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#621
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DSLR vs P&S a replay of Film vs Digital?
In article , Tony Polson
wrote: Chris Malcolm wrote: Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. Surely that cannot be right? The review of this camera on the Steve's Digicams web site suggests that the EVF has only VGA resolution: http://www.steves-digicams.com/2004_reviews/a2.html VGA implies 640x480 resolution, or 0.3 MP, which is a very long way from the 9.2 MP you suggested. apparently, konica/minolta is using the sigma method of how to count pixels. it's a 640 x 480 pixel display and they are counting each component as a full pixel, for a total of '922,000 pixels.' it may be higher than other cameras, but even with the inflated count, he's still off by a factor of 10. http://ca.konicaminolta.com/products...era/dimage/dim age-a2/specifications.html 11 mm / 0.44 inch TFT liquid crystal microdisplay, VGA size, Equivalent visual resolution: 922,000 pixels, Field of view: approx. 100%, Diagonal view angle: approx. 32° dpreview, however, at least makes it clear in the counting: http://www.dpreview.com/reviews/konicaminoltaa2/page2.asp 0.44" Type TFT, 922,000 pixels (640 x 480 x 3 primary colors) imaging resource gets it right: http://www.imaging-resource.com/PRODS/A2/A2A.HTM There's also a new electronic viewfinder which can either provide a whopping 640 x 480 pixels of resolution, or trade half of that resolution off for an impressive 60 frames per second refresh rate at 640 x 240 pixels. |
#622
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DSLR vs P&S a replay of Film vs Digital?
"nospam" wrote: In article , Tony Polson wrote: Chris Malcolm wrote: Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. Surely that cannot be right? The review of this camera on the Steve's Digicams web site suggests that the EVF has only VGA resolution: http://www.steves-digicams.com/2004_reviews/a2.html VGA implies 640x480 resolution, or 0.3 MP, which is a very long way from the 9.2 MP you suggested. apparently, konica/minolta is using the sigma method of how to count pixels. it's a 640 x 480 pixel display and they are counting each component as a full pixel, for a total of '922,000 pixels.' it may be higher than other cameras, but even with the inflated count, he's still off by a factor of 10. Actually, it's the Minolta method. They pioneered it years before Sigma with the Dimage 7. (Which happens to be one of the crappiest viewfinders I've ever put my eye to.) dpreview, however, at least makes it clear in the counting: http://www.dpreview.com/reviews/konicaminoltaa2/page2.asp 0.44" Type TFT, 922,000 pixels (640 x 480 x 3 primary colors) Interestingly, at least some of the camera companies use "dots" instead of "pixels" in their Japanese advertizing for this, and so the dishonesty comes in in the English documentation. But the bottom line is that if you A/B compare the best EVF to the worst dSLR, the EVF looks sick. David J. Littleboy Tokyo, Japan |
#623
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DSLR vs P&S a replay of Film vs Digital?
In article , Chris Malcolm
wrote: One of the reasons for that is that so many experts like yourself spend so much time boasting about your skills and experience and telling us what amateurs we are, and so little time telling us anything useful which might help us improve. No boasting...just statement of fact. Then there are all those people here who do exactly the same without actually having the skills, just pretending, because if you never communicate any of your skill it's so easy to pretend. I told you the "secret." There is no secret. It all comes from time and experience. I sometimes wonder why a real professional would want to post anything here, if all they ever wanted to post was sneers at the incompetence of amateurs. I *do* wonder sometimes. |
#624
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DSLR vs P&S a replay of Film vs Digital?
