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#21
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A decent film camera is a minimum of 250 (Rebel Ti or equivalent) a decent
film scanner is going to run a minimum of 500 (that is absolute minimum) You are at 750 dollars and haven't yet bought any film, or had any processed. The DRebel is 900 dollars. Do the math. -- http://www.chapelhillnoir.com home of The Camera-ist's Manifesto The Improved Links Pages are at http://www.chapelhillnoir.com/links/mlinks00.html A sample chapter from "Haight-Ashbury" is at http://www.chapelhillnoir.com/writ/hait/hatitl.html "John Doe" wrote in message om... Hi, I am planning on a film SLR + a film scanner combo keeping in view my limited budget. But people are suggesting a dSLR given the costs of film (possibly slide) development. So my question is, how does a low-end film SLR, say a Canon 300V or a Minolta Maxxum 5 compare to a Canon 300D or Nikon D70? In terms of picture quality, what would loose with a dSLR and what would I gain with it? Please keep the more expensive options (film or digital) out. Thanks, Siddhartha |
#22
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The Maxxum five is not exactly a barn burner for features. No bottom end SLR
is. That is the way it goes. -- http://www.chapelhillnoir.com home of The Camera-ist's Manifesto The Improved Links Pages are at http://www.chapelhillnoir.com/links/mlinks00.html A sample chapter from "Haight-Ashbury" is at http://www.chapelhillnoir.com/writ/hait/hatitl.html "John Doe" wrote in message ... Ian Riches wrote: 1) If you are interested in image quality then remember that the lens is probably the most important factor. If you spend all you budget on a fancy body and only have enough cash left for the cheapest of kit-lenses then you'll get the same (poor) results no matter what. I agree. So far I have zeroed down on Minolta Maxxum 5 with a 50mm f/1.7 lens and 70-210mm f/4 lens. 2) IMHO, the quality of dSLRs and film is now broadly comparable for most purposes. Others may well disagree (and probably will), but often it will be something else (quality of lens, robustness of tripod etc.) that will ultimately control image sharpness. Film (*good* film) may still have the edge for absolute sharpness and detail recording. Digital has the edge for lack of noise / grain. All IMHO. I am more interested in comapring budget SLRs (film and SLR) because I was under the impression that the low-end dSLRs (300d or D70) still don't matchup to budget film SLRs (300v, Maxxum 5, Nikon N80). Am I right in the assumption? Thanks, Siddhartha |
#23
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That would be silly. The web images are going to be low quality compared to
printing from the camera. -- http://www.chapelhillnoir.com home of The Camera-ist's Manifesto The Improved Links Pages are at http://www.chapelhillnoir.com/links/mlinks00.html A sample chapter from "Haight-Ashbury" is at http://www.chapelhillnoir.com/writ/hait/hatitl.html "Alan" wrote in message ... "John Doe" wrote in message om... Hi, I am planning on a film SLR + a film scanner combo keeping in view my limited budget. But people are suggesting a dSLR given the costs of film (possibly slide) development. So my question is, how does a low-end film SLR, say a Canon 300V or a Minolta Maxxum 5 compare to a Canon 300D or Nikon D70? In terms of picture quality, what would loose with a dSLR and what would I gain with it? Please keep the more expensive options (film or digital) out. Thanks, Siddhartha I have a 300D, and also a film SLR (EOS 30) and have been looking at buying a decent film scanner. I would imaging that for the cost of a budget film SLR and film scanner you're pretty much at the same cost of a 300D or D70. The image quality of either DSLR is excellent, and will match film in many cases. I think you'd have to print massive to tell one from another, and be using quality film. In my case, the running costs of the DSLR are soooo much cheaper than film (film cost, developing etc) and the hassle of getting film developed compared to digital that I expect the body to pay for itself within a couple of years in these costs alone. There are plenty of used 300D's and D70's around now as people upgrade, especially with the launch of the new 20D. You should be able to pick up a second-hand body for a good price now. Look (and print) some of the example DSLR images from the web, and make your own judgement. Alan. |
#24
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Tony wrote:
