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#1
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Pentax 67II vs. 645
"David J. Littleboy" wrote in message
... "Matt Clara" wrote: "David J. Littleboy" wrote: Yes. The upper glass (towards the light) is anti-Newton glass and can touch the film without problem. The lower glass (towards the lens) is plain glass. The emulsion side goes down, and the unevenness of the emulsion is supposed to break up Newton's rings. It doesn't for clear blue skies and other similarly smooth areas, so most of the time you need to hold the film off the lower glass with a mask. Seems somewhat pointless then... Unlike the standard carrier, it's actually possible to get the film flat. But not without introducing a problem of its own. I understand the problem isn't present all the time, but for $200+, well, it's not encouraging, is it. -- Regards, Matt Clara www.mattclara.com |
#2
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Pentax 67II vs. 645
Matt Clara wrote:
Unlike the standard carrier, it's actually possible to get the film flat. But not without introducing a problem of its own. I understand the problem isn't present all the time, but for $200+, well, it's not encouraging, is it. That's what I was thinking. I've been on the verge of buying this glass holder for over a week now, but something is holding me back. I'm also thinking that for an extra $200+ that there should be any issues at all. -- "I ain't evil, I'm just good lookin'..." |
#3
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Pentax 67II vs. 645
"Matt Clara" wrote: "David J. Littleboy" wrote: "Matt Clara" wrote: "David J. Littleboy" wrote: Yes. The upper glass (towards the light) is anti-Newton glass and can touch the film without problem. The lower glass (towards the lens) is plain glass. The emulsion side goes down, and the unevenness of the emulsion is supposed to break up Newton's rings. It doesn't for clear blue skies and other similarly smooth areas, so most of the time you need to hold the film off the lower glass with a mask. Seems somewhat pointless then... Unlike the standard carrier, it's actually possible to get the film flat. But not without introducing a problem of its own. I understand the problem isn't present all the time, but for $200+, well, it's not encouraging, is it. And what problem would that be? The experience here is that with a bit of work, it is actually possible to get film critically flat with the glass carrier and to get good scans. The larger the film the harder it is (6x17 is nearly impossible to hold flat, 645 is essentially always possible), but it is possible. The wet-mounting carrier will provide slightly better contrast/slightly lower grain, but at the cost of toxic fumes in your lungs and scanner. David J. Littleboy Tokyo, Japan |
#4
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Pentax 67II vs. 645
And what problem would that be?
The experience here is that with a bit of work, it is actually possible to get film critically flat with the glass carrier and to get good scans. The larger the film the harder it is (6x17 is nearly impossible to hold flat, 645 is essentially always possible), but it is possible. Still, with the technology, there should be an easier way to hold the film, without the use of masks, and endless trial and error scans, to produce a print. |
#5
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Pentax 67II vs. 645
"Robert C." wrote: And what problem would that be? The experience here is that with a bit of work, it is actually possible to get film critically flat with the glass carrier and to get good scans. The larger the film the harder it is (6x17 is nearly impossible to hold flat, 645 is essentially always possible), but it is possible. Still, with the technology, there should be an easier way to hold the film, without the use of masks, and endless trial and error scans, to produce a print. Pressing the film onto a mask with the anti-newton glass is the best one is going to be able to do, short of using wet mounting, for anything other than the rare frame that doesn't produce Newton's rings. Trial scans are never needed: one just measures the focus distance at a few points across the film. If the range of focus distances is less than one's requirements (which one determines by making test scans of a small crop at various focus offsets) you are home free with the scanner manually set to the middle of the measured range, and if the range is larger, you reload the film. With the film curling up in the holder, the top glass will usually bring it flat except for perversely curled film, which you can leave pressed flat overnight. I seriously doubt that the Imacons can hold a perversely curled frame any flatter than the Nikon. David J. Littleboy Tokyo, Japan |
#6
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Pentax 67II vs. 645
Robert C. wrote:
And what problem would that be? The experience here is that with a bit of work, it is actually possible to get film critically flat with the glass carrier and to get good scans. The larger the film the harder it is (6x17 is nearly impossible to hold flat, 645 is essentially always possible), but it is possible. Still, with the technology, there should be an easier way to hold the film, without the use of masks, and endless trial and error scans, to produce a print. Yes, the essential non-existance of development on keeping 6x17 or even 6x12 flat is puzzling. Maybe right now is not the right time... -- Sander +++ Out of cheese error +++ |
#7
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Pentax 67II vs. 645
"David J. Littleboy" wrote in message
... "Matt Clara" wrote: "David J. Littleboy" wrote: "Matt Clara" wrote: "David J. Littleboy" wrote: Yes. The upper glass (towards the light) is anti-Newton glass and can touch the film without problem. The lower glass (towards the lens) is plain glass. The emulsion side goes down, and the unevenness of the emulsion is supposed to break up Newton's rings. It doesn't for clear blue skies and other similarly smooth areas, so most of the time you need to hold the film off the lower glass with a mask. Seems somewhat pointless then... Unlike the standard carrier, it's actually possible to get the film flat. But not without introducing a problem of its own. I understand the problem isn't present all the time, but for $200+, well, it's not encouraging, is it. And what problem would that be? You know, the newton rings you brought up on 10/11/05 in this thread--you're like that fish Dory in Finding Nemo... ;-) -- Regards, Matt Clara www.mattclara.com |
#8
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Pentax 67II vs. 645
"Matt Clara" wrote in message ... "David J. Littleboy" wrote in message ... "Matt Clara" wrote: "David J. Littleboy" wrote: "Matt Clara" wrote: "David J. Littleboy" wrote: Yes. The upper glass (towards the light) is anti-Newton glass and can touch the film without problem. The lower glass (towards the lens) is plain glass. The emulsion side goes down, and the unevenness of the emulsion is supposed to break up Newton's rings. It doesn't for clear blue skies and other similarly smooth areas, so most of the time you need to hold the film off the lower glass with a mask. Seems somewhat pointless then... Unlike the standard carrier, it's actually possible to get the film flat. But not without introducing a problem of its own. I understand the problem isn't present all the time, but for $200+, well, it's not encouraging, is it. And what problem would that be? You know, the newton rings you brought up on 10/11/05 in this thread--you're like that fish Dory in Finding Nemo... ;-) I don't know what "Finding Nemo" is, but I know Newton's rings aren't a problem with a mask. It's a hassle, but it works... David J. Littleboy Tokyo, Japan |
#9
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Pentax 67II vs. 645
"David J. Littleboy" wrote in message
... And what problem would that be? You know, the newton rings you brought up on 10/11/05 in this thread--you're like that fish Dory in Finding Nemo... ;-) I don't know what "Finding Nemo" is, but I know Newton's rings aren't a problem with a mask. It's a hassle, but it works... I am considering one, as film flatness can be a real hassle as well--I'd just like the $200 solution to not have hassles all its own. -- Regards, Matt Clara www.mattclara.com |
#10
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Pentax 67II vs. 645
"Matt Clara" wrote in message
. .. "David J. Littleboy" wrote in message ... And what problem would that be? You know, the newton rings you brought up on 10/11/05 in this thread--you're like that fish Dory in Finding Nemo... ;-) I don't know what "Finding Nemo" is, but I know Newton's rings aren't a problem with a mask. It's a hassle, but it works... I am considering one, as film flatness can be a real hassle as well--I'd just like the $200 solution to not have hassles all its own. -- Regards, Matt Clara www.mattclara.com I agree; $200 should buy a hassle-free solution. ~Robert C. |
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