A Photography forum. PhotoBanter.com

If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below.

Go Back   Home » PhotoBanter.com forum » Digital Photography » Digital Photography
Site Map Home Register Authors List Search Today's Posts Mark Forums Read Web Partners

Photography allowed at concerts?



 
 
Thread Tools Display Modes
  #221  
Old January 18th 05, 01:46 PM
wayne
external usenet poster
 
Posts: n/a
Default

that "CASE" sounds like BS to me if the Ticket language was not valid then
how could the guy win as he would have to PROVE the film he dropped off
contained the wedding pictures since the film was lost he could not prove
his case at all, unless he wrote Jones wedding pictures 10 rolls or some
such. Kodak could just say that the film was just pictures of rock?

Wayne

wrote in message
...
On Tue, 18 Jan 2005 03:10:26 GMT, Philip Procter
wrote:

On Mon, 17 Jan 2005 16:17:53 -0500, Larry
wrote:


They dont need to PROVE anything, since they made it a contractual
agreement
on the ticket "No Photography Allowed"... That is reason enough to not
take
pictures.



I think that's one of the points of this discussion. Does a few words
on a ticket constitute a legal contract?

As a camera store manager, I was once involved in the legal wranglings
about the compensation from someone's lost pictures. This
photographer, a local semipro, had sent some wedding negatives to
Kodak. Kodak either lost or damaged them (don't remember which) and
refused to pay out more than the cost of the replacement film. They
claimed that the "contract" on the stub specifically stated that was
thier limit of liability. The court did not agree because that
disclaimer did not constitute a contract.


Read up on "in terrorem" clauses.



  #222  
Old January 18th 05, 01:46 PM
wayne
external usenet poster
 
Posts: n/a
Default

that "CASE" sounds like BS to me if the Ticket language was not valid then
how could the guy win as he would have to PROVE the film he dropped off
contained the wedding pictures since the film was lost he could not prove
his case at all, unless he wrote Jones wedding pictures 10 rolls or some
such. Kodak could just say that the film was just pictures of rock?

Wayne

wrote in message
...
On Tue, 18 Jan 2005 03:10:26 GMT, Philip Procter
wrote:

On Mon, 17 Jan 2005 16:17:53 -0500, Larry
wrote:


They dont need to PROVE anything, since they made it a contractual
agreement
on the ticket "No Photography Allowed"... That is reason enough to not
take
pictures.



I think that's one of the points of this discussion. Does a few words
on a ticket constitute a legal contract?

As a camera store manager, I was once involved in the legal wranglings
about the compensation from someone's lost pictures. This
photographer, a local semipro, had sent some wedding negatives to
Kodak. Kodak either lost or damaged them (don't remember which) and
refused to pay out more than the cost of the replacement film. They
claimed that the "contract" on the stub specifically stated that was
thier limit of liability. The court did not agree because that
disclaimer did not constitute a contract.


Read up on "in terrorem" clauses.



  #223  
Old January 19th 05, 08:58 AM
Bob Harrington
external usenet poster
 
Posts: n/a
Default

Ben Thomas wrote:

I'll set the white balance to sunny. Seems to result in the best pics
from my camera.


I'd be thinking along the lines of using a tungsten WB setting, seeing
as the stage lights are incandescent (though probably a lot 'whiter'
than the living room lamp) with colored gels in front... Perhaps
zooming in on a stage light with no colored filters and setting a manual
white balance off of that?

Bob ^,,^


  #224  
Old January 19th 05, 07:50 PM
Ben Thomas
external usenet poster
 
Posts: n/a
Default

Bob Harrington wrote:
Ben Thomas wrote:

I'll set the white balance to sunny. Seems to result in the best pics
from my camera.



I'd be thinking along the lines of using a tungsten WB setting, seeing
as the stage lights are incandescent (though probably a lot 'whiter'
than the living room lamp) with colored gels in front... Perhaps
zooming in on a stage light with no colored filters and setting a manual
white balance off of that?


A tungsten setting, I can choose, but there's no manual WB in my Kodak DX6490.

Thank you for the tip.

--
--
Ben Thomas - Software Engineer - Melbourne, Australia

My Digital World:
Kodak DX6490, Canon i9950, Pioneer A05;
Hitachi 37" HD plasma display, DGTEC 2000A,
Denon 2800, H/K AVR4500, Whatmough Encore;
Sony Ericsson K700i, Palm Tungsten T.

Disclaimer:
Opinions, conclusions, and other information in this message that do not
relate to the official business of my employer shall be understood as neither
given nor endorsed by it.
 




Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is Off
HTML code is Off
Forum Jump

Similar Threads
Thread Thread Starter Forum Replies Last Post
RANT- Reality Check-"The Early Days of Digital Photography" Drifter Digital Photography 40 October 9th 04 12:02 AM
Digital Imaging vs. (Digital and Film) Photography Bob Monaghan Medium Format Photography Equipment 9 June 19th 04 05:48 PM
Books on Composition, developing an "Eye"? William J. Slater General Photography Techniques 9 April 7th 04 04:22 PM
Fuji S2 and Metz 44 Mz-2 Flash elchief In The Darkroom 3 April 7th 04 10:20 AM
Fuji S2 and Metz 44 Mz-2 Flash elchief Photographing People 3 April 7th 04 10:20 AM


All times are GMT +1. The time now is 03:19 PM.


Powered by vBulletin® Version 3.6.4
Copyright ©2000 - 2024, Jelsoft Enterprises Ltd.
Copyright ©2004-2024 PhotoBanter.com.
The comments are property of their posters.