The Maxxum five is not exactly a barn burner for features. No bottom end SLR is. That is the way it goes. http://www.photographic.com/filmcameras/158/index.html Puts Rebel Ti, Maxxum 5, Nikon N65, Pentax ZX-L and the Sigma SA-7 in the same category. Even spec for spec, the Rebel Ti does not seem to out-do the Maxxum 5 significantly. Maxxum/Dynax 5 Canon RebelTi AF sensors 7 (1#) lighted 7 (1#) lighted AF working range -1/18 1/18 Metering systems 14 seg, spot 35 seg, partial M-working range 1/20 1/20 Exp. Compensation +-3 in .3 .5 .7 +-2 in .5 Shutter speed 1/4000-30s,B 1/2000-30s,B Auto-Bracketing yes yes Mirror lock-up no no Multiple exposure yes yes max. X-Sync 1/125s 1/90s Hi-speed sync. 1/4000s 1/2000s Flash sync 2nd curtain no on flash? Flash Exp. Comp. no on flash Built-in Flash 12 (28mm) 12 (28mm) Viewfinder-info A,T,F,Ec,AF A,T,F,Ec,AF,Sh,D Viewfinder size 90% 90% Programs F,P,Sp,Ap,M,5 F,P,Sp,Ap,M,6,Dep DOF preview yes yes Custom functions 14 no Metal mount yes yes Motorspeed 3 fps 2.5 fps weight (g) 335g 365g Price $119 $140 I am putting on hold the decision to get a scanner but the Epson 2580 seems good at $140. So that brings the total expense (including scanner) under $300 without lenses. I won't compare lenses because cost of lenses will be additional with film or digital. Besides, I simply don't have the $899 for the 300D's body not to mention a 512MB flash card to go with it. $899 might seem to trivial to you but its a lot of money here in India!! Ironic, because I decided on the Maxxum 5 based on the info on your site Btw, its a great site. Spent a lot of time going through it. Thanks, Siddhartha |
#25
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On 13 Sep 2004 05:49:47 -0700, "John Doe"
wrote: 1) If you are interested in image quality then remember that the lens is probably the most important factor. If you spend all you budget on a fancy body and only have enough cash left for the cheapest of kit-lenses then you'll get the same (poor) results no matter what. I agree. So far I have zeroed down on Minolta Maxxum 5 with a 50mm f/1.7 lens and 70-210mm f/4 lens. Good choices so far in the older Maxxum lenses. Not the best bokeh in the world but sharp. The 24-85 is a decent lens as well. All of them should be great on the upcoming Maxxum 7D. Right now I am shooting a Maxxum 7, 70 and 9xi with those two lenses and many others. I use a Nikon Coolscan V and get excellent results. I'll probably buy the Maxxum 7D when it is released as the scanning is getting a bit much. I don't mind a bit of scanning but I am getting a bit trigger happy with the Maxxums lately. Picture wise at 4x6 or 5x7 comparing the film and my old 10D shots you will be hard pressed to really tell the difference when using good film and a good scanner. I compare my 10D shots with my film shots and all I can see is a bit of grain now and then when I use cheap film. But there is definately a difference in latitude in the 10D shots compared to the use of print film in the Maxxums. If you don't mind the time in scanning get the Maxxum 70 and a Nikon Coolscan V and invest in some good film (Reala or Kodak 100UC or 400UC as an example) and you'll be happy til you get the itch to buy the Konica Minolta DSLR. Valder |
#26
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Valder wrote:
On 13 Sep 2004 05:49:47 -0700, "John Doe" wrote: 1) If you are interested in image quality then remember that the lens is probably the most important factor. If you spend all you budget on a fancy body and only have enough cash left for the cheapest of kit-lenses then you'll get the same (poor) results no matter what. I agree. So far I have zeroed down on Minolta Maxxum 5 with a 50mm f/1.7 lens and 70-210mm f/4 lens. Good choices so far in the older Maxxum lenses. Not the best bokeh in the world but sharp. The 24-85 is a decent lens as well. All of them should be great on the upcoming Maxxum 7D. Right now I am shooting a Maxxum 7, 70 and 9xi with those two lenses and many others. I use a Nikon Coolscan V and get excellent results. I'll probably buy the Maxxum 7D when it is released as the scanning is getting a bit much. I don't mind a bit of scanning but I am getting a bit trigger happy with the Maxxums lately. Picture wise at 4x6 or 5x7 comparing the film and my old 10D shots you will be hard pressed to really tell the difference when using good film and a good scanner. I compare my 10D shots with my film shots and all I can see is a bit of grain now and then when I use cheap film. But there is definately a difference in latitude in the 10D shots compared to the use of print film in the Maxxums. If you don't mind the time in scanning get the Maxxum 70 and a Nikon Coolscan V and invest in some good film (Reala or Kodak 100UC or 400UC as an example) and you'll be happy til you get the itch to buy the Konica Minolta DSLR. Valder Hey Valder!! Nice to see a first hand view of the kind of setup I am planning to have. Yes, for film I plan to use either Reala or I will also try and see how does slide film at the price turn-out to be. At the same price point as Reala, I get Sensia and Elitechrome. So I will try out both, colour negative as well as slide film. And again, thats my plan too. In a couple of years when I have enough money, I'll get the Digital Maxxum 7 or whatever successor Minolta has to that. For scanner, I might not be able to afford the Nikon Coolscan and will probably settle for Epson 2580 or 3170. For camera, I might go with the Maxxum 5 or 70. Either of them seem fine for my use as there doesn't seem to be much difference between the two. Infact, some suggest that the Maxxum 70 is a bit of a downgrade from the 5. One question, how are enlargements from film compared to 10D? Say A4 size or larger. Thanks, Siddhartha |
