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#11
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Glass quality and f stop question.
"David J Taylor" wrote in message om... "jaf" wrote in message ... [] Two 50mm lenses set at f8 are two 50mm lenses set at f8. Same focal length. Same aperture. Same amount of light. John Not so. f/8 is a mechanical measurement relating to aperture and focal length. It actually says nothing about the actual amount of light, simply the /maximum/ light possible. The less than 100% transmission of the glass will reduce the actual amount of light (albeit, perhaps only by a small amount). Two lenses with the same T-stop would pass the same amount of light. See: http://photonotes.org/cgi-bin/photo-entry.pl?id=Tstop Also: consider a standard and a mirror lens both at f/8. The mirror lens typically has a central obstruction which reduces the light.... Cheers, David Post some data that proves you would need a different exposure time for 2 otherwise identical lenses. John |
#12
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Glass quality and f stop question.
"jaf" wrote:
"David J Taylor" wrote in message . com... "jaf" wrote in message ... [] Two 50mm lenses set at f8 are two 50mm lenses set at f8. Same focal length. Same aperture. Same amount of light. John Not so. f/8 is a mechanical measurement relating to aperture and focal length. It actually says nothing about the actual amount of light, simply the /maximum/ light possible. The less than 100% transmission of the glass will reduce the actual amount of light (albeit, perhaps only by a small amount). Two lenses with the same T-stop would pass the same amount of light. See: http://photonotes.org/cgi-bin/photo-entry.pl?id=Tstop Also: consider a standard and a mirror lens both at f/8. The mirror lens typically has a central obstruction which reduces the light.... Cheers, David Post some data that proves you would need a different exposure time for 2 otherwise identical lenses. Why didn't you bother to read the URL he cited above? It provides the "data" you request. Or stop and think about it... for example a pair of 500mm f/8 lenses, have an equal sized aperture. However, if one of them is a mirror lens and the other is not, the mirror lens will almost certainly have at most only half the light transmission efficiency that the other does. In effect it will f/9 or worse. That mirror which blocks off a portion the front element is where the loss occurs. Same aperture and focal length though, so it has the same f/stop, but with less light passing through. Or another very simple experiment will also demonstrate the fact. Take a single lens (virtually any lens that you can mount a filter on), and compare it to itself... with a neutral density filter added. In either instance the fstop you select will be exactly the same with or without the filter because the filter does not change the aperture or the focal length. But it will change the amount of light going through the lens. -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#13
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Glass quality and f stop question.
"jaf" wrote in message ... "David J Taylor" wrote in message om... "jaf" wrote in message ... [] Two 50mm lenses set at f8 are two 50mm lenses set at f8. Same focal length. Same aperture. Same amount of light. John Not so. f/8 is a mechanical measurement relating to aperture and focal length. It actually says nothing about the actual amount of light, simply the /maximum/ light possible. The less than 100% transmission of the glass will reduce the actual amount of light (albeit, perhaps only by a small amount). Two lenses with the same T-stop would pass the same amount of light. See: http://photonotes.org/cgi-bin/photo-entry.pl?id=Tstop Also: consider a standard and a mirror lens both at f/8. The mirror lens typically has a central obstruction which reduces the light.... Cheers, David Post some data that proves you would need a different exposure time for 2 otherwise identical lenses. John John, Please look at the reference I gave, and other references to T-stops. That T-stops were required at all proves the need. With today's optics I don't think you would be talking about large changes - probably less than 1/3 f/stop - except perhaps in the case of the mirror lens. This would only apply if you were not metering through the lens. Cheers, David |
#14
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Glass quality and f stop question.
