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#11
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Scott Coutts wrote:
Nicholas O. Lindan wrote: You want something called "Farmer's Reducer". It is a mixture of Pot. Ferricyanide (pretty-much non-toxic, despite the name) Unless you accidentally mix it with something acidic in your darkroom... then you get cyanide gas (: This has been discussed before. It takes quite a bit to decompose Potassium Ferricyanide. Note that it does not decompose to form cyanide in the body which means that you need something stronger than stomach acid. Treat all darkroom chemicals with respect. It is good to read the MSDSs for the various chemicals you use, but it can help to remember that they tend to be written in a way which makes any chemical sound scary. Peter. -- |
#12
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Peter Irwin wrote:
Scott Coutts wrote: Nicholas O. Lindan wrote: You want something called "Farmer's Reducer". It is a mixture of Pot. Ferricyanide (pretty-much non-toxic, despite the name) Unless you accidentally mix it with something acidic in your darkroom... then you get cyanide gas (: This has been discussed before. It takes quite a bit to decompose Potassium Ferricyanide. Note that it does not decompose to form cyanide in the body which means that you need something stronger than stomach acid. Treat all darkroom chemicals with respect. It is good to read the MSDSs for the various chemicals you use, but it can help to remember that they tend to be written in a way which makes any chemical sound scary. Yeah, I agree with all of that... but it's good to know. Sometimes people dont realise the effects that these can have, though, because they're "just photography solutions... they cant do any harm". Tip it in the sink with brick cleaner from the hardware shop, for example, and it'll be quite different! The MSDS is a good idea, but I agree that they can sound bad. The MSDS for water is available at some sites, as is the one for salt etc... you'd never touch anything again if you took them too seriously (not that I advocate taking them lightly, but a little knowledge and some common sense never goes astray!) Scott. |
#13
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Peter Irwin wrote:
Scott Coutts wrote: Nicholas O. Lindan wrote: You want something called "Farmer's Reducer". It is a mixture of Pot. Ferricyanide (pretty-much non-toxic, despite the name) Unless you accidentally mix it with something acidic in your darkroom... then you get cyanide gas (: This has been discussed before. It takes quite a bit to decompose Potassium Ferricyanide. Note that it does not decompose to form cyanide in the body which means that you need something stronger than stomach acid. Treat all darkroom chemicals with respect. It is good to read the MSDSs for the various chemicals you use, but it can help to remember that they tend to be written in a way which makes any chemical sound scary. Yeah, I agree with all of that... but it's good to know. Sometimes people dont realise the effects that these can have, though, because they're "just photography solutions... they cant do any harm". Tip it in the sink with brick cleaner from the hardware shop, for example, and it'll be quite different! The MSDS is a good idea, but I agree that they can sound bad. The MSDS for water is available at some sites, as is the one for salt etc... you'd never touch anything again if you took them too seriously (not that I advocate taking them lightly, but a little knowledge and some common sense never goes astray!) Scott. |
#14
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Peter Irwin wrote:
Scott Coutts wrote: Nicholas O. Lindan wrote: You want something called "Farmer's Reducer". It is a mixture of Pot. Ferricyanide (pretty-much non-toxic, despite the name) Unless you accidentally mix it with something acidic in your darkroom... then you get cyanide gas (: This has been discussed before. It takes quite a bit to decompose Potassium Ferricyanide. Note that it does not decompose to form cyanide in the body which means that you need something stronger than stomach acid. Treat all darkroom chemicals with respect. It is good to read the MSDSs for the various chemicals you use, but it can help to remember that they tend to be written in a way which makes any chemical sound scary. Yeah, I agree with all of that... but it's good to know. Sometimes people dont realise the effects that these can have, though, because they're "just photography solutions... they cant do any harm". Tip it in the sink with brick cleaner from the hardware shop, for example, and it'll be quite different! The MSDS is a good idea, but I agree that they can sound bad. The MSDS for water is available at some sites, as is the one for salt etc... you'd never touch anything again if you took them too seriously (not that I advocate taking them lightly, but a little knowledge and some common sense never goes astray!) Scott. |
#15
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"Nicholas O. Lindan" wrote in message k.net... "Richard Knoppow" wrote Iodine has the advantage that the reduced area will not develop a yellow stain over time. Interesting ... what causes the yellow stain [or better yet, what won't cause the yellow stain]? -- Nicholas O. Lindan, Cleveland, Ohio Consulting Engineer: Electronics; Informatics; Photonics. To reply, remove spaces: n o lindan at ix . netcom . com psst.. want to buy an f-stop timer? nolindan.com/da/fstop/ Probably residual silver complex from the bleach. For normal Farmer's reducer, where the hypo and bleach are combined the hypo isn't sufficient to remove all the silver complex. Materials reduced in Farmer's should be refixed and washed. I am not certain why the Iodide reducer doesn't cause a stain, perhaps it does if treated with hypo. The original reducer used Potassium cyanide as the fixing agent. Cyanide is the most effective fixer there is but is extemely toxic and can also dissolve some image silver. Another version of Iodine reducer uses Thiocarbamide as the fixing agent. This is also very effective but I think also needs a final fixing step. Sepia toned images are not subject to the yellowing because the sulfide redeveloper has already converted all remaining silver complexes to silver sulfide. -- --- Richard Knoppow Los Angeles, CA, USA |
