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#11
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On Mon, 10 Jan 2005 18:29:00 GMT, Chris Brown
wrote: In article , Zico wrote: Hmmm , that's worth looking at. So there's no delay with the autofocus searching , can it be turned off ? I've only used autofocus on compacts. I still use manual SLR's as a rule. Any of the digital SLRs can have autofocus turned off. Be warned though - the screens tend to be poor for manual focusing at best. That's what the little green 'You've got focus' light is for in the viewfinder. :-p -- Owamanga! |
#12
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"Owamanga" wrote in message ... On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: "McLeod" wrote in message .. . On Sun, 9 Jan 2005 08:41:06 -0000, "Zico" wrote: As prices of DSLR's are coming down, I'm starting to think about buying one. Ive looked at the spec of several and some info, important to me, doesn't seem to get mentioned. Namely, flash sync speed, and shutter lag. If as you say the shutter is mechanical in DSLR's, what is their highest flash sync speed ? The Nikon D70 has 1/500th of a second flash sync, as does the D1x. There is no shutter lag in DSLR's. Only point and shoot digitals or EVF digitals experience shutter lag. Hmmm , that's worth looking at. So there's no delay with the autofocus searching , can it be turned off ? I've only used autofocus on compacts. I still use manual SLR's as a rule. Autofocus delay and shutter-lag are separate things. Shutter-lag is measured once any autofocusing has been achieved. Yes, it can be switched off. Having said that, the D70 focuses much faster than the N80 can (the albeit cheaper, prosumer film equivalent) - just my opinion, I don't have real data on this. The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. D70's shutter lag is less than 1/10th sec, and actually slightly faster than the N80. You won't find any meaningful data on focusing speeds because it depends on lighting conditions, subject, movement, the lens being used etc. In many situations, it'll beat your manual focus speed. 'Manual focus speed' ?! Christ no, I prefocus and wait. :-) |
#13
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On Mon, 10 Jan 2005 19:13:55 -0000, "Zico" wrote:
"Owamanga" wrote in message .. . On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: D70's shutter lag is less than 1/10th sec, and actually slightly faster than the N80. You won't find any meaningful data on focusing speeds because it depends on lighting conditions, subject, movement, the lens being used etc. In many situations, it'll beat your manual focus speed. 'Manual focus speed' ?! Christ no, I prefocus and wait. :-) Okay, It'll prefocus faster than you, so you can do more waiting, and maybe not miss that shot that happened in the moment you were twiddling the lens. :-) I use manual focus for: Night photography. Birds in flight / aircraft in flight (I can track-focus better than AF can). Rapid candids where the subject is often not located conveniently under the currently selected AF area. -- Owamanga! |
#14
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"Owamanga" wrote in message
... On Tue, 11 Jan 2005 23:41:33 GMT, "Matt Clara" wrote: "Owamanga" wrote in message . .. On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: snip The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. Interestingly enough, I'm shooting portraits of some state department directors tomorrow and on thursday as well. I'm using a Nikon D70 with Alien Bee 800's (two of them) using umbrella reflectors. I set up this afternoon so I'll be ready to roll in the morning. It's a white room with white ceiling, so there's a lot of light bounce, and in order to get the B800s under control (using a wide-open aperture) I had to turn them down so far that the modeling lights were useless as they are putting out so little illumination. I'm not turning on the overhead lights (flourescent), so I need the modelling lamps, and on a lark, I pushed the shutter speed to 5000. That image looked better than the rest (excepting those shot at f22), so I then went to 6400, and those shots are spot on. So either I'm getting sync speeds up to 6400, or I don't know what... I think you are definitely getting sync speeds that high. It's only the iTTL system that will refuse to sync faster than 1/500th. People have been able to fool the shoe-mount by sticking little bits of electrical tape over some of the connectors and can get an SB-800 or SB-600 to sync at 1/8000th. Your Alien Bee's don't support iTTL, so the D70 happily fires them. I assume these are wired, rather than slave triggered by the on-board flash - if not, my conclusions are flawed - unless manual mode flash doesn't have this limitation either (which it shouldn't) I think I need to play some more... -- Owamanga! Every single shot (200+, most in RAW mode) has very obvious moire patterns. Because most of them will be used at less than 2" x 2" at 300dpi, this isn't a problem. But there'll be no 8x10's made from this two days of work. The shots at 1/8000 are worse than those at 1/6400. I'm not happy with this at all. Having conducted a brief search, I see that one fellow claims to have this problem when shooting the tops of tall buildings. One may surmise then that the high shutter speeds have something to do with it. -- Regards, Matt Clara www.mattclara.com |
