisheye lens and Panotools (to defish it). This gives you extreme wide angle with the added bonus of none of the light falloff in the corners normally associated with wide-angle lenses. |
#17
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Why go dSLR?
David Taylor responds:
2. SLR's has a very attractive view finder - WYSIWG. Opinions vary; I think the viewfinder of an SLR is *less* WYSIWYG than the live LCD preview that non-SLR digitals normally have. Definitely not the case in bright sunlight :-) Fine with an EVF, though. Really? My EVF in bright sunlight is not great, and in dimmer light trying to follow action I get a comic strip movement, about like the flip books that were around 50-60 years ago. Then it breaks up. I've never had an SLR do that, digital or film. I can think of a few advantages my 7i has over an SLR, but EVF is most definitely not one of them. Charlie Self "It is even harder for the average ape to believe that he has descended from man." H. L. Mencken |
#18
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Why go dSLR?
"Charlie Self" wrote in message
... [] Really? My EVF in bright sunlight is not great, and in dimmer light trying to follow action I get a comic strip movement, about like the flip books that were around 50-60 years ago. Then it breaks up. I've never had an SLR do that, digital or film. I can think of a few advantages my 7i has over an SLR, but EVF is most definitely not one of them. Charlie Self OK, I'm speaking from experience with a Nikon Coolpix 5700 and Minolta A2. One of the cameras has "select frame rate" option for the EVF which should cover your action needs. I've not used a 7i. The Nikon allows you to choose the brightness of the EVF separately from the LCD, as I recall. I must admit that I would like to see a higher resolution in EVFs - even higher than the VGA resolution of the Minolta A2. It would be good to see some adaptive brightness control as well to match the taking conditions - dimmer at night and brighter in daylight, Cheers, David |
#19
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Why go dSLR?
"Bob" wrote in message ... On Thu, 24 Jun 2004 00:18:05 +0200, Alfred Molon wrote: Bob wrote: Much to my surprise, I also found that the D70 camera made vastly superior pictures as well! And both cameras cost me about the same price - I now consider the Minolta an over-priced POS. Concerning the supposed superiority of a DLSR compared to a P&S have a look at these photos, both taken in the Nubian Museum in Aswan (Egypt), both at the same time (after sunset at 6 something pm): Neither of those photos is original, neither are they impressive! A single modified snapshot between 2 specific cameras doesn't really say much... All I can tell you is the experience I've had with MY cameras, and I can definitely say that my D70 is superior to my Minolta 7i and also to my old Kodak 280 and also to an Olympus I had that I forgot the model... It would be rather surprising if your D70 wasn't better than a Minolta 7i from three generations ago. Steve |
#20
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Why go dSLR?
Bob wrote: On Thu, 24 Jun 2004 00:18:05 +0200, Alfred Molon I think you ran an unfair comparison! My impression is that Alfred has a distinct anti-dSLR bias. Fair comparisons and rationale conclusions are not to be expected. And who cares what he thinks anyway? I'm quite happy with my dSLR. And even my friend with a D-5050 says it takes much better pictures. But her camera is smaller and lighter and certainly cheaper. Phil |
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