#16
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"Nicholas O. Lindan" wrote in message k.net... "Richard Knoppow" wrote Iodine has the advantage that the reduced area will not develop a yellow stain over time. Interesting ... what causes the yellow stain [or better yet, what won't cause the yellow stain]? -- Nicholas O. Lindan, Cleveland, Ohio Consulting Engineer: Electronics; Informatics; Photonics. To reply, remove spaces: n o lindan at ix . netcom . com psst.. want to buy an f-stop timer? nolindan.com/da/fstop/ Probably residual silver complex from the bleach. For normal Farmer's reducer, where the hypo and bleach are combined the hypo isn't sufficient to remove all the silver complex. Materials reduced in Farmer's should be refixed and washed. I am not certain why the Iodide reducer doesn't cause a stain, perhaps it does if treated with hypo. The original reducer used Potassium cyanide as the fixing agent. Cyanide is the most effective fixer there is but is extemely toxic and can also dissolve some image silver. Another version of Iodine reducer uses Thiocarbamide as the fixing agent. This is also very effective but I think also needs a final fixing step. Sepia toned images are not subject to the yellowing because the sulfide redeveloper has already converted all remaining silver complexes to silver sulfide. -- --- Richard Knoppow Los Angeles, CA, USA |
#17
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"Nicholas O. Lindan" wrote in message k.net... "Richard Knoppow" wrote Iodine has the advantage that the reduced area will not develop a yellow stain over time. Interesting ... what causes the yellow stain [or better yet, what won't cause the yellow stain]? -- Nicholas O. Lindan, Cleveland, Ohio Consulting Engineer: Electronics; Informatics; Photonics. To reply, remove spaces: n o lindan at ix . netcom . com psst.. want to buy an f-stop timer? nolindan.com/da/fstop/ Probably residual silver complex from the bleach. For normal Farmer's reducer, where the hypo and bleach are combined the hypo isn't sufficient to remove all the silver complex. Materials reduced in Farmer's should be refixed and washed. I am not certain why the Iodide reducer doesn't cause a stain, perhaps it does if treated with hypo. The original reducer used Potassium cyanide as the fixing agent. Cyanide is the most effective fixer there is but is extemely toxic and can also dissolve some image silver. Another version of Iodine reducer uses Thiocarbamide as the fixing agent. This is also very effective but I think also needs a final fixing step. Sepia toned images are not subject to the yellowing because the sulfide redeveloper has already converted all remaining silver complexes to silver sulfide. -- --- Richard Knoppow Los Angeles, CA, USA |
#18
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"Richard Knoppow" wrote
"Nicholas O. Lindan" wrote in message "Richard Knoppow" wrote [Farmer's Reducer may] develop a yellow stain over time. Interesting ... what causes the yellow stain? Probably residual silver complex from the bleach. For normal Farmer's reducer, where the hypo and bleach are combined the hypo isn't sufficient to remove all the silver complex. Materials reduced in Farmer's should be refixed and washed. Ah, relief - do that already. I don't really use Farmer's: I dip the photo into a ferri-only solution for 5 seconds or so and then into fixer, let the fixer work and then examine the image. Repeat as necessary. For prints I make a lot of, or that just need a homeopathic highlight cleansing, I have established times in the ferri. I gave up observing the bleaching while it was happening using a ferri-fix (Farmer's) bath, I found it to be nerve wracking, unrepeatable and prone to run-away -- really, really clear midtones... -- Nicholas O. Lindan, Cleveland, Ohio Consulting Engineer: Electronics; Informatics; Photonics. To reply, remove spaces: n o lindan at ix . netcom . com psst.. want to buy an f-stop timer? nolindan.com/da/fstop/ |
#19
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"Richard Knoppow" wrote
"Nicholas O. Lindan" wrote in message "Richard Knoppow" wrote [Farmer's Reducer may] develop a yellow stain over time. Interesting ... what causes the yellow stain? Probably residual silver complex from the bleach. For normal Farmer's reducer, where the hypo and bleach are combined the hypo isn't sufficient to remove all the silver complex. Materials reduced in Farmer's should be refixed and washed. Ah, relief - do that already. I don't really use Farmer's: I dip the photo into a ferri-only solution for 5 seconds or so and then into fixer, let the fixer work and then examine the image. Repeat as necessary. For prints I make a lot of, or that just need a homeopathic highlight cleansing, I have established times in the ferri. I gave up observing the bleaching while it was happening using a ferri-fix (Farmer's) bath, I found it to be nerve wracking, unrepeatable and prone to run-away -- really, really clear midtones... -- Nicholas O. Lindan, Cleveland, Ohio Consulting Engineer: Electronics; Informatics; Photonics. To reply, remove spaces: n o lindan at ix . netcom . com psst.. want to buy an f-stop timer? nolindan.com/da/fstop/ |
#20
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On Thu, 31 Mar 2005 13:16:09 +1100, Scott Coutts
wrote: Nicholas O. Lindan wrote: You want something called "Farmer's Reducer". It is a mixture of Pot. Ferricyanide (pretty-much non-toxic, despite the name) Unless you accidentally mix it with something acidic in your darkroom... then you get cyanide gas (: Scott. mar3105 from Lloyd Erlick, How strong would the acid have to be to evolve cyanide gas from potassium ferricyanide? My understanding is that only very strong acid, like concentrated sulfuric or nitric, will cause this reaction. There isn't much call for strong acids in a regular darkroom, so it's easy to keep them out. regards, --le ________________________________ Lloyd Erlick Portraits, Toronto. voice: 416-686-0326 email: net: www.heylloyd.com ________________________________ -- |
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