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#231
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
On Fri, 11 Jan 2019 12:50:41 -0500, Alan Browne
wrote: On 2019-01-11 03:46, Eric Stevens wrote: On Fri, 11 Jan 2019 00:18:28 -0500, nospam wrote: In article , Eric Stevens wrote: EV's are equivalent to stops for any purpose related to exposure. I can change exposure value without changing the stop setting. No ****. That's sort of the point. It's my point. Stops aren't exposure values. Exposure values are not stops. they are. Lets leave it at that. ok, but you saying so doesn't make it correct. Allright then. Please explain to your readers how you set a lens to an EV of 20. For what ISO and speed? No, no. No ISO or speed. The lens calibration is equivalent to stop settings according to nospam so it must be possible to set a lens to a particular EV. I picked 20 as an example. That's the whole nutshell. Done. Period. -- Regards, Eric Stevens |
#232
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
On Fri, 11 Jan 2019 10:28:25 -0500, nospam
wrote: In article , Eric Stevens wrote: This illustrates the disadvantage of not using the language with precision. As I said, all my lenses make use of f/numbers which are a measure of stops. Your thoughts have jumped the rails and are now talking about the intervals of Exposure Value of which the camera is capable. The exposure value may be used to set lens aperture, shutter speed or ISO. They are not identical to stops. EV's are equivalent to stops for any purpose related to exposure. I can change exposure value without changing the stop setting. you are confusing f/stop with stop. 'stop' is an abreviated way of referring to an obsolete way of changing lens aperture. It's use as a reference to lens aperture is now normal. doing so is what you call 'sloppy'. you're confusing stop, f/stop and aperture and also ev. You are crackers. I'm trying quite hard to get you to make a distinction. i have been all along. Haw. -- Regards, Eric Stevens |
#233
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
On Fri, 11 Jan 2019 10:28:26 -0500, nospam
wrote: In article , Eric Stevens wrote: You are still missing the point: lens aperture, shutter speeds or ISOs are not identical to stops. At this point my old physics professor would ask for dimensional analysis. What's the dimensional analysis of "EV" vs "stop" ? Aah! Some common sense. Lets have some definitions. good idea, assuming they're correct. Stop is an abreviation of a name for the aperture of the lens opening. It may be the f-stop or a T-stop (or an H-Stop.) bad idea, when they're wrong. f/stop, stop and aperture are different. Now YOU are lecturing me on usage! The fstop is [Image distance]/lens aperture. also wrong. f/stop = focal length/aperture. Aha! Your correction of me is an approximation. See https://en.wikipedia.org/wiki/F-number "... as one focuses closer, the lens' effective aperture becomes smaller, making the exposure darker. The working f-number is often described in photography as the f-number corrected for lens extensions by a bellows factor. This is of particular importance in macro photography". -- Regards, Eric Stevens |
#234
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
On Fri, 11 Jan 2019 12:45:53 -0500, Alan Browne
wrote: --- snip --- If you want to continue arguing to the contrary I will be happy to leave you to it. Reciprocity games. "Introduction to photography 101." You are still missing the point: lens aperture, shutter speeds or ISOs are not identical to stops. I have not missed any points at all. To a PHOTOGRAPHER your PEDANTRY is MEANINGLESS and in fact MISLEADING. To some photographers ... it is annoying. But it is amazing what I have learned out of this thread. -- Regards, Eric Stevens |
#235
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
On Fri, 11 Jan 2019 12:47:20 -0500, Alan Browne
wrote: On 2019-01-10 23:38, Eric Stevens wrote: On Thu, 10 Jan 2019 07:43:24 -0500, Alan Browne wrote: On 2019-01-10 04:12, Eric Stevens wrote: On Wed, 9 Jan 2019 08:36:24 -0500, Alan Browne wrote: Its amazing what Google can produce. This is DxO's own account of the situation at: https://www.dxomark.com/dxomark-came...ol-and-scores/ "Dynamic range corresponds to the ratio between the highest brightness a camera can capture (saturation) and the lowest brightness it can capture (which is typically when noise becomes more important than the signal — that is, a signal-to-noise ratio below 0 dB). A value of 12 EV is excellent, with differences below 0.5 EV usually not noticeable. Dynamic range is an open scale." This appears to confirm that the situation is