"Deep Reset" wrote in message ... "Chris Malcolm" wrote in message ... In rec.photo.digital.zlr Neil Harrington wrote: "William Graham" wrote in message . .. "Chris Malcolm" wrote in message ... In rec.photo.digital.zlr William Graham wrote: But the way you talk about digital Point & Shoots, one would think they are more sophisticated electronically, and I can't understand why this would be the case......Why couldn't you take a digital Point & Shoot, add a mirror and a rangefinder to it, and give it the ability to interchange lenses and have a better camera? Of course, it wouldn't be smaller or lighter or cheaper, and therefore as capable of being smuggled into opera houses and night clubs, but for general photography, why wouldn't it be a better (more versatile) machine? IOW, why would leaving off a mirror provide the machine with any better electronics than not leaving off a mirror? It doesn't necessarily provide the machine with more sophisticated electronics, but having a mirror in front of the sensor prevents you from using those extra sophistications, because they depend on having the lens focussing the image on the sensor instead of through the viewfinder. In other words, the mirror literally gets in the way. The few very expensive DSLRs which do offer such facilities do so either by offering a dual mode of operation, such as mirror up and mirror down, with mirror up losing you the valued optical viewfinder, or they compromise on optical efficiency by using a half silvered mirror, etc.. In other words, if you want a mirror *and* those facilities, getting round the mirror problem involves further costly engineering and compromises. The SLR mirror is a carry over from clockwork film camera technology some of whose advantages haven't yet quite been duplicated by purely digital technology. In fact digital technology can do it, just not yet at an marketable price. We won't have to wait long. In other words the SLR design concept is already obsolescent. There are huge investments in the technology which will prevent it from becoming obsolete for a long time yet, however. OK. I understand that the mirror can be a pain. the same thing is/was true for film cameras. but the alternative is the electronic viewfinder, and I haven't seen any that measure up to the "real" image view that you get with a mirror yet. These tiny screens on the back of the cameras just won't cut it. Maybe a combination....You look in the hole just like an optical viewfinder, but instead of a mirror, you see a huge view of an electronic image that is as spectacular as the one you will eventually see on your desktop 20 inch monitor..... Which would mean an EVF resolution of more than a megapixel, maybe two megapixels. I don't expect to see anything like that marketed for a long time, if ever. Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. If there isn't already a higher resolution EVF than that in the marketplace it shouldn't be long in coming. 9.2M pixel? Get real. I don't think the 9.2 megapixel resolution would be necessary.....That would be overkill in a viewfinder.....After all, it's overkill for a wallet sized photograph. The only reason one would need more than about 2 or 3 megapixels is if one wanted to print a blow-up of the scene that is larger than around 8 x 10 inches. So to devote much more than that to a viewfinder would be a waste of technology. Even in my F5, the viewfinder attracts much more dirt, cat hairs and crap than the lens-to-film path, so the view I get through the mirror viewfinder is never very good.....I don't worry about it because I know the finished slide will be much cleaner, and I'm certainly not a fanatic about keeping the mirror clean for that reason. With all this in mind, the guy who is claiming that slr's are getting obsolete is beginning to sound better and better to me. (read: he is looking less and less like a troll....:^) |
#625
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DSLR vs P&S a replay of Film vs Digital?
"David J. Littleboy" wrote: apparently, konica/minolta is using the sigma method of how to count pixels. it's a 640 x 480 pixel display and they are counting each component as a full pixel, for a total of '922,000 pixels.' it may be higher than other cameras, but even with the inflated count, he's still off by a factor of 10. Actually, it's the Minolta method. They pioneered it years before Sigma with the Dimage 7. (Which happens to be one of the crappiest viewfinders I've ever put my eye to.) dpreview, however, at least makes it clear in the counting: http://www.dpreview.com/reviews/konicaminoltaa2/page2.asp 0.44" Type TFT, 922,000 pixels (640 x 480 x 3 primary colors) Interestingly, at least some of the camera companies use "dots" instead of "pixels" in their Japanese advertizing for this, and so the dishonesty comes in in the English documentation. But the bottom line is that if you A/B compare the best EVF to the worst dSLR, the EVF looks sick. I dug out a Kodak DX7590 last weekend whose electronic eyepiece I liked when I used the camera. The electronic eyepiece has 311K pixels (about 640*480) at 30frames/sec and the LCD back is 640/240 (153K pixels) Two things the eyepiece on this camera has very good contrast which helps and it isn't as good as I remembered it from a couple years ago. The one thing that I do like about EVF is in low light conditions it beats optical eyepieces. In a daylight setting optical is better. Second thing I remember why I stopped using the camera. There was detail I could see in the eyepiece was better than the captured at the highest JPEG resolution. There is no raw mode on that camera. w.. |
#626
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DSLR vs P&S a replay of Film vs Digital?