On Sat, 05 Sep 2009 10:07:53 -0400, Alan Browne
wrote: wrote: I often see lenses that have "special glass" elements, and some that don't. They claim better transparency. My question is, if you set up a certain shot with certain parameters, and then switch to a better lens, would you have to change the f stop or speed or something to match the better glass? I'm just wondering about things like "rule of sun on grass" - would that be wrong with a better lens? It just seems odd to me that two, 50mm lenses, set at f8 for example, would give different amounts of light. Is this considered when the manufacturer makes the lens? Do they compensate somehow? The variance is less than 1/3 of a stop. With good photometry you would measure a difference. The variance in in-camera meters is of the same magnitude (between models or manufacturers) so you're well in the tolerance basket. More importantly though, is that unless you're shooting some specific target in controlled lighting, and instead using your camera for actual photography, then the variance on exposure is even greater due to your metering mode, the camera implementation of that mode and technique. I see now that even though the manufacturers sometimes refer to special glass as 'better transmission of light' they probably mean better quality light rather than quantity. There are a few idiots around who believe "high speed glass" refers to the glass transparency rather than the whole lens system, usually of course wide and constant (with zoom) aperture. eg: a 70-200 f/2.8 is "high speed glass" but not because of the composition of the lens elements. I imagine "high speed glass" refers to the fact you can shoot at higher shutter speeds since the lens is at 2.8 instead of 5.6 at 200mm, like a kit lens. That reminds me of people who thought that the statement; "That DSLR is much quieter than the other one." was referring to the sound of the mirror and shutter! When I discuss my camera with 'non hip' people I avoid 'noise' and refer to 'snow like a poor TV picture'. |
#15
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Glass quality and f stop question.
"Floyd L. Davidson" wrote in message ... "jaf" wrote: "David J Taylor" wrote in message .com... "jaf" wrote in message ... [] Two 50mm lenses set at f8 are two 50mm lenses set at f8. Same focal length. Same aperture. Same amount of light. John Not so. f/8 is a mechanical measurement relating to aperture and focal length. It actually says nothing about the actual amount of light, simply the /maximum/ light possible. The less than 100% transmission of the glass will reduce the actual amount of light (albeit, perhaps only by a small amount). Two lenses with the same T-stop would pass the same amount of light. See: http://photonotes.org/cgi-bin/photo-entry.pl?id=Tstop Also: consider a standard and a mirror lens both at f/8. The mirror lens typically has a central obstruction which reduces the light.... Cheers, David Post some data that proves you would need a different exposure time for 2 otherwise identical lenses. Why didn't you bother to read the URL he cited above? It provides the "data" you request. Or stop and think about it... for example a pair of 500mm f/8 lenses, have an equal sized aperture. However, if one of them is a mirror lens and the other is not, the mirror lens will almost certainly have at most only half the light transmission efficiency that the other does. In effect it will f/9 or worse. That mirror which blocks off a portion the front element is where the loss occurs. The "mirror which blocks off a portion the front element " is in a blind spot. Same aperture and focal length though, so it has the same f/stop, but with less light passing through. Or another very simple experiment will also demonstrate the fact. Take a single lens (virtually any lens that you can mount a filter on), and compare it to itself... with a neutral density filter added. In either instance the fstop you select will be exactly the same with or without the filter because the filter does not change the aperture or the focal length. But it will change the amount of light going through the lens. Ya! It blocks some of the light REQUIRING a change in the exposure time! If you measure the light falling on an object with a meter, and you know what your doing, there is ONE aperture setting and ONE shutter speed that can be used to get a properly exposed picture. You will get the same image regardless of the "lens glass" used. The coloration may be different, but the exposure is the same. John |
#16
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Glass quality and f stop question.