as I deduced: they are not testing the dynamic range as recorded in a raw file. They are testing the range that a camera can capture. i.e. it is the dynmaic range of the sensor. It is not the dynamic range of the raw file. It doesn't actually say that, however. How, specifically, are they bypassing the raw file to get the data? By measuring not the data in the file but the range of brightness that the camera can capture from their test set up. And where _specifically_ are they getting that data? What is the probe point? What is the probe? Read the URL. The use multiple light sources, each of different calibrated illuminance. It's rather like photographing an gray-scale wedge. Oh. Thanks. Now it's CLEAR TO ME YOU HAVE NO CLUE. My question related to how they measure the brightness at the camera. And you're not replying with an answer to that. At all. The object is the measurement of the ability of the camera to detect both low light and bright light. To do this they get the camera to photograph a target containg multiple light sources covering a range of luminances. Some are too bright and the other too dark for the camera to properly capture. It is the difference between these which determines the dynamic range of the sensor. note that they evaluate the DR in terms of a RGB composite analysis, the details of which I am not aware. With this technique there is no need to measure the brightness at the camera. -- Regards, Eric Stevens |
#236
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
In article , Eric Stevens
wrote: If you want to continue arguing to the contrary I will be happy to leave you to it. Reciprocity games. "Introduction to photography 101." You are still missing the point: lens aperture, shutter speeds or ISOs are not identical to stops. I have not missed any points at all. To a PHOTOGRAPHER your PEDANTRY is MEANINGLESS and in fact MISLEADING. To some photographers ... it is annoying. But it is amazing what I have learned out of this thread. what's amazing is that it doesn't appear that you've learned a thing, despite repeated explanations from several people. |
#237
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
In article , Eric Stevens
wrote: You are still missing the point: lens aperture, shutter speeds or ISOs are not identical to stops. At this point my old physics professor would ask for dimensional analysis. What's the dimensional analysis of "EV" vs "stop" ? Aah! Some common sense. Lets have some definitions. good idea, assuming they're correct. Stop is an abreviation of a name for the aperture of the lens opening. It may be the f-stop or a T-stop (or an H-Stop.) bad idea, when they're wrong. f/stop, stop and aperture are different. Now YOU are lecturing me on usage! yep, and not just usage either, but basic concepts. The fstop is [Image distance]/lens aperture. also wrong. f/stop = focal length/aperture. Aha! Your correction of me is an approximation. it's not in any way an approximation. See https://en.wikipedia.org/wiki/F-number from that link, The f-number of an optical system (such as a camera lens) is the ratio of the system's focal length to the diameter of the entrance pupil. exactly what i said it is. "... as one focuses closer, the lens' effective aperture becomes smaller, making the exposure darker. The working f-number is often described in photography as the f-number corrected for lens extensions by a bellows factor. This is of particular importance in macro photography". selective snipping. that's *not* cool. that quote is from the working f-number section, https://en.wikipedia.org/wiki/F-number#Working_f-number which begins: The f-number accurately describes the light-gathering ability of a lens only for objects an infinite distance away. This limitation is typically ignored in photography, where f-number is often used regardless of the distance to the object. note this part: 'this limitation is typically ignored in photography'. did you somehow miss that part? it's ignored for a very good reason: the difference is insignificant, except in certain situations, namely macro. see below. moving on, In optical design, an alternative is often needed for systems where the object is not far from the lens. In these cases the working f-number is used. which is not relevant here. {formula snipped} In photography this means that as one focuses closer, the lens' effective aperture becomes smaller, making the exposure darker. The working f-number is often described in photography as the f-number corrected for lens extensions by a bellows factor. This is of particular importance in macro photography. not exactly. as one focuses closer, the effective *focal* *length* becomes *longer*, however, it's not enough to matter in typical situations. for macro, where the working distance is very short, the effective focal length can become quite long, requiring lens extensions (tubes, bellows, etc.). http://www.nicovandijk.net/pb6E.jpg focusing closer can also be done via a close-up lens, which will have no effect on the f/stop. however, it's an additional optical element in the path and most of them aren't all that good. tl;dr you're *really* grasping at straws. |
