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#1
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Resolution or Tonal scale.
This question relates to choosing between two scanners. One has better optical resolution, the other is able to capture more detail between shadows and highlights. 4,000 dpi versus 6400. 4 versus 4.9 for scale. Given the use of same LF original 4x5 which is a better choice. -- "As democracy is perfected, the office represents, more and more closely, the inner soul of the people. We move toward a lofty ideal. On some great and glorious day the plain folks of the land will reach their heart's desire at last, and the White House will be adorned by a downright moron." - H. L. Mencken, in the Baltimore Sun, July 26, 1920. Reality-Is finding that perfect picture and never looking back. www.gregblankphoto.com |
#2
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Resolution or Tonal scale.
On Sun, 19 Nov 2006 20:55:15 -0500, "Greg \"_\""
wrote: This question relates to choosing between two scanners. One has better optical resolution, the other is able to capture more detail between shadows and highlights. 4,000 dpi versus 6400. 4 versus 4.9 for scale. Given the use of same LF original 4x5 which is a better choice. Both measurements can be misleading. Which specific scanners are you thinking of? Anyway, here's a good LF scanner comparison site: http://www.largeformatphotography.info/scan-comparison/ rafe b www.terrapinphoto.com |
#3
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Resolution or Tonal scale.
In article ,
Greg \"_\" wrote: 4,000 dpi versus 6400. 4 versus 4.9 for scale. Given the use of same LF original 4x5 which is a better choice. Do you really need 6400 dpi for a 4x5? |
#4
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Resolution or Tonal scale.
wrote in message ... Do you really need 6400 dpi for a 4x5? Probably not. And probably not (even) for MF. Others have made the point that an "honest" 3000 dpi will capture nearly all the detail that can be captured, in practice, on film. Trouble is, even in the best scanners, the claimed resolution needs to be de-rated. Some brands more than others... As image areas increase, lens resolutions generally go down, and problems with film flatness become significant. This is true in the camera as it is in the film scanner. rafe b www.terrapinphoto.com |
#6
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Resolution or Tonal scale.
In article ,
Raphael Bustin wrote: Both measurements can be misleading. Which specific scanners are you thinking of? Anyway, here's a good LF scanner comparison site: http://www.largeformatphotography.info/scan-comparison/ rafe b www.terrapinphoto.com In an ideal world we could all afford drum scanners. The V750 versus the LS9000 as you guessed. Keep in mind I am not hugely interested in making super large prints from any scans. Merely making fair quality scans for prepress from MF. Maximum page size 11 x17 -300 dpi. A main consideration beyond LF scanning is wether the Epson could do small size scans from 35mm. Good enough for an occasion 6x9 reproduction. The V750 has Digital ICE, fluid mounting and Silverfast features that sound good for my purposes. -- "As democracy is perfected, the office represents, more and more closely, the inner soul of the people. We move toward a lofty ideal. On some great and glorious day the plain folks of the land will reach their heart's desire at last, and the White House will be adorned by a downright moron." - H. L. Mencken, in the Baltimore Sun, July 26, 1920. Reality-Is finding that perfect picture and never looking back. www.gregblankphoto.com |
#7
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Resolution or Tonal scale.
On Mon, 20 Nov 2006 22:17:32 -0500, "Greg \"_\""
wrote: In an ideal world we could all afford drum scanners. The V750 versus the LS9000 as you guessed. Keep in mind I am not hugely interested in making super large prints from any scans. Merely making fair quality scans for prepress from MF. Maximum page size 11 x17 -300 dpi. How about a compromise: a used LS-8000 -- in good condition -- plus a new V750 or 4990 for LF. I suspect the V750 will give enough detail for a decent 6x9" print from 35mm, or 11x17" from MF. It's probably good for an "honest" 2500 dpi, or in that ballpark. Both scanners have digital ICE, and you'll find that useful -- but not on BW film. rafe b www.terrapinphoto.com |
#8
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Resolution or Tonal scale.