"Chris Malcolm" wrote in message ... In rec.photo.digital.zlr Neil Harrington wrote: Which would mean an EVF resolution of more than a megapixel, maybe two megapixels. I don't expect to see anything like that marketed for a long time, if ever. Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. I don't think so. The A2 was an 8MP camera. You really think its viewfinder had higher resolution than its sensor? If there isn't already a higher resolution EVF than that in the marketplace it shouldn't be long in coming. But apart from the difference in viewfinder clarity, the DSLR has other advantages over anything with an EVF. My Coolpix 8800 for example is a great camera, but doesn't have all the flash capabilities of my D80 or even D40, or even any of the Nikon DSLRs being made when the 8800 was introduced. It accepts the same flash units but can't do the same things with them. Only because someone in marketing decided not to offer those features. The camera doesn't have to have a mirror in order to conrol a flash. I think they would have if they could have. Coolpix cameras like the 8400 and 8800 were real prosumer models and designed to handle the SB-600 and -800 flash units. But they still didn't have all the features with those flash units that the DSLRs had. Nikon would not have deliberately crippled them. For whatever reasons, the DSLR is able to do easily some things the EVF camera cannot do at all. Since the converse is also true, Yes, that is definitely true. the reasons are rather important. We're not talking about what you can easily find in a High St camera shop today, we're discussing what may be offered in the near future. I'll bet the near future is just going to see more of the same: low- and medium-priced DSLRs taking more and more market share away from the EVF prosumer models. The Four Thirds system seems to be an obvious route for this. Neil |
#627
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DSLR vs P&S a replay of Film vs Digital?
In rec.photo.digital.zlr Scott W wrote:
On Dec 5, 12:51 am, Chris Malcolm wrote: Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. If there isn't already a higher resolution EVF than that in the marketplace it shouldn't be long in coming. You are off by a factor of 30. First off Konica Minolta claimed 0.92, not 9.2 MP. My typo. Still 0.92 would be very impressive, if it were true, but they counted the red green and blue pixels separately, in reality it was a vga display with 640x480 pixels. You're right. It seems to be the case that around 0.3MP is at the moment a good EVF resolution. If the historical rates of progress in the technology continue to apply, and I see no reason why they shouldn't, we shouldn't have to wait more than a few to several years for EVFs of around 3MP, which my guess is would be good enough for at least most people. -- Chris Malcolm DoD #205 IPAB, Informatics, JCMB, King's Buildings, Edinburgh, EH9 3JZ, UK [http://www.dai.ed.ac.uk/homes/cam/] |
#628
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DSLR vs P&S a replay of Film vs Digital?
Chris Malcolm wrote:
In rec.photo.digital.zlr Scott W wrote: On Dec 5, 12:51 am, Chris Malcolm wrote: Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. If there isn't already a higher resolution EVF than that in the marketplace it shouldn't be long in coming. You are off by a factor of 30. First off Konica Minolta claimed 0.92, not 9.2 MP. My typo. Still 0.92 would be very impressive, if it were true, but they counted the red green and blue pixels separately, in reality it was a vga display with 640x480 pixels. You're right. It seems to be the case that around 0.3MP is at the moment a good EVF resolution. If the historical rates of progress in the technology continue to apply, and I see no reason why they shouldn't, we shouldn't have to wait more than a few to several years for EVFs of around 3MP, which my guess is would be good enough for at least most people. But most digicams' electronic viewfinders have been stuck at 0.3 MP for several years now. In spite of Konica Minolta's 0.92 MP, there doesn't seem to be any trend towards better EVFs with more resolution. Even the EVF on our beloved Sony DSC-R1 has only 242,000 pixels. The top mounted swivel LCD has only 140,000, but it is much easier to use than the EVF, which is gritty, grainy and very unpleasant to use, in my opinion. |
#629
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DSLR vs P&S a replay of Film vs Digital?