#27
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Tony wrote:
That would be silly. The web images are going to be low quality compared to printing from the camera. there are "straight out of the camera" images on dpreview for this purpose. Nick |
#28
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"John Doe" writes:
Good point. Let me sum-up my needs from the setup: 1. Learn more about photography. My experience till now has been limited to playing with the Oly C-750, I have. So i am not looking at pro features like mirror lockup etc. I just need a device that'll let me learn the basics well. Infact, to that end, I was considering buying a manual-focus SLR but decided on an AF so that I can use it as P&S when I want to. 2. Budget - My budget is about US$300 for the camera and the lenses. After reading and searching, I found Maxxum 5 ($119 new) and some used lenses at www.keh.com. A 50mm f/1.7 and 70-210mm f/4 costing about $130. And a couple of filters - Skylight and C-PL. It's true it's hard to get into a DSLR on this kind of budget. Certainly not new equipment. lot, printing all the photos doesn't make sense (given I use film). So I will want to preview the photos that I want to print. I expect them to be probably 4-5 per roll of film of 36. To that end, I am looking for a film scanner and after reading several reviews I froze on the Epson 2580 ($140). The ones I like, I will probably print them on A4 size or larger or just mail them across to friend/family. I don't think a flatbed scanner is a decent choice for 35mm work. There are resolution issues, film flatness issues, density issues, and range issues. 4. Once in a while shoot weddings (of friends/relatives) and when I am on a vacation, shoot landscapes and panorama. I would like these to be printable on A4 or larger size. Over a period of one year of using digital technology (that is Oly C-750), the only advantages I see of having digital over film is running cost and convenience. You save on cost of the film and development. Printing costs remain the same. Let me explain why. But you learn a lot more, without the trouble and expense and *time* of setting up your own darkroom. Because in digital you're essentially doing your own "darkroom work" on the computer in photoshop. You also get better prints, since you're not dependent on the automation or the technicians in the lab to make aesthetic choices. If I see the way I shoot, I point the camera at the subject, look through the viewfinder, compose and shoot. I do this with film as well a digital. With digital, I shoot more because I don't have to worry about wasting film or running out of it. But if I didn't worry about film wastage, I can shoot the same subject with different exposures, aperture, shutter, white balance etc. But you *do* have to worry about film wastage, because money is limited. People point at previewing what you've shot as a major advantage of digital. I disagree. What detail do you see in a tiny LCD? I have had lots of ruined photos because of camera shake, bad settings of exposure, apaerture, shutter etc. But they were not big enough to show the image as ruined on the small LCD. Only when I go back home and see it on the PC that I notice that the image isn't that good or has been totally ruined (as in the case of camera shake). At other times, you don't have the time for previewing after you've shot. Think about doing that when you are on elephant back in a wild life sanctuary always on the look out for an animal to show-up so you can shoot it or in a wedding with all the chaos (Indian weddings are pretty chaoatic ) Don't you have zoom in playback? I can zoom in on the LCD plenty well enough to check focus. Do you have histogram display? That'll tell you all you need to know about exposure, with a little practice. And you can tell if you caught the expression you were going for. With things like kittens playing, musicians, that kind of very active subject, I probably throw away half what I shoot in the field, and some more on the computer at home (I rarely throw away anything just because I have a "better" one; I throw away the ones that aren't usable for anything). I can also do things like hold the camera at arm's length, guessing where it's pointed, repeatedly until I get it right. I've done that with film, but I can crop tighter in digital because I can tell when I finally get it right. (Twistable LCD screens on consumer cameras help a lot with this, but DSLRs don't have live preview so I'm guessing still.) -- David Dyer-Bennet, , http://www.dd-b.net/dd-b/ RKBA: http://noguns-nomoney.com/ http://www.dd-b.net/carry/ Pics: http://dd-b.lighthunters.net/ http://www.dd-b.net/dd-b/SnapshotAlbum/ Dragaera/Steven Brust: http://dragaera.info/ |