#15
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"Owamanga" wrote in message
... On Tue, 11 Jan 2005 23:41:33 GMT, "Matt Clara" wrote: "Owamanga" wrote in message . .. On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: snip The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. Interestingly enough, I'm shooting portraits of some state department directors tomorrow and on thursday as well. I'm using a Nikon D70 with Alien Bee 800's (two of them) using umbrella reflectors. I set up this afternoon so I'll be ready to roll in the morning. It's a white room with white ceiling, so there's a lot of light bounce, and in order to get the B800s under control (using a wide-open aperture) I had to turn them down so far that the modeling lights were useless as they are putting out so little illumination. I'm not turning on the overhead lights (flourescent), so I need the modelling lamps, and on a lark, I pushed the shutter speed to 5000. That image looked better than the rest (excepting those shot at f22), so I then went to 6400, and those shots are spot on. So either I'm getting sync speeds up to 6400, or I don't know what... I think you are definitely getting sync speeds that high. It's only the iTTL system that will refuse to sync faster than 1/500th. People have been able to fool the shoe-mount by sticking little bits of electrical tape over some of the connectors and can get an SB-800 or SB-600 to sync at 1/8000th. Your Alien Bee's don't support iTTL, so the D70 happily fires them. I assume these are wired, rather than slave triggered by the on-board flash - if not, my conclusions are flawed - unless manual mode flash doesn't have this limitation either (which it shouldn't) I think I need to play some more... -- Owamanga! Every single shot (200+, most in RAW mode) has very obvious moire patterns. Because most of them will be used at less than 2" x 2" at 300dpi, this isn't a problem. But there'll be no 8x10's made from this two days of work. The shots at 1/8000 are worse than those at 1/6400. I'm not happy with this at all. Having conducted a brief search, I see that one fellow claims to have this problem when shooting the tops of tall buildings. One may surmise then that the high shutter speeds have something to do with it. -- Regards, Matt Clara www.mattclara.com |
#16
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On Thu, 13 Jan 2005 21:53:22 GMT, "Matt Clara"
wrote: "Owamanga" wrote in message .. . On Tue, 11 Jan 2005 23:41:33 GMT, "Matt Clara" wrote: "Owamanga" wrote in message ... On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: snip The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. Interestingly enough, I'm shooting portraits of some state department directors tomorrow and on thursday as well. I'm using a Nikon D70 with Alien Bee 800's (two of them) using umbrella reflectors. I set up this afternoon so I'll be ready to roll in the morning. It's a white room with white ceiling, so there's a lot of light bounce, and in order to get the B800s under control (using a wide-open aperture) I had to turn them down so far that the modeling lights were useless as they are putting out so little illumination. I'm not turning on the overhead lights (flourescent), so I need the modelling lamps, and on a lark, I pushed the shutter speed to 5000. That image looked better than the rest (excepting those shot at f22), so I then went to 6400, and those shots are spot on. So either I'm getting sync speeds up to 6400, or I don't know what... I think you are definitely getting sync speeds that high. It's only the iTTL system that will refuse to sync faster than 1/500th. People have been able to fool the shoe-mount by sticking little bits of electrical tape over some of the connectors and can get an SB-800 or SB-600 to sync at 1/8000th. Your Alien Bee's don't support iTTL, so the D70 happily fires them. I assume these are wired, rather than slave triggered by the on-board flash - if not, my conclusions are flawed - unless manual mode flash doesn't have this limitation either (which it shouldn't) I think I need to play some more... -- Owamanga! Every single shot (200+, most in RAW mode) has very obvious moire patterns. Because most of them will be used at less than 2" x 2" at 300dpi, this isn't a problem. But there'll be no 8x10's made from this two days of work. The shots at 1/8000 are worse than those at 1/6400. I'm not happy with this at all. Having conducted a brief search, I see that one fellow claims to have this problem when shooting the tops of tall buildings. One may surmise then that the high shutter speeds have something to do with it. Your subject has a lot to do with it. Particularly certain