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#121
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"Donald Brummel" wrote in message ink.net... Sigh, if they "easily beat film" what is point of the newer 4800 dpi film/slide scanners? Maybe the 100 skillion slides that have already been taken in years past have something to do with it........ |
#122
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"Donald Brummel" wrote in message ink.net... Sigh, if they "easily beat film" what is point of the newer 4800 dpi film/slide scanners? Maybe the 100 skillion slides that have already been taken in years past have something to do with it........ |
#123
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Larry wrote:
I use an 8mp digital all the time and can say this with confidence: Is it handier? YES Is it easier? after the initial learning curve YES Does it match 35mm resolution? NO The last statement is true, but only, of course, if you are talking about enlarging each image past a certain point. I don't think it's necessarily easy to distinguish a difference between the two kinds of images - film and 35mm - if both pictures are reasonably small. That's why my two puny 5 mp cameras are more than up to the task of making photographs suitable for publication, as long as the size of the pictures don't go above 8x6 inches (at 300dpi). However, I've upsized pictures from these cameras to will create suitable 8.5x11 inch photos (suitable in the sense they can be used for publication in a reasonably high quality magazine or book). Most of my digital photographs are for the Web, and sometimes I'm lucky enough to have them published, usually no larger than 8.5x11 inches. The photos look pretty good when digitally projected onto a large screen, too. That's why I now seldom use my 35mm cameras. I still enjoy making photos with my ancient Rolleiflex cameras. Dave http://www.idrivebackroads.com |
#124
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Larry wrote:
I use an 8mp digital all the time and can say this with confidence: Is it handier? YES Is it easier? after the initial learning curve YES Does it match 35mm resolution? NO The last statement is true, but only, of course, if you are talking about enlarging each image past a certain point. I don't think it's necessarily easy to distinguish a difference between the two kinds of images - film and 35mm - if both pictures are reasonably small. That's why my two puny 5 mp cameras are more than up to the task of making photographs suitable for publication, as long as the size of the pictures don't go above 8x6 inches (at 300dpi). However, I've upsized pictures from these cameras to will create suitable 8.5x11 inch photos (suitable in the sense they can be used for publication in a reasonably high quality magazine or book). Most of my digital photographs are for the Web, and sometimes I'm lucky enough to have them published, usually no larger than 8.5x11 inches. The photos look pretty good when digitally projected onto a large screen, too. That's why I now seldom use my 35mm cameras. I still enjoy making photos with my ancient Rolleiflex cameras. Dave http://www.idrivebackroads.com |
#125
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On Sun, 21 Nov 2004 15:01:49 GMT, "Fitpix"
wrote: You may be able to say it with confidence, but your equipment's limitations curtail its veracity, as you note in your last paragraph. Some digital equipment at 8mp, for one reason or another, won't equal the best of film. Some will, and in some uses, possibly exceed it. I get better 16x20 images from my 20D than I did from my 1n with Ilford XP-2, a 400 ISO film. Will I get better 16x20s than from Ektar 25? I don't know, since I can't make that comparison. -- Skip Middleton http://www.shadowcatcherimagery.com Ektar 25! Oh how I miss thee! Love my 20D but have a moving water fetish that ISO 25 was just perfect for! Do you know, I never thought of that! It's quite a big failing of digital cameras; not bieng able to 'speed-vary' the CCD. -- Fat, sugar, salt, beer: the four essentials for a healthy diet. |
#126
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Steve Evans wrote:
tar 25! Oh how I miss thee! Love my 20D but have a moving water fetish that ISO 25 was just perfect for! Do you know, I never thought of that! It's quite a big failing of digital cameras; not bieng able to 'speed-vary' the CCD. But you can... And if you can't get the "ISO/DIN" down low enough then you can always do what film based photographers have been doing for decades and use neutral density filters. You can easily take it down by as much as another 5 stops that way. A Nikon D70 won't drop lower than ISO/DIN 200, so if working at f22 or f32 you could add a 3 stop ND filter which would have you operating on the same exposure basis (though nowhere near the same image quality) as an ISO/DIN 25 slide film. |
#127
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Steve Evans wrote:
