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#51
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B&W film developing questions
"Ken Hart" wrote in message ... "Geoffrey S. Mendelson" wrote in message ... G.T. wrote: Rob Morley wrote: If I were to use a drum what would I need? Is it similar to processing film? It depends. The simple ones are drums that are like daylight tanks for stainless steel reels, they have a light trap at the fill end that does not depend upon a reel. You stuff the print in it in the dark, close it up and and develop. Simple drums get rolled on the table, more complex systems have rolling machines. Normally they are used for color because consistent agitation and temperature control are necessary. There are all sorts of drums for the rolling machines including one that holds sheet film in an interrupted spiral. You would use it for small prints if you want to develop several at a time. Look up Jobo. Also look up Unicolor. Print, load in drum, fill with developer, agitate, empty developer, fill with stop and agitate, empty, fill with fixer and agitate, empty. Then hypo clear, wash, and dry? I have a Unicolor 8x10 drum. It's about 4" in diameter and 8+" long. The bottom is sealed and the top has light baffles thru which the chems are poured. The Unicolor drum has "feet" so that it sits horizontally, the chems are poured in and go into a 'trough'. When the drum is rolled off of it's feet, the chems flow over the paper. According to the instructions, it requires only 2 ounces of chems. I don't trust this figure and I use at least 8 ounces, depending on the process. (I use mine for C-41 or RA-4) The drum will hold 1-8x10 or 2-5x7 or 4-4x5. If you go this route, find a roller base. Rolling this thing back and forth across the table gets boring Very Quickly! Check eBay; the drums and roller bases appear often. I bought my drum as part of a Unicolor color print kit back in the 1970's, and the drum cost me $15 a year or so ago on eBay. If you can, get more than one drum. They can be difficult to reload when damp-- the paper can stick to the sides and get hung up. If you have more than one, one can be draining while the other is in use. [chuckle] I use mine for developing bw 4x5 film. And with four 4x5 sheets in the drum, I find 150ml - about 5 oz - to be ample. One point - don't screw on the lid tightly to the drum while in storage...if you do, you'll find yourself needing another gasket. And those things are darned hard to find - had to purchase another drum. |
#52
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B&W film developing questions
Geoffrey S. Mendelson wrote:
G.T. wrote: enlarger, lens, neg holder, timer I started out without a timer, I used a watch. Before that I used the the old "one-one thousand" method for timing exposure and developed by inspection. safelight That's a touchy subject here. Safelight type, color and position vary a lot and as long as they don't fog your paper, it's a matter of money and personal preference. If you can figure out the electrical wiring a connection that turns off the safelight while the enlarger is on will make setup and focusing easier. paper developer Yes, though some people have said that rodinal works in a pinch. I forgot, I still have some Clayton P20. 2 drums The more the merrier. You have to dry it completely between prints and that may take more time than anything else. A hair dryer? I can use my two trays for the initial wash and hypo clearing? Sure, if you have a sink, you can rinse the print off in it and then soak it, which may use more water, or do the final wash in a bucket or a vertical washer. something to use for washing A while ago I mentioned converting an aquarium to a vertical processor, a leaky one could be used for a washer. print wiper dryer? I don't really think they are needed for RC paper, for fiber paper you would. RC prints dry nicely on a clothes line (indoors to prevent dust) or a dish rack. I've got a ton of RC paper left and about 20 sheets of 8x10 fiber. What am I missing? Tongs, stop bath and fixer. Gloves if you have skin problems with the chemicals. Yeah, got those except for the gloves. Greg |
#53
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B&W film developing questions
On 1/7/2008 11:28 PM G.T. spake thus:
Geoffrey S. Mendelson wrote: Tongs, stop bath and fixer. Gloves if you have skin problems with the chemicals. Yeah, got those except for the gloves. Gloves are for sissies. |
#54
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B&W film developing questions
David Nebenzahl wrote:
On 1/7/2008 11:28 PM G.T. spake thus: Geoffrey S. Mendelson wrote: Tongs, stop bath and fixer. Gloves if you have skin problems with the chemicals. Yeah, got those except for the gloves. Gloves are for sissies. Heh, nice motto. Greg |
#55
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B&W film developing questions
David Nebenzahl wrote:
Gloves are for sissies. I found that in the 1980's skin problems I had went away when exposed to developing chemicals, but other people have had severe reactions. I have a sensitivity to vinegar and switched to citric acid based stop bath. Geoff. -- Geoffrey S. Mendelson, Jerusalem, Israel N3OWJ/4X1GM IL Voice: (07)-7424-1667 U.S. Voice: 1-215-821-1838 Visit my 'blog at http://geoffstechno.livejournal.com/ |
#56
