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#1
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Toning Agfa Classic FB
I love this paper for it's unique tonal rendition, but it is the
oddest brownish green color I've ever seen. When I try to break through this color with selenium I find I have to go 6-8 min ( Selenium approx.85 degrees 1:14 )and it then split tones, which I hate. It then proceedes to go practically rose colored. I'm not a big toner fan. I just want to arrive at a selenium-like color. Do any other users find this problem, and/or can you suggest a different approach to a better color? I develop the paper in Bromophen 1:3, but have had the same problem with Agfa Neutol as well. |
#2
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Toning Agfa Classic FB
Ken Smith wrote:
I love this paper for it's unique tonal rendition, but it is the oddest brownish green color I've ever seen. When I try to break through this color with selenium I find I have to go 6-8 min ( Selenium approx.85 degrees 1:14 )and it then split tones, which I hate. It then proceedes to go practically rose colored. I'm not a big toner fan. I just want to arrive at a selenium-like color. Do any other users find this problem, and/or can you suggest a different approach to a better color? I develop the paper in Bromophen 1:3, but have had the same problem with Agfa Neutol as well. Are you talking about 118? From what I've found, Agfa fibre papers don't really respond very well to Selenium. They both respond (well) to sulphide toning especially the 111 (gloss). Unfortunately, you might be better off with another paper, if it's the colour which puts you off, seeing as you've tried a couple of paper developers... |
#3
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Toning Agfa Classic FB
Ken Smith wrote:
I love this paper for it's unique tonal rendition, but it is the oddest brownish green color I've ever seen. When I try to break through this color with selenium I find I have to go 6-8 min ( Selenium approx.85 degrees 1:14 )and it then split tones, which I hate. It then proceedes to go practically rose colored. I'm not a big toner fan. I just want to arrive at a selenium-like color. Do any other users find this problem, and/or can you suggest a different approach to a better color? I develop the paper in Bromophen 1:3, but have had the same problem with Agfa Neutol as well. You can prevent the split toning effect as follows (at least it works for me). First tone you photo in Agfa Viradon New for 1 minute (or use another comparable polysulphide toner). The tone of your photo will become slightly warmer. Immediately after treatment put the paper in a bath of 10% sodium sulphite for 5 minutes (stops toning). Wash for 15 minutes and then use your selenium toner. You get a nice brown color without splitting. Succes, Walter |
#4
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Toning Agfa Classic FB
nicholas wrote in message ...
Ken Smith wrote: I love this paper for it's unique tonal rendition, but it is the oddest brownish green color I've ever seen. When I try to break through this color with selenium I find I have to go 6-8 min ( Selenium approx.85 degrees 1:14 )and it then split tones, which I hate. It then proceedes to go practically rose colored. I'm not a big toner fan. I just want to arrive at a selenium-like color. Do any other users find this problem, and/or can you suggest a different approach to a better color? I develop the paper in Bromophen 1:3, but have had the same problem with Agfa Neutol as well. Are you talking about 118? From what I've found, Agfa fibre papers don't really respond very well to Selenium. They both respond (well) to sulphide toning especially the 111 (gloss). Unfortunately, you might be better off with another paper, if it's the colour which puts you off, seeing as you've tried a couple of paper developers... Yes, the 111. Does the 118 tone any different? I do want to find some combo of developer to toner that suits this paper. It has a mood that is like no other paper, and I don't want pass on using it to best advantage. |
#5
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Toning Agfa Classic FB
You can prevent the split toning effect as follows (at least it works
for me). First tone you photo in Agfa Viradon New for 1 minute (or use another comparable polysulphide toner). The tone of your photo will become slightly warmer. Immediately after treatment put the paper in a bath of 10% sodium sulphite for 5 minutes (stops toning). Wash for 15 minutes and then use your selenium toner. You get a nice brown color without splitting. Succes, Walter Thanks. Although I really don't want Brown. Sulphite toners are all sepia-like. I'd rather acheive a true neutral/black tone. I'm going to try a blue-black developer. Then who knows, some fooling around with gold toners, whatever stays on the cool side. I know this sounds like I'm going totally against the nature of this warm tone paper, but if I can swing it's color into a true charcoal black, with that smoldering tonal scale of Agfa, I may have something. |
#6
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Toning Agfa Classic FB
Ken Smith wrote:
Yes, the 111. Does the 118 tone any different? I do want to find some combo of developer to toner that suits this paper. It has a mood that is like no other paper, and I don't want pass on using it to best advantage. Regarding 118, it's quite a different creature, not only is the surface different, but the paper base is cream. I believe this paper was meant to be a variable contrast version of Portriga Rapid. Now if you want green highlights then that is one funny coloured paper. Ok, then, I've got some very recent experience toning 111 in Selenium at 20x24in size. With my setup it tones slowly and takes at least 5-7 minutes before taking on any amount of colour (compares to about 2-3mins and definate tonal shift and colour with Fortezo). This is at 18C-ish and a dilution of less than 1:20 more like 1:17... *No* green tone at all, this was in Dektol before or after the toning. I've never fully understood split toning in Selenium as sometimes it seems to happen and other times not. I wonder if your temperature might have something to do with the split. |
#7
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Toning Agfa Classic FB
Ken Smith wrote:
You can prevent the split toning effect as follows (at least it works for me). First tone you photo in Agfa Viradon New for 1 minute (or use another comparable polysulphide toner). The tone of your photo will become slightly warmer. Immediately after treatment put the paper in a bath of 10% sodium sulphite for 5 minutes (stops toning). Wash for 15 minutes and then use your selenium toner. You get a nice brown color without splitting. Succes, Walter Thanks. Although I really don't want Brown. Sulphite toners are all sepia-like. I'd rather acheive a true neutral/black tone. I'm going to try a blue-black developer. Then who knows, some fooling around with gold toners, whatever stays on the cool side. I know this sounds like I'm going totally against the nature of this warm tone paper, but if I can swing it's color into a true charcoal black, with that smoldering tonal scale of Agfa, I may have something. If you want to get a neutral/black tone you could also try tetenal gold toner. It tones evenly and you get a neutral to cold-black tone. |
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