fabrics - you must avoid anything that looks remotely like fly-screen. Indeed, distant rooftops (shingles/tiles) etc will generate the effect. Having said that, I've shot a few thousand images (most under 1/2000th I would guess) and moire is visible in only about 10 of them. Man-made stuff generates moire, nature tends not to. Part of the learning curve with new equipment is to identify it's weaknesses be aware of them and work around them. Any camera using BAYER filters will produce this effect under the right conditions, the trick is to avoid those conditions. You are on the latest firmware aren't you? I seem to remember something was going wrong with high-speed shots (don't remember it being moire though) that was fixed with the x.2 release (they are now at x.3) Damn bad luck, anyway. -- Owamanga! |
#17
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"Owamanga" wrote in message
... On Thu, 13 Jan 2005 21:53:22 GMT, "Matt Clara" wrote: "Owamanga" wrote in message .. . On Tue, 11 Jan 2005 23:41:33 GMT, "Matt Clara" wrote: "Owamanga" wrote in message ... On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: snip The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. Interestingly enough, I'm shooting portraits of some state department directors tomorrow and on thursday as well. I'm using a Nikon D70 with Alien Bee 800's (two of them) using umbrella reflectors. I set up this afternoon so I'll be ready to roll in the morning. It's a white room with white ceiling, so there's a lot of light bounce, and in order to get the B800s under control (using a wide-open aperture) I had to turn them down so far that the modeling lights were useless as they are putting out so little illumination. I'm not turning on the overhead lights (flourescent), so I need the modelling lamps, and on a lark, I pushed the shutter speed to 5000. That image looked better than the rest (excepting those shot at f22), so I then went to 6400, and those shots are spot on. So either I'm getting sync speeds up to 6400, or I don't know what... I think you are definitely getting sync speeds that high. It's only the iTTL system that will refuse to sync faster than 1/500th. People have been able to fool the shoe-mount by sticking little bits of electrical tape over some of the connectors and can get an SB-800 or SB-600 to sync at 1/8000th. Your Alien Bee's don't support iTTL, so the D70 happily fires them. I assume these are wired, rather than slave triggered by the on-board flash - if not, my conclusions are flawed - unless manual mode flash doesn't have this limitation either (which it shouldn't) I think I need to play some more... -- Owamanga! Every single shot (200+, most in RAW mode) has very obvious moire patterns. Because most of them will be used at less than 2" x 2" at 300dpi, this isn't a problem. But there'll be no 8x10's made from this two days of work. The shots at 1/8000 are worse than those at 1/6400. I'm not happy with this at all. Having conducted a brief search, I see that one fellow claims to have this problem when shooting the tops of tall buildings. One may surmise then that the high shutter speeds have something to do with it. Your subject has a lot to do with it. Particularly certain fabrics - you must avoid anything that looks remotely like fly-screen. Indeed, distant rooftops (shingles/tiles) etc will generate the effect. Having said that, I've shot a few thousand images (most under 1/2000th I would guess) and moire is visible in only about 10 of them. Man-made stuff generates moire, nature tends not to. Part of the learning curve with new equipment is to identify it's weaknesses be aware of them and work around them. Any camera using BAYER filters will produce this effect under the right conditions, the trick is to avoid those conditions. You are on the latest firmware aren't you? I seem to remember something was going wrong with high-speed shots (don't remember it being moire though) that was fixed with the x.2 release (they are now at x.3) Damn bad luck, anyway. -- Owamanga! It appears what I'm seeing is a "grid" problem, as described by Thomas Hogan on his page reviewing the D70, http://www.bythom.com/D70REVIEW.HTM#autofocus (scroll down just a bit to Other Performance Issues). A photoshop view of 66% reveals the grid problem: http://www.michigan.gov/images/D70gr...t_113953_7.jpg by 100% it isn't terrible, but still present. http://www.michigan.gov/images/D70gr...t_113954_7.jpg 300% reveals the exact nature of the beast: http://www.michigan.gov/images/D70gr...t_113955_7.jpg Apparently it is a high shutter speed issue. "As already noted, sometimes the D70 produces a grid-like artifact in constant tone areas. If in-camera sharpening is ON and you're using JPEG and Normal to High contrast settings, it may become visible in your shots. This, too, appears to be a high shutter speed problem." However, I saw it in all my shots, both RAW and JPEG, and contrast was pretty well controlled, too. Still it's a grid, and I'm not happy that the D70 manual didn't even warn me about it... -- Regards, Matt Clara www.mattclara.com |
