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#31
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On Wed, 03 Nov 2004 13:27:10 -0500, Stacey wrote:
The weak point a A really stupid "B" setting, they call it "T". When you trip the shutter, it stays open until you either move the speed ring or recock the shutter so you basically have to use a lens cap to close the shutter. This is a pity. I know how T mode works, I had it on my really-really-old Kodak folding. This means a tripod is mandatory for long exposures, while B would have been useable with just a proper support like a flat rock. I ended up selling mine mainly because I got bored with the angle of view. I think the 90mm version might be more useful? Well, I think it depends from what one shoots... I use the equivalent of 24mm and wider very very much, while I don't happen to like "normal" FOVs a lot. To be honest, I'd LOVE a Mamiya 7 with that incredible 43mm lens, but it's still so expensive! Plus I don't like the 6x7 format that much (almost square but not really square), a matter of personal taste of course. Many thanks. :-) Fernando |
#32
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LR Kalajainen wrote in message ...
I haven't found the micro or local contrast of the lens to be a problem. It might be a function of film/developer/development time combination rather than the lens. It is a constrasty lens, and if it has a fault, it's that it doesn't have as pleasing "bokeh" (visual quality of the out-of-focus elements of the picture) as, say, Zeiss or Leica lenses do, but it's comparable to other Japanese lenses. Lens affects the micro contrast tremendously. I have found that itīs impossible to duplicate the look of a particualr lens using another one by simply changing film/developer/development time. Zeiss are the best in that regard. The has an ugly bokeh but wide angle lenses donīt have it, even Zeiss. J. |
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