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What Rich can do...
On 9/7/2011 6:06 PM, RichA wrote:
Moved to a 4:3 format. This would have allowed for smaller, higher quality lenses than are needed to support an APS 3:2 format since a 4:3 format occupying the same sensor area would be less wide, putting less pressure on the lens design to support such a width. Plus, it would have made more sense because most 3:2 images end up cropped at the sides for 70% of their applications anyway. That extra side waste has made it much more difficult and expensive for Sony (and then Nikon and Canon) to do mirror-less systems which has/will result in poorer quality lenses overall. Time to ditch the ancient film format. What issue would that be? What Sony lens (E Mount, I assume) do you own? |
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What Rich can do...
"Bowser" wrote in message news On 9/7/2011 6:06 PM, RichA wrote: Moved to a 4:3 format. This would have allowed for smaller, higher quality lenses than are needed to support an APS 3:2 format since a 4:3 format occupying the same sensor area would be less wide, putting less pressure on the lens design to support such a width. Plus, it would have made more sense because most 3:2 images end up cropped at the sides for 70% of their applications anyway. That extra side waste has made it much more difficult and expensive for Sony (and then Nikon and Canon) to do mirror-less systems which has/will result in poorer quality lenses overall. Time to ditch the ancient film format. What issue would that be? What Sony lens (E Mount, I assume) do you own? For lens designers, the easiest (ideal) format is 1:1. |
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