#18
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"Owamanga" wrote in message
... On Thu, 13 Jan 2005 21:53:22 GMT, "Matt Clara" wrote: "Owamanga" wrote in message .. . On Tue, 11 Jan 2005 23:41:33 GMT, "Matt Clara" wrote: "Owamanga" wrote in message ... On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: snip The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. Interestingly enough, I'm shooting portraits of some state department directors tomorrow and on thursday as well. I'm using a Nikon D70 with Alien Bee 800's (two of them) using umbrella reflectors. I set up this afternoon so I'll be ready to roll in the morning. It's a white room with white ceiling, so there's a lot of light bounce, and in order to get the B800s under control (using a wide-open aperture) I had to turn them down so far that the modeling lights were useless as they are putting out so little illumination. I'm not turning on the overhead lights (flourescent), so I need the modelling lamps, and on a lark, I pushed the shutter speed to 5000. That image looked better than the rest (excepting those shot at f22), so I then went to 6400, and those shots are spot on. So either I'm getting sync speeds up to 6400, or I don't know what... I think you are definitely getting sync speeds that high. It's only the iTTL system that will refuse to sync faster than 1/500th. People have been able to fool the shoe-mount by sticking little bits of electrical tape over some of the connectors and can get an SB-800 or SB-600 to sync at 1/8000th. Your Alien Bee's don't support iTTL, so the D70 happily fires them. I assume these are wired, rather than slave triggered by the on-board flash - if not, my conclusions are flawed - unless manual mode flash doesn't have this limitation either (which it shouldn't) I think I need to play some more... -- Owamanga! Every single shot (200+, most in RAW mode) has very obvious moire patterns. Because most of them will be used at less than 2" x 2" at 300dpi, this isn't a problem. But there'll be no 8x10's made from this two days of work. The shots at 1/8000 are worse than those at 1/6400. I'm not happy with this at all. Having conducted a brief search, I see that one fellow claims to have this problem when shooting the tops of tall buildings. One may surmise then that the high shutter speeds have something to do with it. Your subject has a lot to do with it. Particularly certain fabrics - you must avoid anything that looks remotely like fly-screen. Indeed, distant rooftops (shingles/tiles) etc will generate the effect. Having said that, I've shot a few thousand images (most under 1/2000th I would guess) and moire is visible in only about 10 of them. Man-made stuff generates moire, nature tends not to. Part of the learning curve with new equipment is to identify it's weaknesses be aware of them and work around them. Any camera using BAYER filters will produce this effect under the right conditions, the trick is to avoid those conditions. You are on the latest firmware aren't you? I seem to remember something was going wrong with high-speed shots (don't remember it being moire though) that was fixed with the x.2 release (they are now at x.3) Damn bad luck, anyway. -- Owamanga! It appears what I'm seeing is a "grid" problem, as described by Thomas Hogan on his page reviewing the D70, http://www.bythom.com/D70REVIEW.HTM#autofocus (scroll down just a bit to Other Performance Issues). A photoshop view of 66% reveals the grid problem: http://www.michigan.gov/images/D70gr...t_113953_7.jpg by 100% it isn't terrible, but still present. http://www.michigan.gov/images/D70gr...t_113954_7.jpg 300% reveals the exact nature of the beast: http://www.michigan.gov/images/D70gr...t_113955_7.jpg Apparently it is a high shutter speed issue. "As already noted, sometimes the D70 produces a grid-like artifact in constant tone areas. If in-camera sharpening is ON and you're using JPEG and Normal to High contrast settings, it may become visible in your shots. This, too, appears to be a high shutter speed problem." However, I saw it in all my shots, both RAW and JPEG, and contrast was pretty well controlled, too. Still it's a grid, and I'm not happy that the D70 manual didn't even warn me about it... -- Regards, Matt Clara www.mattclara.com |
#19
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On Fri, 14 Jan 2005 13:47:25 GMT, "Matt Clara"
