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#11
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Lewis,
Thank You Very Much!!! You'v offer me a excellent start point. I need some time to study what you said and I'v already saved the post. Now I answer some questions you mentioned, 1, If I'm using the CZ 1.4/50mm? Yes, and I mount it on a Contex Aria. You said that is one of the sharpest of all, that encourge me to ask that Sharpness is a good news or bad news for portrait? 2, What kind of "portraits" do I want to do? Actually I want three kind of portraits. People in enviroment and somewhat Head/Shoulder shots. You said, the Head shots is a little hard and it depends, now I wanna know what about Head/Shoulder shots? In further, I want to know what is the closest subject distance for a 50mm lens without introducing unpleasing aberration (big noise and so on). In fact I am looking for a maximized posibility. - narke |
#12
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(And the mega-cheap Canon EF 50mm/F1.8 on my 1.6 crop DSLR is by far
my favourite combination for portraits, too.) But, IMO, a 50mm lens is not a really 50mm lens for DSLR, is it? They're not same in perspective for the film/CCD size is different. - narke |
#13
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Ryadia,
Can I answer your question? Focal length has nothing to do perspective, that's right! But a shorter focal lens force you to go closer to the subject than a long lens do to get the same subject size on the film, this time, as you noticed, the subject distance changed. It is the distancce that play the magic. I think this is what Alan means. - narke |
#14
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"narke" wrote in message
oups.com... (And the mega-cheap Canon EF 50mm/F1.8 on my 1.6 crop DSLR is by far my favourite combination for portraits, too.) But, IMO, a 50mm lens is not a really 50mm lens for DSLR, is it? They're not same in perspective for the film/CCD size is different. - narke I think that's kind of the point. A 50mm lens on a 1.6x crop Canon has the FOV of an 85mm (approx) on a 35mm film camera. 85mm is in the range considered appropriate for portraits, for those who worry about such things. -- Skip Middleton http://www.shadowcatcherimagery.com |
#15
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"narke" wrote in message
oups.com... (And the mega-cheap Canon EF 50mm/F1.8 on my 1.6 crop DSLR is by far my favourite combination for portraits, too.) But, IMO, a 50mm lens is not a really 50mm lens for DSLR, is it? They're not same in perspective for the film/CCD size is different. - narke I think that's kind of the point. A 50mm lens on a 1.6x crop Canon has the FOV of an 85mm (approx) on a 35mm film camera. 85mm is in the range considered appropriate for portraits, for those who worry about such things. -- Skip Middleton http://www.shadowcatcherimagery.com |
#16
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Ryadia writes:
Alan Browne wrote: 50mm is a bit wide for closeup portraits. snipped The perspective will be correct, there will be no distortion. DOF will not be as shallow as you might like. Snipped here too Unbelievable... The first day back on the job and here is Alan Browne stating that "perspective will be correct" in the discussion of a defined focal length lens after going on and on and on about perspective having nothing to do with focal length in relation to a portrait... As I Shake my head in wonderment. According to the theory argued by Alan a few weeks ago, the focal length of a lens has nothing to do with perspective. Now he's saying by using a 50mm lens and moving the camera, you can alter the perspective. Note the "and moving the camera". The lens doesn't change the perspective. Moving the camera does. -- David Dyer-Bennet, , http://www.dd-b.net/dd-b/ RKBA: http://noguns-nomoney.com/ http://www.dd-b.net/carry/ Pics: http://dd-b.lighthunters.net/ http://www.dd-b.net/dd-b/SnapshotAlbum/ Dragaera/Steven Brust: http://dragaera.info/ |
#17
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Ryadia wrote:
Alan Browne wrote: 50mm is a bit wide for closeup portraits. snipped The perspective will be correct, there will be no distortion. DOF will not be as shallow as you might like. Snipped here too Unbelievable... The first day back on the job and here is Alan Browne stating that "perspective will be correct" in the discussion of a defined focal length lens after going on and on and on about perspective having nothing to do with focal length in relation to a portrait... As I Shake my head in wonderment. According to the theory argued by Alan a few weeks ago, the focal length of a lens has nothing to do with perspective. Now he's saying by using a 50mm lens and moving the camera, you can alter the perspective. Be careful with your snipping Doug. What I said in full was: "Say you want to make a head and shoulders shot, compose it to fill the frame, then increase your distance by 2/3 more to twice as far away. Crop the result. The perspective will be correct, there will be no distortion. DOF will not be as shallow as you might like. " I'm saying precisiely what I've said from the beginning. With a wider lens, just move further back and then crop the result. From a perspective POV a shot taken at 2 meters from the subject with a 50mm is identical to a 100mm at 2 meters away. Any chance of consistency, Alan? If you're going to rant at me for saying you get a better perspective with an 80 or 100 mm lens than you do with a 50mm one, how about not arguing I'm wrong and then saying the same thing yourself a few weeks later? Maybe you read some of the text books I pointed to on the subject and changed your mind without telling anyone? I have been perfectly consistent Doug. I have maintained that a shot taken at a specific distance from the subject gives the same perspective. That happens to be the truth, which is convenient as well. The OP wants to take a portrait with a 50mm lens. He has nothing else. So, just take the shot from further away and crop the result. Cheers, Alan. -- -- r.p.e.35mm user resource: http://www.aliasimages.com/rpe35mmur.htm -- r.p.d.slr-systems: http://www.aliasimages.com/rpdslrsysur.htm -- [SI] gallery & rulz: http://www.pbase.com/shootin -- e-meil: there's no such thing as a FreeLunch. |
#18
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narke wrote:
(And the mega-cheap Canon EF 50mm/F1.8 on my 1.6 crop DSLR is by far my favourite combination for portraits, too.) But, IMO, a 50mm lens is not a really 50mm lens for DSLR, is it? They're not same in perspective for the film/CCD size is different. For a 1.6x cropped sensor, you end up with a result similar to an 80mm lens. That would produce very nice portraits without any distortion. As I said earlier, cropping a 50mm shot that was taken further back is the same as using a longer lens uncropped. A cropped sensor does the cropping for you. -- -- r.p.e.35mm user resource: http://www.aliasimages.com/rpe35mmur.htm -- r.p.d.slr-systems: http://www.aliasimages.com/rpdslrsysur.htm -- [SI] gallery & rulz: http://www.pbase.com/shootin -- e-meil: there's no such thing as a FreeLunch. |
#19
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"narke" wrote in message
oups.com... (And the mega-cheap Canon EF 50mm/F1.8 on my 1.6 crop DSLR is by far my favourite combination for portraits, too.) But, IMO, a 50mm lens is not a really 50mm lens for DSLR, is it? They're not same in perspective for the film/CCD size is different. - narke Ahhhh! A secret is revealed! This question is about a film camera with a 50mm lens. Too bad that fact wasn't mentioned in the OP. :-( Sign, me |
#20
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"narke" wrote in message
oups.com... Lewis, Thank You Very Much!!! You'v offer me a excellent start point. I need some time to study what you said and I'v already saved the post. Now I answer some questions you mentioned, 1, If I'm using the CZ 1.4/50mm? Yes, and I mount it on a Contex Aria. You said that is one of the sharpest of all, that encourge me to ask that Sharpness is a good news or bad news for portrait? Who knows? Depends on what you and or the subject wants. If softness is desired use diffusion, in which case the sharpness of the lens is not a factor. 2, What kind of "portraits" do I want to do? Actually I want three kind of portraits. People in enviroment and somewhat Head/Shoulder shots. You said, the Head shots is a little hard and it depends, now I wanna know what about Head/Shoulder shots? In further, I want to know what is the closest subject distance for a 50mm lens without introducing unpleasing aberration (big noise and so on). In fact I am looking for a maximized posibility. Your distaste for distortion is unknown so this distance can only be determined by you. Take some portraits, make note of the distance and see for yourself. - narke Sign, me |
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