"David J Taylor" wrote in message m... "jaf" wrote in message ... "David J Taylor" wrote in message om... "jaf" wrote in message ... [] Two 50mm lenses set at f8 are two 50mm lenses set at f8. Same focal length. Same aperture. Same amount of light. John Not so. f/8 is a mechanical measurement relating to aperture and focal length. It actually says nothing about the actual amount of light, simply the /maximum/ light possible. The less than 100% transmission of the glass will reduce the actual amount of light (albeit, perhaps only by a small amount). Two lenses with the same T-stop would pass the same amount of light. See: http://photonotes.org/cgi-bin/photo-entry.pl?id=Tstop Also: consider a standard and a mirror lens both at f/8. The mirror lens typically has a central obstruction which reduces the light.... Cheers, David Post some data that proves you would need a different exposure time for 2 otherwise identical lenses. John John, Please look at the reference I gave, and other references to T-stops. That T-stops were required at all proves the need. With today's optics I don't think you would be talking about large changes - probably less than 1/3 f/stop - except perhaps in the case of the mirror lens. This would only apply if you were not metering through the lens. Cheers, David I read it. "(in a sense, T-stops are absolute and f-stops are relative)" Absolute to what? Relative to what? Would you use a different EXPOSURE if you are looking a the T stop scale than if you are looking at the f stop scale on the lens? T stops are just a different scale of measuring light. EV steps/stops are another. John |
#17
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Glass quality and f stop question.
"jaf" wrote:
"Floyd L. Davidson" wrote in message ... "jaf" wrote: "David J Taylor" wrote in message a.com... "jaf" wrote in message ... [] Two 50mm lenses set at f8 are two 50mm lenses set at f8. Same focal length. Same aperture. Same amount of light. John Not so. f/8 is a mechanical measurement relating to aperture and focal length. It actually says nothing about the actual amount of light, simply the /maximum/ light possible. The less than 100% transmission of the glass will reduce the actual amount of light (albeit, perhaps only by a small amount). Two lenses with the same T-stop would pass the same amount of light. See: http://photonotes.org/cgi-bin/photo-entry.pl?id=Tstop Also: consider a standard and a mirror lens both at f/8. The mirror lens typically has a central obstruction which reduces the light.... Cheers, David Post some data that proves you would need a different exposure time for 2 otherwise identical lenses. Why didn't you bother to read the URL he cited above? It provides the "data" you request. Or stop and think about it... for example a pair of 500mm f/8 lenses, have an equal sized aperture. However, if one of them is a mirror lens and the other is not, the mirror lens will almost certainly have at most only half the light transmission efficiency that the other does. In effect it will f/9 or worse. That mirror which blocks off a portion the front element is where the loss occurs. The "mirror which blocks off a portion the front element " is in a blind spot. No, the mirro *creates* a blind spot, and restricts the amount of light that can pass to less than it would be if the mirror were not there. Same aperture and focal length though, so it has the same f/stop, but with less light passing through. Or another very simple experiment will also demonstrate the fact. Take a single lens (virtually any lens that you can mount a filter on), and compare it to itself... with a neutral density filter added. In either instance the fstop you select will be exactly the same with or without the filter because the filter does not change the aperture or the focal length. But it will change the amount of light going through the lens. Ya! It blocks some of the light REQUIRING a change in the exposure time! Exactly. Even though the lens is "identical" (one has an extra element, but otherwise the construction is exactly the same and both have exactly the same focal length and exactly the same aperture) one requires a different exposure time if the f/stop is set the same. If you measure the light falling on an object with a meter, and you know what your doing, there is ONE aperture setting and ONE shutter speed that can be used to get a properly exposed picture. In the above examples that is simply not true. The mirror lense will require more exposure time, and the lense that has a neutral density element added will also require more exposure time. You will get the same image regardless of the "lens glass" used. The coloration may be different, but the exposure is the same. You'll need to rethink that, as it is clearly not the case. Re-examine the above examples. -- Floyd L. Davidson http://www.apaflo.com/floyd_davidson Ukpeagvik (Barrow, Alaska) |
#18
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Glass quality and f stop question.
"jaf" writes:
I read it. "(in a sense, T-stops are absolute and f-stops are relative)" Absolute to what? Relative to what? I think the meaning is that t-stops have a fixed relationship to an external reference -- e.g., using t-stops, you can calculate exposure using an external meter, and directly use the indicated settings on your camera. That can't always be done using f-stops, but if you calculate the correct exposure at a single f-stop, then other f-stops using the same lens etc will have a fixed relationship to that (so f2 always lets through twice as much light as f2.8). -miles -- Any man who is a triangle, has thee right, when in Cartesian Space, to have angles, which when summed, come to know more, nor no less, than nine score degrees, should he so wish. [TEMPLE OV THEE LEMUR] |
#19
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Glass quality and f stop question.
