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#11
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Thanks - if it was up to my wife all the darkroom stuff would be long
gone. "come on honey, you're never going to use it again" etc. I do indend on keeping it if anything it wouldn't generate much in the way of cash when sold so it's not worth selling. And of course there are things that may need a trip down there, or I may find the time. I do plan on getting a scan made of a favorite negative and seeing what I think. Kodak now makes an RC silver based paper processed in B&W chemicals specifically for digital printers. I think it mey be tonable as well. Gonna give that a try. -Josh |
#12
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Thsnks - I looked at the mpix web site and I am intrigued by the
Digital B&W paper they use - actual silver based. I figure I'll get my local very trustworthy lab to do my processing, more expensive than the big-box stores but definitely worth it. -Josh |
#13
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Thsnks - I looked at the mpix web site and I am intrigued by the
Digital B&W paper they use - actual silver based. I figure I'll get my local very trustworthy lab to do my processing, more expensive than the big-box stores but definitely worth it. -Josh |
#14
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On 1 Jan 2005 19:10:56 -0800, "Josh" wrote:
Any thoughts on all of this? Yeah 1) Digital isn't stable so you will be leaving your children a lot of pretty bad prints. 2) If you think that working in the darkroom is time consuming wait until you play with digital ! Regards, John S. Douglas, Photographer - http://www.puresilver.org Father of Sean (3) and Erin (18m) |
#15
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My intent though is to have digital prints made on standard chemical
process paper. Wouldn't they be as stable as prints from film? Especially if I use Kodak's new silver based digital paper which I just learned exists. I was using RC paper in my darkroom anyway, I never had the desire to switch to FB. And I do agree that digial can be time consuming - but you can jump in and out of it, and my computer is right in the kitchen out in the open. I used to disappear into the darkroom and be totally out of it. Thanks -Josh |
#16
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In article .com,
"Josh" wrote: My intent though is to have digital prints made on standard chemical process paper. Wouldn't they be as stable as prints from film? Especially if I use Kodak's new silver based digital paper which I just learned exists. I was using RC paper in my darkroom anyway, I never had the desire to switch to FB. FB is "Wet Darkroom". If you are not using FB at least sometimes for Fine Printing you should go to digital and join the rest of the hobbiests it just will make some of our work more $$$ and important...., IMOP. But then I wouldn't "Not" print on FB. And I do agree that digial can be time consuming - but you can jump in and out of it, and my computer is right in the kitchen out in the open. I used to disappear into the darkroom and be totally out of it. If you don't have the time, you don't have it - you'll see there's little difference. -- LF Website @ http://members.verizon.net/~gregoryblank "To announce that there must be no criticism of the President, or that we are to stand by the President, right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."--Theodore Roosevelt, May 7, 1918 |
#17
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In article .com,
"Josh" wrote: My intent though is to have digital prints made on standard chemical process paper. Wouldn't they be as stable as prints from film? Especially if I use Kodak's new silver based digital paper which I just learned exists. I was using RC paper in my darkroom anyway, I never had the desire to switch to FB. FB is "Wet Darkroom". If you are not using FB at least sometimes for Fine Printing you should go to digital and join the rest of the hobbiests it just will make some of our work more $$$ and important...., IMOP. But then I wouldn't "Not" print on FB. And I do agree that digial can be time consuming - but you can jump in and out of it, and my computer is right in the kitchen out in the open. I used to disappear into the darkroom and be totally out of it. If you don't have the time, you don't have it - you'll see there's little difference. -- LF Website @ http://members.verizon.net/~gregoryblank "To announce that there must be no criticism of the President, or that we are to stand by the President, right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."--Theodore Roosevelt, May 7, 1918 |
#18
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On 1 Jan 2005 19:10:56 -0800, "Josh" wrote:
The difference for me is in the experience. Darkroom work feels like "craft", while computer-aided imaging feels like "engineering". Chris Ellinger Ann Arbor, MI USA |
#19
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On 1 Jan 2005 19:10:56 -0800, "Josh" wrote:
The difference for me is in the experience. Darkroom work feels like "craft", while computer-aided imaging feels like "engineering". Chris Ellinger Ann Arbor, MI USA |
#20
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In article ,
Chris Ellinger wrote: On 1 Jan 2005 19:10:56 -0800, "Josh" wrote: The difference for me is in the experience. Darkroom work feels like "craft", while computer-aided imaging feels like "engineering". Chris Ellinger Ann Arbor, MI USA I think it feels worse than that, having worked in engineering I would rather work numbers sometimes than retouch, someone's face at 200% on a screen (Gives me the willies). |
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