#238
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
In article , Eric Stevens
wrote: EV's are equivalent to stops for any purpose related to exposure. I can change exposure value without changing the stop setting. No ****. That's sort of the point. It's my point. Stops aren't exposure values. Exposure values are not stops. they are. Lets leave it at that. ok, but you saying so doesn't make it correct. Allright then. Please explain to your readers how you set a lens to an EV of 20. For what ISO and speed? No, no. No ISO or speed. The lens calibration is equivalent to stop settings according to nospam so it must be possible to set a lens to a particular EV. I picked 20 as an example. by picking 20 (or any number), you demonstrate you don't understand it. |
#239
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
In article , Eric Stevens
wrote: It might be commonly referred to as a stop but that is just plain sloppy usage. it's not sloppy at all. in fact, it's exactly correct. On that basis you might as well call the shutter speed a stop or even the ISO a stop. the *difference* is called a stop, aka 'interval on the photographic exposure scale': Exposure value is also used to indicate an interval on the photographic exposure scale, with a difference of 1 EV corresponding to a standard power-of-2 exposure step, commonly referred to as a stop. iso 800 is one stop more sensitive than iso 400. 1/250th is one stop less light than 1/125th. f/4 is one stop more light than f/5.6. Assuming noting else changes. it doesn't matter what else changes. they're independent statements. iso 800 is one stop more sensitive than iso 400. Providing no one fiddles with the shutter speed. false. 1/250th is one stop less light than 1/125th. Providing no one fiddles with aperture setting. false. f/4 is one stop more light than f/5.6. That's about the only thing which is correct. why is that one exempt from fiddling, while the other two are not?? not that it matters, since what i wrote is correct and you are wrong. I initially mentioned this topic in passing when I referred to sloppy writing. I didn't call for examples. unfortunately for you, examples were provided and they show that you don't understand it. That's the problem with sloppy writing: people frequently don't understand it. your lack of understanding is not due to sloppy writing. But you would say that, wouldn't you? yes i would, given that it's clear you don't understand what you're talking about and continue to say things that range from simply wrong to completely nonsensical. |
#240
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Finally got to the point where no new camera holds my interest (waiting for specific offering)
In article , Eric Stevens
wrote: Do your lenses have stops? Yes. Exactly. So they are indeed calibrated in EV. ([1] above). No. EVs can be deduced. See https://en.wikipedia.org/wiki/Exposure_value "In photography, exposure value (EV) is a number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV (for any fixed scene luminance)." Finding some convenient words doesn't obviate the facts. Your camera and lenses are calibrated in EV. What words are used (stops for example) do not matter at all. Dear me! I can change the EV to which my camera is set without changing the lens aperture. My lenses are not calibrated in EVs. Further, lenses do not determine EVs on their own. It is also necessary to set a shutter speed. Wow! You could pass Photography 101, chapter 3 (Basics of exposure). CONGRATS! Now you have followed me that far, you may be interested to see https://upload.wikimedia.org/wikiped..._Ib_with_EV.jp g Notice how the bottom of the shutter speed ring has a pointer with which you can set the EV. That enables the aperture ring (dimly seen behind the pointer) to be moved in synchronism with the shutter speed ring so as to maintain constant the preset EV. This is an early pre-prescient camera. According to nospam modern cameras don't need the EV to be set. The aperture ring knows the EV all on it's own. i never said any such thing. stop lying. |
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