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#11
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Why not make the sensor larger?
On Jun 13, 11:26 am, "Victek" wrote:
It seems like the biggest weakness of mid-priced cameras is noise/iso issues due to small sensors. Well, why don't the manufacturers use a larger sensor? How much larger would it have to be to eliminate the worst of the noise and provide a useful iso range? Would the increased cost make the camera unmarketable? In other words, is there a real economic problem or is it just ignorance? Once someone other than Canon offers a FF sensor, you'll be amazed at how fast the price drops. But then why do most people, except for pros on the cutting edge NEED a FF or larger sensor? |
#12
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Why not make the sensor larger?
ray wrote:
[] Perhaps you could elaborate - it seems to me that, for example, if a DSLR uses a 2/3 size sensor it could probably be made 2/3 size - is it that folks really expect a full size camera? Seems to me that all you need to accomodate is the sensor size and the optics distance - electronics are VERY compact. They could, but instead they choose to use the old 35mm production lines (which are already paid-for, of course) and just keep the same larger size. More profit for the manufacturers. Even more disappointing that Olympus with their "half-size" 4/3 system didn't offer half-sized cameras and lenses. Some people find that even some of the current DSLRs are too small for them. David |
#13
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Why not make the sensor larger?
On Jun 13, 1:31 pm, "David J Taylor" -this-
bit.nor-this-part.co.uk wrote: Victek wrote: [] Thanks for information. I enjoyed reading the review of the Sony DSC-R1. It's interesting to note that it costs more than many DSLRs today. Perhaps moving to a DSLR is really the only way to overcome the limitations of the "super-zoom" models (such as the S3-IS, or the Panasonic FZ series)? Victek, It really depends what limitations are important to you. Low-light will certainly be better with a larger DSLR sensor and expensive, large aperture lens. Plus that will be a lot heavier to carry around if the lens is reasonably telephoto. In the FZ5 I have a 432mm f/3.3 image stabilised lens in a package weighing about 300g. f/2.8 at 432mm with the Panasonic FZ20. Nearest DSLR and similar lens? Nikon D40 + 55-200mm VR zoom weighing 520g + 335g, so nearly 3 times as much. This is an f/5.6 lens, and it doesn't include wide-angle coverage. So you would require a second lens. Providing a good wide-tele coverage is the 18-200mm VR, but that is still only f/5.6 and the total weight is now 520 + 560g, so over 1kg. Perhaps you're OK with that. I don't think that either of these lenses offer the same macro capability as the Canon or Panasonic super-zooms do, and no DSLR offers a swivel LCD or movie mode. There may be a half-way house with the so-called 4/3 sensor used in the Olympus DSLRs, but although the sensor is smaller than a conventional DSLR (nearer "half-frame" size), the cameras are not lighter and the lenses are not smaller. You don't want to ask the cost of their lenses either. Not to split hairs but Olympus's E-410 is the smallest and I believe the lightest DSLR on the market. It's new kit lenses are also probably the smallest and lightest in their class and far better optically than the likes of Canon, for e.g. The costly Olympus lenses are the pro lenses that run $1000 or more, but you can buy prosumer lenses from them for around $399- $900.00. |
#14
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Why not make the sensor larger?
"Prometheus" wrote in message news In article , Pete writes The only hope for a low-noise compact super-zoom is probably to cool the sensor with e.g. a Peltier device? Probably not by much since the main noise contribution, at least for the shorter exposures under a few seconds, is the random distribution of the photon flux. -- How much of the noise in current compact super-zoom cameras is caused by pushing the number of megapixels? Instead of constantly increasing megapixel count the industry should actually be moving in the opposite direction. There must be an optimal noise to megapixel balance for a given sensor size that would also yield better low light performance and better picture quality over all, but it seems that no one can get off the megapixel pony g. |
#15
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Why not make the sensor larger?