wrote: "Owamanga" wrote in message .. . On Thu, 13 Jan 2005 21:53:22 GMT, "Matt Clara" wrote: "Owamanga" wrote in message .. . On Tue, 11 Jan 2005 23:41:33 GMT, "Matt Clara" wrote: "Owamanga" wrote in message ... On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: snip The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. Interestingly enough, I'm shooting portraits of some state department directors tomorrow and on thursday as well. I'm using a Nikon D70 with Alien Bee 800's (two of them) using umbrella reflectors. I set up this afternoon so I'll be ready to roll in the morning. It's a white room with white ceiling, so there's a lot of light bounce, and in order to get the B800s under control (using a wide-open aperture) I had to turn them down so far that the modeling lights were useless as they are putting out so little illumination. I'm not turning on the overhead lights (flourescent), so I need the modelling lamps, and on a lark, I pushed the shutter speed to 5000. That image looked better than the rest (excepting those shot at f22), so I then went to 6400, and those shots are spot on. So either I'm getting sync speeds up to 6400, or I don't know what... I think you are definitely getting sync speeds that high. It's only the iTTL system that will refuse to sync faster than 1/500th. People have been able to fool the shoe-mount by sticking little bits of electrical tape over some of the connectors and can get an SB-800 or SB-600 to sync at 1/8000th. Your Alien Bee's don't support iTTL, so the D70 happily fires them. I assume these are wired, rather than slave triggered by the on-board flash - if not, my conclusions are flawed - unless manual mode flash doesn't have this limitation either (which it shouldn't) I think I need to play some more... -- Owamanga! Every single shot (200+, most in RAW mode) has very obvious moire patterns. Because most of them will be used at less than 2" x 2" at 300dpi, this isn't a problem. But there'll be no 8x10's made from this two days of work. The shots at 1/8000 are worse than those at 1/6400. I'm not happy with this at all. Having conducted a brief search, I see that one fellow claims to have this problem when shooting the tops of tall buildings. One may surmise then that the high shutter speeds have something to do with it. Your subject has a lot to do with it. Particularly certain fabrics - you must avoid anything that looks remotely like fly-screen. Indeed, distant rooftops (shingles/tiles) etc will generate the effect. Having said that, I've shot a few thousand images (most under 1/2000th I would guess) and moire is visible in only about 10 of them. Man-made stuff generates moire, nature tends not to. Part of the learning curve with new equipment is to identify it's weaknesses be aware of them and work around them. Any camera using BAYER filters will produce this effect under the right conditions, the trick is to avoid those conditions. You are on the latest firmware aren't you? I seem to remember something was going wrong with high-speed shots (don't remember it being moire though) that was fixed with the x.2 release (they are now at x.3) Damn bad luck, anyway. -- Owamanga! It appears what I'm seeing is a "grid" problem, as described by Thomas Hogan on his page reviewing the D70, http://www.bythom.com/D70REVIEW.HTM#autofocus (scroll down just a bit to Other Performance Issues). A photoshop view of 66% reveals the grid problem: http://www.michigan.gov/images/D70gr...t_113953_7.jpg by 100% it isn't terrible, but still present. http://www.michigan.gov/images/D70gr...t_113954_7.jpg 300% reveals the exact nature of the beast: http://www.michigan.gov/images/D70gr...t_113955_7.jpg Apparently it is a high shutter speed issue. "As already noted, sometimes the D70 produces a grid-like artifact in constant tone areas. If in-camera sharpening is ON and you're using JPEG and Normal to High contrast settings, it may become visible in your shots. This, too, appears to be a high shutter speed problem." However, I saw it in all my shots, both RAW and JPEG, and contrast was pretty well controlled, too. Still it's a grid, and I'm not happy that the D70 manual didn't even warn me about it... Wow, I've heard about the problem, but never seen it that bad before. Personally, my shutter speeds aren't usually that high and I always shoot RAW with no sharpening. I'll have to do some tests to try and force it. This site used 1/8000th but had to do significant unsharp mask to make the grid visible: http://www.naturfotograf.com/D70_rev03.html Your pictures look much worse. You did shoot RAW, yes? and during import, turned off any sharpening? If not, the way to avoid this in future may be to use RAW, then test various sharpening filters that may or may not be able to sharpen without bringing out the grid. It would be nice to be able to shoot at above 1/1000 without worrying about this issue. This guy wrote a sharpening filter specifically modified for the D70 The only samples I can find are on the D100 version http://www.fredmiranda.com/D100_D1xCS/ And here is the details of the D70 version (but missing samples): http://www.fredmiranda.com/D70CSpro -- Owamanga! |
#20
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On Fri, 14 Jan 2005 13:47:25 GMT, "Matt Clara"