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B&W film developing questions
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#57
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B&W film developing questions
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#58
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B&W film developing questions
In article ,
"G.T." writes: "Rod Smith" wrote in message ... Experimenting with products is fine; however, since you're just starting out I'd like to caution you against going wild with all the films and developers that are out there. You'll learn most quickly if you stick to just one or two films and one developer while you learn. If you try a new film/developer combination with every roll or two, you won't learn how the two work together or be able to optimize your developing techniques. Learn your basic techniques first and THEN start playing with different developers. Basically, for good or bad, I'm using Tri-X 400 (I have also used some of the current Arista 400 film but for film right now I'm sticking with the Tri-X), For future reference, Freestyle sells several different products under their "Arista" label. You *MUST* pay attention to the specifics -- for instance, Arista.EDU, Arista.EDU Ultra, and Arista II are all made by different manufacturers. Many of these products have been discontinued (mostly because of manufacturers going under, such as Agfa and Forte), so Freestyle may not have much of some of these items left, but it's imperative that you pay attention to this detail lest you get the wrong developing time or provoke confusion in discussions with others. and on just my 2nd developer, the Rodinal, the 4 oz bottle. I'll finish this Rodinal up and try some Xtol. I won't be trying any other films until I get a feel for the differences of the Tri-X in the Accufine, the Rodinal, and then the Xtol. Is that reasonable? Your first post mentioned that you'd just finished developing your first three rolls "at home." If you've not been developing film elsewhere, going through as many developers as you mention after just three rolls is inadvisable; stick with ONE for a while. "A while" is rather vague, I admit; if you need more precision, I'd say 10-20 rolls before you start trying other things. -- Rod Smith, http://www.rodsbooks.com Author of books on Linux, FreeBSD, and networking |
#59
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B&W film developing questions
In article ,
(Geoffrey S. Mendelson) writes: G.T. wrote: enlarger, lens, neg holder, timer I started out without a timer, I used a watch. Before that I used the the old "one-one thousand" method for timing exposure and developed by inspection. Most eBay auctions for enlargers include negative carriers, usually a lens, and sometimes a timer. A few enlargers (such as my Philips PCS130 with PCS150 control unit) have built-in timers. safelight That's a touchy subject here. Safelight type, color and position vary a lot and as long as they don't fog your paper, it's a matter of money and personal preference. If you can figure out the electrical wiring a connection that turns off the safelight while the enlarger is on will make setup and focusing easier. You can buy a red bulb to turn an ordinary light fixture into a safelight. Painted tungsten bulbs are a bit risky that way, since the paint can get scratched off, but they're cheap. Red LEDs (such as those from http://www.superbrightleds.com) are likely to be safer. There are also, of course, traditional safelights, which typically take low-wattage tungsten bulbs and have amber or red filters. 2 drums The more the merrier. You have to dry it completely between prints and that may take more time than anything else. A hair dryer? I once tried a hair dryer for this purpose. It ended up cracking the plastic (I could hear it crack). Now I use towels, except that I seldom use my drums any more. I can use my two trays for the initial wash and hypo clearing? Sure, if you have a sink, you can rinse the print off in it and then soak it, which may use more water, or do the final wash in a bucket or a vertical washer. If you're using drums, you can do most everything in them. Hypo clear is only necessary when using fiber-based paper; with resin-coated paper, you skip the hypo clear. print wiper dryer? I don't really think they are needed for RC paper, for fiber paper you would. RC prints dry nicely on a clothes line (indoors to prevent dust) or a dish rack. My high-tech RC paper dryer is wire-frame office folder separators from my local Staples. As for timing the processing steps, there is a nice freeware program for the Palm Pilot that does it and you could probably pick up an old one for free. From what I can see, anything without a color screen, MP3 playback, etc has long since be stuck in a drawer as too good to throw away and not good enough to use, but it would be perfect. I use a pair of cheap 3-way kitchen timers. I can time three steps on each, which is handy (particularly for film processing). I'd worry about getting chemicals on anything expensive, although an older Palm Pilot is probably low enough in value that it's not worth worrying too much about. -- Rod Smith, http://www.rodsbooks.com Author of books on Linux, FreeBSD, and networking |
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