#29
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"John Doe" writes:
Good point. Let me sum-up my needs from the setup: 1. Learn more about photography. My experience till now has been limited to playing with the Oly C-750, I have. So i am not looking at pro features like mirror lockup etc. I just need a device that'll let me learn the basics well. Infact, to that end, I was considering buying a manual-focus SLR but decided on an AF so that I can use it as P&S when I want to. 2. Budget - My budget is about US$300 for the camera and the lenses. After reading and searching, I found Maxxum 5 ($119 new) and some used lenses at www.keh.com. A 50mm f/1.7 and 70-210mm f/4 costing about $130. And a couple of filters - Skylight and C-PL. It's true it's hard to get into a DSLR on this kind of budget. Certainly not new equipment. lot, printing all the photos doesn't make sense (given I use film). So I will want to preview the photos that I want to print. I expect them to be probably 4-5 per roll of film of 36. To that end, I am looking for a film scanner and after reading several reviews I froze on the Epson 2580 ($140). The ones I like, I will probably print them on A4 size or larger or just mail them across to friend/family. I don't think a flatbed scanner is a decent choice for 35mm work. There are resolution issues, film flatness issues, density issues, and range issues. 4. Once in a while shoot weddings (of friends/relatives) and when I am on a vacation, shoot landscapes and panorama. I would like these to be printable on A4 or larger size. Over a period of one year of using digital technology (that is Oly C-750), the only advantages I see of having digital over film is running cost and convenience. You save on cost of the film and development. Printing costs remain the same. Let me explain why. But you learn a lot more, without the trouble and expense and *time* of setting up your own darkroom. Because in digital you're essentially doing your own "darkroom work" on the computer in photoshop. You also get better prints, since you're not dependent on the automation or the technicians in the lab to make aesthetic choices. If I see the way I shoot, I point the camera at the subject, look through the viewfinder, compose and shoot. I do this with film as well a digital. With digital, I shoot more because I don't have to worry about wasting film or running out of it. But if I didn't worry about film wastage, I can shoot the same subject with different exposures, aperture, shutter, white balance etc. But you *do* have to worry about film wastage, because money is limited. People point at previewing what you've shot as a major advantage of digital. I disagree. What detail do you see in a tiny LCD? I have had lots of ruined photos because of camera shake, bad settings of exposure, apaerture, shutter etc. But they were not big enough to show the image as ruined on the small LCD. Only when I go back home and see it on the PC that I notice that the image isn't that good or has been totally ruined (as in the case of camera shake). At other times, you don't have the time for previewing after you've shot. Think about doing that when you are on elephant back in a wild life sanctuary always on the look out for an animal to show-up so you can shoot it or in a wedding with all the chaos (Indian weddings are pretty chaoatic ) Don't you have zoom in playback? I can zoom in on the LCD plenty well enough to check focus. Do you have histogram display? That'll tell you all you need to know about exposure, with a little practice. And you can tell if you caught the expression you were going for. With things like kittens playing, musicians, that kind of very active subject, I probably throw away half what I shoot in the field, and some more on the computer at home (I rarely throw away anything just because I have a "better" one; I throw away the ones that aren't usable for anything). I can also do things like hold the camera at arm's length, guessing where it's pointed, repeatedly until I get it right. I've done that with film, but I can crop tighter in digital because I can tell when I finally get it right. (Twistable LCD screens on consumer cameras help a lot with this, but DSLRs don't have live preview so I'm guessing still.) -- David Dyer-Bennet, , http://www.dd-b.net/dd-b/ RKBA: http://noguns-nomoney.com/ http://www.dd-b.net/carry/ Pics: http://dd-b.lighthunters.net/ http://www.dd-b.net/dd-b/SnapshotAlbum/ Dragaera/Steven Brust: http://dragaera.info/ |