Victek wrote:
It seems like the biggest weakness of mid-priced cameras is noise/iso issues due to small sensors. Well, why don't the manufacturers use a larger sensor? How much larger would it have to be to eliminate the worst of the noise and provide a useful iso range? Would the increased cost make the camera unmarketable? In other words, is there a real economic problem or is it just ignorance? I suspect there are some real economic issues. I don't know about the manufacturing of sensors, but I suspect they may have the same kind of issues as IC's. I have some knowledge of IC manufacturer (well like 15-20 year old technology). In the manufacturing process chips (sensors?) were made on round surfaces. The size of that circle was limited by the machinery that can handle them in the manufacturing process under a vacuum. Making an IC even slightly larger (say 10%) could result in a 50% or more reduction in the number that could be made in a batch. That was quite an issue. -- Joseph Meehan Dia 's Muire duit |
#16
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Why not make the sensor larger?
"Victek" wrote in
t: How much of the noise in current compact super-zoom cameras is caused by pushing the number of megapixels? None, in many cases. Not in the image, anyway, even if it means more noise in each pixel. The shot noise component of image noise depends on the total mumber photons per fractional area of the entire image. More pixels just gives more resolution. Read noises are dropping with newer cameras, and they need to be divided However, because of the higher noise at the pixel level, many manufacturers use ridiculously heavy-handed noise reduction techniques that take some detail with it, and leave an artificial texture. Instead of constantly increasing megapixel count the industry should actually be moving in the opposite direction. There must be an optimal noise to megapixel balance for a given sensor size that would also yield better low light performance and better picture quality over all, but it seems that no one can get off the megapixel pony g. Your belief is an illusion, IMO. I have never seen any evidence to support better imaging from bigger pixels. Bigger *SENSORS*, yes. Take a 2MP image from yesteryear's compact, and upsample it to the same size as today's 10MP (choose the best you can find of each, both of the same sensor size). You will see sharper noise in the 10MP, with soft noise, most likely of a higher intensity in the 2MP, detail in the 10MP where there is blur in the 2MP. You can simulate the same with binning or downsampling; take a 10MP image from a compact with a sharp lens, make a duplicate and downsample it or bin it to 1 or 2 MP, then upsample it back to 10MP. View the two next to each other, with the same total size, at least 100% for the 10MP. The binned/downsampled one is garbage when viewed at the same size. The only time it is better is when the pixels oversample the optics to a significant degree, and no real image detail is lost in the binning or downsampling. Bigger pixels, downsamples, and binnings are only advantageous with sufficient optics for higher pixel counts when you are never going to be able to see most of the detail, such as displaying on low-res digital picture frame, or on a televison, or a web-sized image. -- John P Sheehy |
#17
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Why not make the sensor larger?
How much of the noise in current compact super-zoom cameras is caused
by pushing the number of megapixels? None, in many cases. Not in the image, anyway, even if it means more noise in each pixel. The shot noise component of image noise depends on the total mumber photons per fractional area of the entire image. More pixels just gives more resolution. Read noises are dropping with newer cameras, and they need to be divided However, because of the higher noise at the pixel level, many manufacturers use ridiculously heavy-handed noise reduction techniques that take some detail with it, and leave an artificial texture. Instead of constantly increasing megapixel count the industry should actually be moving in the opposite direction. There must be an optimal noise to megapixel balance for a given sensor size that would also yield better low light performance and better picture quality over all, but it seems that no one can get off the megapixel pony g. Your belief is an illusion, IMO. I have never seen any evidence to support better imaging from bigger pixels. Bigger *SENSORS*, yes. Well, it's not the first time I've discovered I don't know what I'm talking about. I'm interested to see what others have to say about this, too. |
#18
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Why not make the sensor larger?