wrote: "Owamanga" wrote in message .. . On Thu, 13 Jan 2005 21:53:22 GMT, "Matt Clara" wrote: "Owamanga" wrote in message .. . On Tue, 11 Jan 2005 23:41:33 GMT, "Matt Clara" wrote: "Owamanga" wrote in message ... On Mon, 10 Jan 2005 17:17:32 -0000, "Zico" wrote: snip The D70 has a hybrid shutter. It's purely mechanical up to 1/250th and then electronic after that (which the mechanical shutter still opening at 1/250th). Technically therefore it should be able to flash-sync much faster than 1/500th, but for commercial or reliability reasons, Nikon have crippled it at 1/500th. Firmware hacks may fix this later in the year. Interestingly enough, I'm shooting portraits of some state department directors tomorrow and on thursday as well. I'm using a Nikon D70 with Alien Bee 800's (two of them) using umbrella reflectors. I set up this afternoon so I'll be ready to roll in the morning. It's a white room with white ceiling, so there's a lot of light bounce, and in order to get the B800s under control (using a wide-open aperture) I had to turn them down so far that the modeling lights were useless as they are putting out so little illumination. I'm not turning on the overhead lights (flourescent), so I need the modelling lamps, and on a lark, I pushed the shutter speed to 5000. That image looked better than the rest (excepting those shot at f22), so I then went to 6400, and those shots are spot on. So either I'm getting sync speeds up to 6400, or I don't know what... I think you are definitely getting sync speeds that high. It's only the iTTL system that will refuse to sync faster than 1/500th. People have been able to fool the shoe-mount by sticking little bits of electrical tape over some of the connectors and can get an SB-800 or SB-600 to sync at 1/8000th. Your Alien Bee's don't support iTTL, so the D70 happily fires them. I assume these are wired, rather than slave triggered by the on-board flash - if not, my conclusions are flawed - unless manual mode flash doesn't have this limitation either (which it shouldn't) I think I need to play some more... -- Owamanga! Every single shot (200+, most in RAW mode) has very obvious moire patterns. Because most of them will be used at less than 2" x 2" at 300dpi, this isn't a problem. But there'll be no 8x10's made from this two days of work. The shots at 1/8000 are worse than those at 1/6400. I'm not happy with this at all. Having conducted a brief search, I see that one fellow claims to have this problem when shooting the tops of tall buildings. One may surmise then that the high shutter speeds have something to do with it. Your subject has a lot to do with it. Particularly certain fabrics - you must avoid anything that looks remotely like fly-screen. Indeed, distant rooftops (shingles/tiles) etc will generate the effect. Having said that, I've shot a few thousand images (most under 1/2000th I would guess) and moire is visible in only about 10 of them. Man-made stuff generates moire, nature tends not to. Part of the learning curve with new equipment is to identify it's weaknesses be aware of them and work around them. Any camera using BAYER filters will produce this effect under the right conditions, the trick is to avoid those conditions. You are on the latest firmware aren't you? I seem to remember something was going wrong with high-speed shots (don't remember it being moire though) that was fixed with the x.2 release (they are now at x.3) Damn bad luck, anyway. -- Owamanga! It appears what I'm seeing is a "grid" problem, as described by Thomas Hogan on his page reviewing the D70, http://www.bythom.com/D70REVIEW.HTM#autofocus (scroll down just a bit to Other Performance Issues). A photoshop view of 66% reveals the grid problem: http://www.michigan.gov/images/D70gr...t_113953_7.jpg by 100% it isn't terrible, but still present. http://www.michigan.gov/images/D70gr...t_113954_7.jpg 300% reveals the exact nature of the beast: http://www.michigan.gov/images/D70gr...t_113955_7.jpg Apparently it is a high shutter speed issue. "As already noted, sometimes the D70 produces a grid-like artifact in constant tone areas. If in-camera sharpening is ON and you're using JPEG and Normal to High contrast settings, it may become visible in your shots. This, too, appears to be a high shutter speed problem." However, I saw it in all my shots, both RAW and JPEG, and contrast was pretty well controlled, too. Still it's a grid, and I'm not happy that the D70 manual didn't even warn me about it... Wow, I've heard about the problem, but never seen it that bad before. Personally, my shutter speeds aren't usually that high and I always shoot RAW with no sharpening. I'll have to do some tests to try and force it. This site used 1/8000th but had to do significant unsharp mask to make the grid visible: http://www.naturfotograf.com/D70_rev03.html Your pictures look much worse. You did shoot RAW, yes? and during import, turned off any sharpening? If not, the way to avoid this in future may be to use RAW, then test various sharpening filters that may or may not be able to sharpen without bringing out the grid. It would be nice to be able to shoot at above 1/1000 without worrying about this issue. This guy wrote a sharpening filter specifically modified for the D70 The only samples I can find are on the D100 version http://www.fredmiranda.com/D100_D1xCS/ And here is the details of the D70 version (but missing samples): http://www.fredmiranda.com/D70CSpro -- Owamanga! |
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