On 6 Dec 2007 09:18:20 GMT, Chris Malcolm wrote:
In rec.photo.digital.zlr Scott W wrote: On Dec 5, 12:51 am, Chris Malcolm wrote: Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. If there isn't already a higher resolution EVF than that in the marketplace it shouldn't be long in coming. You are off by a factor of 30. First off Konica Minolta claimed 0.92, not 9.2 MP. My typo. Still 0.92 would be very impressive, if it were true, but they counted the red green and blue pixels separately, in reality it was a vga display with 640x480 pixels. You're right. It seems to be the case that around 0.3MP is at the moment a good EVF resolution. If the historical rates of progress in the technology continue to apply, and I see no reason why they shouldn't, we shouldn't have to wait more than a few to several years for EVFs of around 3MP, which my guess is would be good enough for at least most people. Why all this stupid speculation and argument? Just do the math. (And here they keep wanting to believe how bright they are, yeah, right.) The resolution doesn't have to be any higher than human perception. The absolute highest level of detail perceivable by any human is no smaller than 28 seconds of arc. Most people have a hard time trying to discern details with 1 minute of arc. Just ask any of them to split Epsilon Lyrae (the famous double-double star) with their eyes alone. 2.6 seconds separation for the 2 binary-pairs. They can't do it. It was even used as an eyesight test for Roman military. If they couldn't see it as 2 stars they were rejected. Do the math on the EVF display angle of view wanted and then you know what pixel resolution is needed. 30 to 40 degrees is about the average FOV in any viewfinder. For a 40 degree FOV (let's pick a larger display just to appease those with poor vision) with 2.6 seconds of arc detail, a 1024x768 (786k) display would be beyond the average person's perception. Quite frankly I find even that isn't necessary. I have been using a 123k pixel display (30 degree FOV) for over 5 years, using the finely pixelated image to a great advantage. Using it as a full area micro-prism screen I am able to focus faster and quicker with the lower resolution than I could if it was higher resolution. Until you actually learn to use them properly you're all talking out of your asses. The answer does not lie in resolution alone. But you'll never know this because the only cameras that any of you have ever used are virtual cameras to go along with your useless virtual lives and useless virtual advice. |
#630
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DSLR vs P&S a replay of Film vs Digital?
On 6 Dec 2007 09:18:20 GMT, Chris Malcolm wrote:
In rec.photo.digital.zlr Scott W wrote: On Dec 5, 12:51 am, Chris Malcolm wrote: Why not? Konica Minolta's Dimage A2 had a 9.2MP EVF in 2004. If there isn't already a higher resolution EVF than that in the marketplace it shouldn't be long in coming. You are off by a factor of 30. First off Konica Minolta claimed 0.92, not 9.2 MP. My typo. Still 0.92 would be very impressive, if it were true, but they counted the red green and blue pixels separately, in reality it was a vga display with 640x480 pixels. You're right. It seems to be the case that around 0.3MP is at the moment a good EVF resolution. If the historical rates of progress in the technology continue to apply, and I see no reason why they shouldn't, we shouldn't have to wait more than a few to several years for EVFs of around 3MP, which my guess is would be good enough for at least most people. Why all this stupid speculation and argument? Just do the math. (And here they keep wanting to believe how bright they are, yeah, right.) The resolution doesn't have to be any higher than human perception. The absolute highest level of detail perceivable by any human is no smaller than 28 seconds of arc. Most people have a hard time trying to discern details with 1 minute of arc. Just ask any of them to split Epsilon Lyrae (the famous double-double star) with their eyes alone. 2.6 minutes separation for the 2 binary-pairs. They can't do it. It was even used as an eyesight test for Roman military. If they couldn't see it as 2 stars they were rejected. Do the math on the EVF display angle of view wanted and then you know what pixel resolution is needed. 30 to 40 degrees is about the average FOV in any viewfinder. For a 40 degree FOV (let's pick a larger display just to appease those with poor vision) with 2.6 minutes of arc detail, a 1024x768 (786k) display would be beyond the average person's perception. Quite frankly I find even that isn't necessary. I have been using a 123k pixel display (30 degree FOV) for over 5 years, using the finely pixelated image to a great advantage. Using it as a full area micro-prism screen I am able to focus faster and quicker with the lower resolution than I could if it was higher resolution. Until you actually learn to use them properly you're all talking out of your asses. The answer does not lie in resolution alone. But you'll never know this because the only cameras that any of you have ever used are virtual cameras to go along with your useless virtual lives and useless virtual advice. (seconds/minutes typo corrected post) |
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