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Maddalena's Aria?
On May 30, 9:14 pm, "L. Credit Where Due T."
wrote: I noted the Boll**** Hyena's Rationale: Boll-tone Rationale: "If it *was* composed specifically for Maddalena why has it not been included in regular performance (and recording) practice?" The above: False premise and statement poorly disguised as a 'question'. Boll-tone Boy 'replied' in its usual evasive gibberish, herein translated to: Ahem my dear Mr. Tillman, who, along with your dog, I incist [sicK] on phelllayting @ the syunest, I have dwelt overlong in the in by Boll-Hole, the land of Boll-****, MY land. I are a risible little stuporannuated liar and fuqhead ill-equipped to deal with real words and real thoughts. *As* you demonstrate for us repeatedly, Stink. Not that we need convincing. I asked - *Since when are all portions of original versions always included 'in regular performance (and recording) practice? Boll runs for cover, re-babbling: Ahem my dear Mr. Tillman, who, along with your dog, I incist [sicK] on phelllayting @ the syunest, I have dwelt overlong in the in by Boll-Hole, the land of Boll-****, MY land. I are a risible little stuporannuated liar and fuqhead ill-equipped to deal with real words and real thoughts. So you babbled -and re-babbled. Richard Garmise You're a know-nothing, a nobody, yet, it's in your power to enrich the Opera world: Paul Ferraro 'Cio-Cio-Bollmann's Finale": Slip into your hyaenid-tailored kimono, make the required 'slicing' with the Ceremonial Blade, - and VOILA! Gone with the Boll****! At the Permanentest. At the sincereliestest, LT |
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