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David Dyer-Bennet wrote in :
It's just that, compared to test shots taken using *the actual sensor* that will take the final shot, it's still very crude. Also, boiling the information down to *one number* is very crude and can be misleading. Careful examination of the histogram and LCD preview is much less error-prone. This is why some high-end New York studios would build and dress the set, light it, meter, set up the camera, shoot some polaroids adjusting various things, and then eventually shoot some real chromes, and send them out to the lab (in NYC you could get 1-hour chrome turnaround on 4x5s). They felt there was no substitute for the *actual* film/sensor that was going to take the final actual picture. Except you're not using the *actual* film that you're going to be shooting in 'good' on when you're doing polaroid shots. Geeze, didn't you even finish reading the paragraph? After using their meters, and then using Polaroid, *then* they shot test 4x5s of the actual film. ....no.. they don't people aren't going to stop a shoot and wait more than an hour to get their 4x5 'actual' test back. -- http://www.neopets.com/refer.phtml?username=moosespet |
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