"Miles Bader" wrote in message ... "jaf" writes: I read it. "(in a sense, T-stops are absolute and f-stops are relative)" Absolute to what? Relative to what? I think the meaning is that t-stops have a fixed relationship to an external reference -- e.g., using t-stops, you can calculate exposure using an external meter, and directly use the indicated settings on your camera. That can't always be done using f-stops, but if you calculate the correct exposure at a single f-stop, then other f-stops using the same lens etc will have a fixed relationship to that (so f2 always lets through twice as much light as f2.8). -miles You missed the point. The questions were rhetorical. A lens may have both T & f scales but it only has one aperture. It only has one aperture ring. The light getting to the film plane is the same regardless of which scale you look at. John |
#20
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Glass quality and f stop question.
"Floyd L. Davidson" wrote in message ... "jaf" wrote: "Floyd L. Davidson" wrote in message ... "jaf" wrote: "David J Taylor" wrote in message ia.com... "jaf" wrote in message ... [] Two 50mm lenses set at f8 are two 50mm lenses set at f8. Same focal length. Same aperture. Same amount of light. John Not so. f/8 is a mechanical measurement relating to aperture and focal length. It actually says nothing about the actual amount of light, simply the /maximum/ light possible. The less than 100% transmission of the glass will reduce the actual amount of light (albeit, perhaps only by a small amount). Two lenses with the same T-stop would pass the same amount of light. See: http://photonotes.org/cgi-bin/photo-entry.pl?id=Tstop Also: consider a standard and a mirror lens both at f/8. The mirror lens typically has a central obstruction which reduces the light.... Cheers, David Post some data that proves you would need a different exposure time for 2 otherwise identical lenses. Why didn't you bother to read the URL he cited above? It provides the "data" you request. Or stop and think about it... for example a pair of 500mm f/8 lenses, have an equal sized aperture. However, if one of them is a mirror lens and the other is not, the mirror lens will almost certainly have at most only half the light transmission efficiency that the other does. In effect it will f/9 or worse. That mirror which blocks off a portion the front element is where the loss occurs. The "mirror which blocks off a portion the front element " is in a blind spot. No, the mirro *creates* a blind spot, and restricts the amount of light that can pass to less than it would be if the mirror were not there. Same aperture and focal length though, so it has the same f/stop, but with less light passing through. Or another very simple experiment will also demonstrate the fact. Take a single lens (virtually any lens that you can mount a filter on), and compare it to itself... with a neutral density filter added. In either instance the fstop you select will be exactly the same with or without the filter because the filter does not change the aperture or the focal length. But it will change the amount of light going through the lens. Ya! It blocks some of the light REQUIRING a change in the exposure time! Exactly. Even though the lens is "identical" (one has an extra element, but otherwise the construction is exactly the same and both have exactly the same focal length and exactly the same aperture) one requires a different exposure time if the f/stop is set the same. If you measure the light falling on an object with a meter, and you know what your doing, there is ONE aperture setting and ONE shutter speed that can be used to get a properly exposed picture. In the above examples that is simply not true. The mirror lense will require more exposure time, and the lense that has a neutral density element added will also require more exposure time. You will get the same image regardless of the "lens glass" used. The coloration may be different, but the exposure is the same. You'll need to rethink that, as it is clearly not the case. Re-examine the above examples. Nikon 500mm http://www.nikonusa.com/Find-Your-Ni...F4G-ED-VR.html Nikon 500mm mirror http://www.kenrockwell.com/nikon/5008.htm Take a camera. Mount each lens, shoot a picture of a Color Chart http://figitalrevolution.files.wordp...or-checker.jpg 100 ASA film speed. f8 aperture. 500mm focal length. What shutter speed is required to get a correct exposure for each lens? No photoshopping allowed. Post back with the results. John |
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