tar 25! Oh how I miss thee! Love my 20D but have a moving water fetish that ISO 25 was just perfect for! Do you know, I never thought of that! It's quite a big failing of digital cameras; not bieng able to 'speed-vary' the CCD. But you can... And if you can't get the "ISO/DIN" down low enough then you can always do what film based photographers have been doing for decades and use neutral density filters. You can easily take it down by as much as another 5 stops that way. A Nikon D70 won't drop lower than ISO/DIN 200, so if working at f22 or f32 you could add a 3 stop ND filter which would have you operating on the same exposure basis (though nowhere near the same image quality) as an ISO/DIN 25 slide film. |
#128
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"Mike Kohary" wrote in message ... Lourens Smak wrote: In article , "Mike Kohary" wrote: Huh? 35mm is a size - 35mm is 35mm. 6MP is considered approximately equivalent, so 8MP probably exceeds 35mm in terms of resolution. Well, the actual resolution would depend a LOT on the lens used, for example. (with both images). 35mm = 6MP is very simplistic. I agree, it is simplistic, but there's no way to directly compare the two anyway. We're kind of guessing subjectively with our eyes, and I think the general consensus these days is that 6MP or thereabouts is indistinguishable from 35mm. But you're wrong on the resolution thing. 6MP = 6 million pixels, period. The lens may make a difference in the sharpness or quality of the picture, but it will neither reduce nor enlarge the number of pixels that result. You are thinking only in terms of resolution as defined by pixel count. Ther IS such a thing as measuring a lens' ability to resolve, and it therefore does have an effect on resolution...just not the number of pixels. |
#129
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"Mike Kohary" wrote in message ... Lourens Smak wrote: In article , "Mike Kohary" wrote: Huh? 35mm is a size - 35mm is 35mm. 6MP is considered approximately equivalent, so 8MP probably exceeds 35mm in terms of resolution. Well, the actual resolution would depend a LOT on the lens used, for example. (with both images). 35mm = 6MP is very simplistic. I agree, it is simplistic, but there's no way to directly compare the two anyway. We're kind of guessing subjectively with our eyes, and I think the general consensus these days is that 6MP or thereabouts is indistinguishable from 35mm. But you're wrong on the resolution thing. 6MP = 6 million pixels, period. The lens may make a difference in the sharpness or quality of the picture, but it will neither reduce nor enlarge the number of pixels that result. You are thinking only in terms of resolution as defined by pixel count. Ther IS such a thing as measuring a lens' ability to resolve, and it therefore does have an effect on resolution...just not the number of pixels. |
#130
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Mike Kohary wrote:
Stephen H. Westin wrote: Lourens Smak writes: In article , "Mike Kohary" wrote: Huh? 35mm is a size - 35mm is 35mm. 6MP is considered approximately equivalent, so 8MP probably exceeds 35mm in terms of resolution. Well, the actual resolution would depend a LOT on the lens used, for example. (with both images). 35mm = 6MP is very simplistic. Yes. In fact, it's a foolish thing to say. It's not. It's a subjective evaluation, and is widely agreed upon. Unless you have some brilliant method of direct comparison that no one else on the planet has thought of to this point, I'd suggest you keep your rudeness to yourself. When people say is film better than digital and then simply conclude yes or no just illustrates their lack of knowledge of film characteristics. Every film has a different resolution, and grain (which translates to noise in the image). ISO 100 speed color 35mm films approximately match 6-megapixel DSLR bayer sensor digital cameras in terms of spatial information. Slow speed film like 35mm Fujichrome Velvia are about 16 megapixel equivalent. ISO 1600 film, like Provia 1600 rates only 3 megapixels equivalent. Here is a summary of film versus digital: http://www.clarkvision.com/imagedeta....summary1.html Here are more details, including equations and more film (35mm, medium, large) formats: http://www.clarkvision.com/imagedeta...digital.1.html And then if you are still interested, here are tests of scanning (consumer scanners to drum scans) where some of the data for the above conclusions came from: http://www.clarkvision.com/imagedetail/scandetail.html Another issue is dynamic range. There is an urban legend that current DSLRs will generally give you about as much dynamic range as slide film, maybe about 6 stops. This is incorrect. For example, the Canon 10D tests at about 11 stops: http://www.clarkvision.com/imagedetail/dynamicrange Electronic sensors have a much higher signal to noise than film, and have excellent dynamic range. The problem is clipping the highlights. If you expose correctly that is not a problem, but light meters do not always get it right. This page compares the transfer functions of digital, slide film, and print film: http://clarkvision.com/imagedetail/dynamicrange2 Note that the print and slide films tested have many stops less dynamic range than a DSLR. Finally, signal-to-noise is much higher with DSLRs than with film. See the above page as well as: http://clarkvision.com/imagedetail/d...ignal.to.noise DSLRs like the Canon 1D Mark II are essentially photon noise limited. It doesn't get any better than that. Roger Clark Photos, other digital info at: http://www.clarkvision.com |
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