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#11
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Thor Lancelot Simon wrote:
One of the wide-angles (I always forget which one) is a Schneider. Also, the 210mm may be a Rodenstock Geronar, which is a triplet design; while very good for a triplet (the result of modern computerized lens design) it falls short of other modern designs both in resolution and in coverage. Which is not to say it's a bad lens! On the contrary, thousands of students have worked with the 210mm Geronar as their _only_ large-format lens and obtained excellent results. Have you ever used one of these? Unless someone is making HUGE enlargements or needs LOTS of movement, these work fine. I sold my 8.5" comercial Ektar after seeing the results I got with one of these, the Geronar was MUCH better. At working Fstops the Geronar is a very good lens and considering it's size and weight, makes a great travel lens. -- Stacey |
#12
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Thor Lancelot Simon wrote:
One of the wide-angles (I always forget which one) is a Schneider. Also, the 210mm may be a Rodenstock Geronar, which is a triplet design; while very good for a triplet (the result of modern computerized lens design) it falls short of other modern designs both in resolution and in coverage. Which is not to say it's a bad lens! On the contrary, thousands of students have worked with the 210mm Geronar as their _only_ large-format lens and obtained excellent results. Have you ever used one of these? Unless someone is making HUGE enlargements or needs LOTS of movement, these work fine. I sold my 8.5" comercial Ektar after seeing the results I got with one of these, the Geronar was MUCH better. At working Fstops the Geronar is a very good lens and considering it's size and weight, makes a great travel lens. -- Stacey |
#13
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Thor Lancelot Simon wrote:
One of the wide-angles (I always forget which one) is a Schneider. Also, the 210mm may be a Rodenstock Geronar, which is a triplet design; while very good for a triplet (the result of modern computerized lens design) it falls short of other modern designs both in resolution and in coverage. Which is not to say it's a bad lens! On the contrary, thousands of students have worked with the 210mm Geronar as their _only_ large-format lens and obtained excellent results. Have you ever used one of these? Unless someone is making HUGE enlargements or needs LOTS of movement, these work fine. I sold my 8.5" comercial Ektar after seeing the results I got with one of these, the Geronar was MUCH better. At working Fstops the Geronar is a very good lens and considering it's size and weight, makes a great travel lens. -- Stacey |
#14
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Matt Clara wrote:
: "Frank Pittel" wrote in message : ... : My understanding is that Caltar lenses have over the years been made by : Schneider and Rodenstock. I have a couple and although I don't use them : anymore they were very sharp and had good contrast. : : Yeah? "They" happen to be a 90 and a 210... ;-) Mine are 160mm ( I think that's right since it's labeled in inches!! ) and ~210mm. I stopped using them because they were slow and uncoated. They're also older then I am. :-) -- Keep working millions on welfare depend on you ------------------- |
#15
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Matt Clara wrote:
: "Frank Pittel" wrote in message : ... : My understanding is that Caltar lenses have over the years been made by : Schneider and Rodenstock. I have a couple and although I don't use them : anymore they were very sharp and had good contrast. : : Yeah? "They" happen to be a 90 and a 210... ;-) Mine are 160mm ( I think that's right since it's labeled in inches!! ) and ~210mm. I stopped using them because they were slow and uncoated. They're also older then I am. :-) -- Keep working millions on welfare depend on you ------------------- |
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