Victek wrote:
"Prometheus" wrote in message news In article , Pete writes The only hope for a low-noise compact super-zoom is probably to cool the sensor with e.g. a Peltier device? Probably not by much since the main noise contribution, at least for the shorter exposures under a few seconds, is the random distribution of the photon flux. -- How much of the noise in current compact super-zoom cameras is caused by pushing the number of megapixels? Instead of constantly increasing megapixel count the industry should actually be moving in the opposite direction. There must be an optimal noise to megapixel balance for a given sensor size that would also yield better low light performance and better picture quality over all, but it seems that no one can get off the megapixel pony g. The number of photons captured by a pixel is directly proportional to the active area of the pixel. For properly metered scene, a 20% diffuse reflectance spot will deliver about 3200 photons per square micron to the focal plane in the green passband regardless of exposure, f-stop, focal length, or sensor size. And only a fraction of those photons make it through the filters and get converted to electrons by the pixel. Thus the larger the pixel, the more photons it collects. Noise is proportional to the square root of the number of photons converted. So the majority of noise in most digital camera images is photon noise (Poisson statistics). Camera manufacturers used to make very small "full frame" 35 mm film cameras. There is no reason they couldn't make equal sized digital P&S cameras with sensors the same size as in DSLRs (like APS-C sensors). I believe we will see that soon. They will cost a little more (chip manufacturing goes up exponentially with the size of the chip), but APS-C DSLRs are well below $1000 now, so APS-C P&S small cameras could be reasonably priced and made now. Manufacturers probably think such a camera might reduce DSLR sales, and they would probably be right. But I have a DSLR and I would buy one. More on pixel size and sensors: http://www.clarkvision.com/imagedeta...el.size.matter http://www.clarkvision.com/imagedeta...rmance.summary Roger |
#19
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Why not make the sensor larger?
On Wed, 13 Jun 2007 19:52:00 -0700, Victek wrote:
Instead of constantly increasing megapixel count the industry should actually be moving in the opposite direction. There must be an optimal noise to megapixel balance for a given sensor size that would also yield better low light performance and better picture quality over all, but it seems that no one can get off the megapixel pony g. Your belief is an illusion, IMO. I have never seen any evidence to support better imaging from bigger pixels. Bigger *SENSORS*, yes. Well, it's not the first time I've discovered I don't know what I'm talking about. I'm interested to see what others have to say about this, too. For someone to say that your belief is an illusion, they really should explain why and perhaps give an example or two, rather than simply say that it's an opinion based on evidence not seen. When superior sensors are used, they do have larger pixels. If compared with another sensor having the same number of smaller pixels, it will of course require a larger sensor, but it's not the sensor *size* that determines the low light performance and picture quality. For example, take a large sensor 8megapixel sensor that has excellent low noise/high ISO performance as well as a large dynamic range (both due to the large pixel size). If the sensor manufacturer produced an otherwise identical sensor, but made it 1/4 the size, it would only have 2megapixels, but those pixels would be the same size as the ones on the 8mp sensor. All other things being equal, there should be no difference in noise characteristics and image quality between the 2mp and 8mp sensors, even though there's a tremendous difference in the sensor size. Fuji's F30 has excellent low noise/high ISO performance for a P&S and it does have a relatively large sensor, 1/1.8" IIRC. But a significant reason why it does so well is that its sensor isn't 10mp, but was limited to only 6mp. Of course there are other factors, such as the quality of the image processing engine, etc., but those apply to all cameras and are independent of sensor size. In one respect I'd agree with John. Pixel sizes aren't generally advertised or known by prospective camera buyers, but the sensor size is usually included in manual spec's and reviews. Given that, you probably wouldn't be too far off assuming that for a given number of megapixels, the cameras having larger sensors would produce better images and have better high ISO performance. |
#20
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Why not make the sensor larger?
On Wed, 13 Jun 2007 21:02:31 -0700, Roger N. Clark (change username to
rnclark) wrote: snip Camera manufacturers used to make very small "full frame" 35 mm film cameras. There is no reason they couldn't make equal sized digital P&S cameras with sensors the same size as in DSLRs (like APS-C sensors). I believe we will see that soon. snip An APS-C P&S would certainly be an interesting product, but it surely couldn't provide the same lens specs as a small-sensor digicam without the size, weight and cost going up astronomically. My relatively ancient Pana FZ10 provides f/2.8 over its full 12X 35-432mm zoom range (35mm equiv), and will macro down to 2 inches. If there is an APS-C lens that will do that, I'd guess it costs well into 4 figures and needs a mule to carry it. Pete |
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