In article ,
Raphael Bustin wrote: On Mon, 20 Nov 2006 22:17:32 -0500, "Greg \"_\"" wrote: In an ideal world we could all afford drum scanners. The V750 versus the LS9000 as you guessed. Keep in mind I am not hugely interested in making super large prints from any scans. Merely making fair quality scans for prepress from MF. Maximum page size 11 x17 -300 dpi. How about a compromise: a used LS-8000 -- in good condition -- plus a new V750 or 4990 for LF. I suspect the V750 will give enough detail for a decent 6x9" print from 35mm, or 11x17" from MF. It's probably good for an "honest" 2500 dpi, or in that ballpark. Both scanners have digital ICE, and you'll find that useful -- but not on BW film. rafe b www.terrapinphoto.com That's more or less my direction, I have a budget for the V750 but probably not the LS9000 at this point, though I do like the idea. The Epson can do fluid mounting so it may do well with B&W. I am a pretty much committed to wet darkroom for that anyway. Still it would be nice to have the ability at least to do better scans from my very large amount of 4x5 B&W stuff. -- "As democracy is perfected, the office represents, more and more closely, the inner soul of the people. We move toward a lofty ideal. On some great and glorious day the plain folks of the land will reach their heart's desire at last, and the White House will be adorned by a downright moron." - H. L. Mencken, in the Baltimore Sun, July 26, 1920. Reality-Is finding that perfect picture and never looking back. www.gregblankphoto.com |
#9
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Resolution or Tonal scale.
On Mon, 20 Nov 2006 22:10:32 -0500, "Greg
\"_\"" wrote: I rather like the ability to scan my large pile of 4x5 and 8x10 stuff. November 21, 2006, from Lloyd Erlick, Me too, except it's a pile of MF stuff starting two decades ago. I've even been chipping away at it, too. It's slow going, but possible. The Epson 4990 is a nice tool for the purpose, although I find the transparency scan area too restrictive. I wish they had at least provided the area of the old HP 4C transparency adapter I used to have (came out mid-nineties for Win95). So I have to position my negs in PrintFile sleeves very carefully. But that's a minor problem, and on the whole it's a great catalog tool for me. I suppose one could say it's an expensive way to avoid contact sheets, but, well, it is a great way to avoid contact sheets. Anyway, at fifty cents per contact sheet, and several thousand rolls of film in the can, it's cost effective, too. Plus the scanner is a great entertainment tool, too .... magazines, newspapers, comic books, old letters, the family photos, small objects, good thing I'm catless at the moment ... regards, --le ________________________________ Lloyd Erlick Portraits, Toronto. website: www.heylloyd.com telephone: 416-686-0326 email: ________________________________ -- |
#10
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Resolution or Tonal scale.
Greg "_" wrote:
This question relates to choosing between two scanners. One has better optical resolution, the other is able to capture more detail between shadows and highlights. 4,000 dpi versus 6400. You have to keep in mind what the 'optical resolution' specifies. It tells you how many samples are collected per unit length. There are usually two numbers, one for the vertical and one for the horizontal direction with the latter being the smaller. It is the smaller of the two that is usually used. In any case, the number of samples collected determines in principle the upper limit of how well the scanner does at resolving fine detail present in the film. But no scanner actually achieves this theoretical upper limit. Higher quality scanners do better. Also, it is easier to do better with a dedicated film scanner, particularly if the maximum size scanned is kept limited as it would be for a 35 mm or medium format scanner. 4 versus 4.9 for scale. Again, there is a theoretical upper limit to the dynamic range that the scanner can handle. It is based on the bit depth. For a 16 bit (per channel) scanner, it is a bit over 4.8. A value like 4.9 doesn't make sense, so maybe that was a misprint. Sometimes manufacturers simply give that theoretical number, but in actual practice, the scanner can't deliver it. Even a figure like 4.0 is suspect, but is more likely to be a measured value rather than a theoretical value based on the bit depth. Maximum density is important primarily for transparency film. If you use either b/w or color negative film, the dynamic range in the negative is likely to be less than what any reasonable modern scanner can deliver. I know most people are wedded to the use of transparencies, but I would argue for using color negative film. Transparency film requires much more careful control of exposure and can't handle scenes with a large range of values. It is harder to scan. Its only real advantage is that you can compare the transparency, viewed on a light table, to the scan in determining color balance in the latter. But the transparency, beautiful as it may look, doesn't necessarily accurately show the colors in the scene. It is better, whatever film you use, to use color references in the scene, such as a gray card or other neutral areas, to establish color balance. Given the use of same LF original 4x5 which is a better choice. |
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