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#21
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A Question of Faith [in film]
Scott W wrote:
That_Rich wrote: All of the media you list are ultimately destined to become archaic and or fail. I guess that's progress Like I said earlier... my negs and slides ain't gonna fail, will not suddenly become corrupt or unreadable and will not replaced by new technology. I have all my scans archived in two places as well but I still am not confident these scans will be usable in 30 years. On the other hand, I know my film will be. My Kodachromes have held up fairly well but everything else has faded, in some cases I have mold or other problems with some negatives that makes them unusable. http://www.pbase.com/konascott/image/55744935 The top image if a scan from the negative, scanned about 15 years after it was taken, the bottom is a scan of the print that was made at the time the photo was taken. The print has survived but the negative is trash. So, the situation on one particular place on the planet, where film is a real disadvantage, should be applied to the rest of the world... |
#22
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A Question of Faith [in film]
Chris Loffredo wrote:
So, the situation on one particular place on the planet, where film is a real disadvantage, should be applied to the rest of the world... Hey it is a pretty nice part of the world. I do belive that others have problems with fading as well. http://www.wilhelm-research.com/subz...2004_04_HW.pdf How many people cold store their negatives? Some films do well, others not so much. I had some Agfa negatives that pretty much disapeared in about 10 years. Scott |
#23
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A Question of Faith [in film]
All of the media you list are ultimately destined to become archaic and or fail. I guess that's progress Point missed or purposely avoided, but I'll adhere to Hanlon's Razor; It's the image that matters, not the medium, unless you use film . . . My original digital images will survive the obsolescence and even the destruction of "all the media [i] list[ed]." My original film images will not survive the destruction of their integral storage medium. Like I said earlier... my negs and slides ain't gonna fail, will not suddenly become corrupt or unreadable and will not replaced by new technology. They will crack, fade, burn in a fire, suffer mold or other fungus, scratch and a million other things that don't affect digital images that are properly backed up. I have all my scans archived in two places as well but I still am not confident these scans will be usable in 30 years. On the other hand, I know my film will be. The scans are but a diminished copy of the original film. Original digital images can be losslessly copied many, many times. Eric Miller |
#24
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A Question of Faith [in film]
That_Rich wrote:
Most of your issues would be the result of "operator error". I have many very old kodachromes and have scanned countless other types of chromes for friends. Some do indeed have bit of a fade but the scanning software I use (Vuescan) has a built in correction for old chromes which works wonderfully. Personally I have yet to see mold on a chrome but that may be due not only to my meticulous storage methods but also the climate I live in. I guess living in a jungle may be detrimental to long term storage of film. Here are some 30+ year old scans of chromes using the tools in Vuescan.... http://www.pbase.com/that_rich/dan_webster Over all my Chromes have lasted far better then my negatives, but then I tended to shoot Kodachrome. And I also have lots of chromes that still look fine today, this one is from about 25 years ago http://www.pbase.com/konascott/image/59972486/original But just because some of my film has surveyed does not mean it all did. People who archive film worry a great deal about fading and tend to refrigerate to just to slow down the fading. My other problems is that 30 years from now I very much doubt I will still have a working film scanner, so my digital scans had better last as they will be the only viable copy I have at some time in the future. Scott |
#25
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A Question of Faith [in film]
Scott W wrote:
Chris Loffredo wrote: So, the situation on one particular place on the planet, where film is a real disadvantage, should be applied to the rest of the world... Hey it is a pretty nice part of the world. I have no doubt that your part of the world is fantastic; in fact I really hope to visit it one day. That doesn't mean that I agree that the disadvantages of film, which you go on about, apply to the rest of the world. |
#26
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A Question of Faith [in film]
Scott W wrote:
Chris Loffredo wrote: Nicholas O. Lindan wrote: "It's enthralling when you come to develop the images because you have no idea what's going to come out - and there's no guarantee that anything will come out at all!" Anthony Browell B&W Magazine (UK) July 2006 How dare you suggest that film has any redeeming qualities at all: That's terribly insulting to digital! ;-) Now for the posts from the Digitologist Tag-Team... Naw it has nothing to do with digital, but nice try at turning this thread in to a film vs digital war. I think the original quote already impied that film was superior to digital, given their own (very) subjective criteria. "Enthralling" was a bit hyperbolic, at best. Now I'm wondering if the quote was taken out-of-context and was actually part of a more overall sarcastic point to begin with. Personally, there are some aspects I prefer about film and some aspects I prefer about digital, but to me waiting for developing has never been a point in film's favor. |
#27
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A Question of Faith [in film]
Nicholas O. Lindan wrote:
"It's enthralling when you come to develop the images because you have no idea what's going to come out - and there's no guarantee that anything will come out at all!" Anthony Browell B&W Magazine (UK) July 2006 What a stupid statement. I really hope you quoted that without appropriate context. We should be shooting for a result and expecting a certain outcome. Of course we screw up, make mistakes, etc., but our objective is a _result_ and when thought out that is what we should get. The only time where I would subscribe to the nonsense above is when delierately experimenting with odd exposures, light, chemicals, some subjects, etc. Cheers, Alan -- -- r.p.e.35mm user resource: http://www.aliasimages.com/rpe35mmur.htm -- r.p.d.slr-systems: http://www.aliasimages.com/rpdslrsysur.htm -- [SI] gallery & rulz: http://www.pbase.com/shootin -- e-meil: Remove FreeLunch. |
#28
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A Question of Faith [in film]
Let's see:
"Now for the posts from the Digitologist Tag-Team..." "Just trying to illustrate the "logic" used by certain foaming-at-the-mouth film haters..." "Digitologists (the film-haters and "Luddite"-chanters) are nothing more than common and boring brand-fetishists..." "All this goes to show that the biggest film-haters are usually those least competent at using it." "Digitologists are those anti-film posters who shout "film is dead" and "luddite" all the time." All the above quotes were from Chris. I checked back through the thread looking for similar insulting words aimed at the 'filmologists', but found none - maybe Mr Loffredo can quote them, so I can understand where he is coming from? If his argument is simply that his 'nemeses' have posted nasty things to *other* posts, why does he bring the argument here? Wouldn't it be better, as a calm rational being, to address the content of each post on its merit? By the way, I particularly enjoyed Mr Loffredo's straight laced, serious, indignant, scowling reply to Annika's light hearted invitation to share a story or two about fallibility.. with these lines: "Film pros" learn to watch the take-up spool right after or during loading. You've been told, Annika - Harrumph!! And then straight for the jugular: All this goes to show that the biggest film-haters are usually those least competent at using it. Nice, Chris. Very 'respectful'.... And then he says: And, no, it isn't a battle between film and digital, but rather a struggle over simply respecting other people's choices. ???? Yes, *respect*, Chris.... this, after the unnecessary insults above and not a single post implying any 'hatred', until your own? A word starting with H and ending with ypocrite springs to mind... But surely you are in fact a troll, no-one could really be this seriously hurt (and humourless) just because a few folk insulted your favorite medium... could you? If the answer is yes, you should ask yourself "why?" Sad. As for the op, like the others posting here, I would like to see the context. And what does the 'enthrall' turn to when the result is not positive (pun not intended), usually due to operator error? Oh, and just so I can be appropriately judged and labelled by Chris: - favorite medium currently - digital - favorite medium *ever* - Kodachrome 25 (sob!) - ever worked as a pro? yes, for several years but not nowadays. - ever made mistakes? yes. (O: - so, ever lost images on film due to incompetence? yes. (thankfully not many, but they *hurt* and of course there was no image feedback to sound alarm bells) - ever lost images on digital due to incompetence? yes. (much less than with film, but maybe that's partly because I'm older and smarter nowadays - however I do think that with equal amounts of care, you will screw up less with digital - If anyone wants me to elaborate on why, start a new thread. I'm not encouraging this one further... (O |
#29
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A Question of Faith [in film]
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#30
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A Question of Faith [in film]
I'm a bit surprised (pleasantly!) by your reaction, Chris. Not too
many hard feelings, I hope.. I realise I descended to insults also, and I appreciate very much that you stopped the descent! Now I wonder if Nick will return and post the context.. (O; |
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