#30
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"John Doe" writes:
Good point. Let me sum-up my needs from the setup: 1. Learn more about photography. My experience till now has been limited to playing with the Oly C-750, I have. So i am not looking at pro features like mirror lockup etc. I just need a device that'll let me learn the basics well. Infact, to that end, I was considering buying a manual-focus SLR but decided on an AF so that I can use it as P&S when I want to. 2. Budget - My budget is about US$300 for the camera and the lenses. After reading and searching, I found Maxxum 5 ($119 new) and some used lenses at www.keh.com. A 50mm f/1.7 and 70-210mm f/4 costing about $130. And a couple of filters - Skylight and C-PL. It's true it's hard to get into a DSLR on this kind of budget. Certainly not new equipment. lot, printing all the photos doesn't make sense (given I use film). So I will want to preview the photos that I want to print. I expect them to be probably 4-5 per roll of film of 36. To that end, I am looking for a film scanner and after reading several reviews I froze on the Epson 2580 ($140). The ones I like, I will probably print them on A4 size or larger or just mail them across to friend/family. I don't think a flatbed scanner is a decent choice for 35mm work. There are resolution issues, film flatness issues, density issues, and range issues. 4. Once in a while shoot weddings (of friends/relatives) and when I am on a vacation, shoot landscapes and panorama. I would like these to be printable on A4 or larger size. Over a period of one year of using digital technology (that is Oly C-750), the only advantages I see of having digital over film is running cost and convenience. You save on cost of the film and development. Printing costs remain the same. Let me explain why. But you learn a lot more, without the trouble and expense and *time* of setting up your own darkroom. Because in digital you're essentially doing your own "darkroom work" on the computer in photoshop. You also get better prints, since you're not dependent on the automation or the technicians in the lab to make aesthetic choices. If I see the way I shoot, I point the camera at the subject, look through the viewfinder, compose and shoot. I do this with film as well a digital. With digital, I shoot more because I don't have to worry about wasting film or running out of it. But if I didn't worry about film wastage, I can shoot the same subject with different exposures, aperture, shutter, white balance etc. But you *do* have to worry about film wastage, because money is limited. People point at previewing what you've shot as a major advantage of digital. I disagree. What detail do you see in a tiny LCD? I have had lots of ruined photos because of camera shake, bad settings of exposure, apaerture, shutter etc. But they were not big enough to show the image as ruined on the small LCD. Only when I go back home and see it on the PC that I notice that the image isn't that good or has been totally ruined (as in the case of camera shake). At other times, you don't have the time for previewing after you've shot. Think about doing that when you are on elephant back in a wild life sanctuary always on the look out for an animal to show-up so you can shoot it or in a wedding with all the chaos (Indian weddings are pretty chaoatic ) Don't you have zoom in playback? I can zoom in on the LCD plenty well enough to check focus. Do you have histogram display? That'll tell you all you need to know about exposure, with a little practice. And you can tell if you caught the expression you were going for. With things like kittens playing, musicians, that kind of very active subject, I probably throw away half what I shoot in the field, and some more on the computer at home (I rarely throw away anything just because I have a "better" one; I throw away the ones that aren't usable for anything). I can also do things like hold the camera at arm's length, guessing where it's pointed, repeatedly until I get it right. I've done that with film, but I can crop tighter in digital because I can tell when I finally get it right. (Twistable LCD screens on consumer cameras help a lot with this, but DSLRs don't have live preview so I'm guessing still.) -- David Dyer-Bennet, , http://www.dd-b.net/dd-b/ RKBA: http://noguns-nomoney.com/ http://www.dd-b.net/carry/ Pics: http://dd-b.lighthunters.net/ http://www.dd-b.net/dd-b/SnapshotAlbum/ Dragaera/Steven Brust: http://dragaera.info/ |
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