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#1
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reflected light vs incident light metering
sreenath wrote:
Hi All, I was reading Kodak Color handbook (a very old collection of booklets from Kodak, possibly late 60's), where there is a long treatment of various techniques. There is a statement in that book that surprised me: "Field studies have shown that pictures made using reflected metering appear to be more pleasant than those made with incident light metering" I may not be repeating exact words, but this is the idea. How is it that pictures made using reflected light metering are "more pleasant"? Considering that it was an old book, the views at that time may have been very different. Hand held light meters are much better now than they were in the distant past. A modern comparison of Incident .vs. Reflected metering is at: http://www.sekonic.com/BenefitsOfIncident.html The images show the comparison nicely. Ciao! Gordon Moat A G Studio http://www.allgstudio.com http://www.agstudiopro.com Coming Soon! |
#2
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reflected light vs incident light metering
"sreenath" wrote in message om... Hi All, I was reading Kodak Color handbook (a very old collection of booklets from Kodak, possibly late 60's), where there is a long treatment of various techniques. There is a statement in that book that surprised me: "Field studies have shown that pictures made using reflected metering appear to be more pleasant than those made with incident light metering" I may not be repeating exact words, but this is the idea. How is it that pictures made using reflected light metering are "more pleasant"? Thanks, Sreenath It doesn't surprise me in the least (let the flames begin). If you think about it, incident metering makes little sense in either vision or photography (another cue for dissenting opinions). What gives an object color, shape, and texture is the light that it REFLECTS back to your eye or your film/digital sensor. Take this to the extreme, and consider that you want to photograph a black hole (so dense, even light doesn't escape...remember that light behave both like a particle and a wave)...it REALLY DOESN'T matter how much light falls on it, none is coming back so it just appears to be a black area with no shape, color, or texture. I'm sorry, but the human eye and photographic processes ARE NOT sensitive to how much light FALLS on an object, only on how much comes back to the sensor (eye, digital sensor, film, etc.). So, careful (so as not to be deceived by a non-representative area) reflected metering yields results more like what you see and attracted you to the subject in the first place. Incident metering can yield results unlike what you are seeing so if the scene is unremarkable, you might prefer those results. [INSERT OPPOSING VIEWS HERE] |
#3
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reflected light vs incident light metering
"sreenath" wrote in message om... Hi All, I was reading Kodak Color handbook (a very old collection of booklets from Kodak, possibly late 60's), where there is a long treatment of various techniques. There is a statement in that book that surprised me: "Field studies have shown that pictures made using reflected metering appear to be more pleasant than those made with incident light metering" I may not be repeating exact words, but this is the idea. How is it that pictures made using reflected light metering are "more pleasant"? Thanks, Sreenath It doesn't surprise me in the least (let the flames begin). If you think about it, incident metering makes little sense in either vision or photography (another cue for dissenting opinions). What gives an object color, shape, and texture is the light that it REFLECTS back to your eye or your film/digital sensor. Take this to the extreme, and consider that you want to photograph a black hole (so dense, even light doesn't escape...remember that light behave both like a particle and a wave)...it REALLY DOESN'T matter how much light falls on it, none is coming back so it just appears to be a black area with no shape, color, or texture. I'm sorry, but the human eye and photographic processes ARE NOT sensitive to how much light FALLS on an object, only on how much comes back to the sensor (eye, digital sensor, film, etc.). So, careful (so as not to be deceived by a non-representative area) reflected metering yields results more like what you see and attracted you to the subject in the first place. Incident metering can yield results unlike what you are seeing so if the scene is unremarkable, you might prefer those results. [INSERT OPPOSING VIEWS HERE] |
#4
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reflected light vs incident light metering
George wrote:
I'm sorry, but the human eye and photographic processes ARE NOT sensitive to how much light FALLS on an object, only on how much comes back to the sensor (eye, digital sensor, film, etc.). You're correct that a sensor can only detect what is being thrown at it; however for a given scene if a given amount of light falls on it, an incident reading of that light indicates what will be detected by the recording sensor (at that setting). Some objects may reflect an amount of light that falls below (or above) the latitude of the sensor, and they will be unrecorded or burned out... but that's an issue with film (sensor) not the meter. So, careful (so as not to be deceived by a non-representative area) That is a very good reason to use incident. It cannot be deceived by the non-representative subject or metering object. reflected metering yields results more like what you see and attracted you to the subject in the first place. Incident metering can yield results unlike what you are seeing so if the scene is unremarkable, you might prefer those results. The meter in the camera (exception: Nikon F5, D70 RGB metering, not sure about D100 and the D2/D1x, ) is calibrated for white light reflecting off of an 18% grey surface. Hence, what you point the meter at is affecting the accuracy of the reading. You can always bring along a grey card but that is no less inconvenient than an incident meter. The popularity of reflected metering (in-camera) is mainly due to convenience (and possibly cost)... It is always more convenient to meter through the viewfinder, and reduces the equipment count and load. However, there aren't always representative objects to meter which means some judgement is required to get the desired effect... Both are of course useful ways to meter, if well understood, but the most consistent results come from incident metering, not in-camera spot or weighted metering. An exception here is if using the in-camera meter to make a measurement and determine the correct setting, that that setting (or reciprocals of it) be used in manual mode for all subsequent shots in the same lighting and close to same orientation. Cheers, Alan. -- -- rec.photo.equipment.35mm user resource: -- http://www.aliasimages.com/rpe35mmur.htm -- e-meil: there's no such thing as a FreeLunch.-- |
#5
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reflected light vs incident light metering
George wrote:
"sreenath" wrote in message om... Hi All, I was reading Kodak Color handbook (a very old collection of booklets from Kodak, possibly late 60's), where there is a long treatment of various techniques. There is a statement in that book that surprised me: "Field studies have shown that pictures made using reflected metering appear to be more pleasant than those made with incident light metering" I may not be repeating exact words, but this is the idea. How is it that pictures made using reflected light metering are "more pleasant"? Thanks, Sreenath It doesn't surprise me in the least (let the flames begin). If you think about it, incident metering makes little sense in either vision or photography (another cue for dissenting opinions). What gives an object color, shape, and texture is the light that it REFLECTS back to your eye or your film/digital sensor. Take this to the extreme, and consider that you want to photograph a black hole (so dense, even light doesn't escape...remember that light behave both like a particle and a wave)...it REALLY DOESN'T matter how much light falls on it, none is coming back so it just appears to be a black area with no shape, color, or texture. I'm sorry, but the human eye and photographic processes ARE NOT sensitive to how much light FALLS on an object, only on how much comes back to the sensor (eye, digital sensor, film, etc.). So, careful (so as not to be deceived by a non-representative area) reflected metering yields results more like what you see and attracted you to the subject in the first place. Incident metering can yield results unlike what you are seeing so if the scene is unremarkable, you might prefer those results. [INSERT OPPOSING VIEWS HERE] In theory, incident metering eliminates the problem of how to photograph snow, or grass or shadow etc. Your meter will never be off because of the subject and each part of the subject will be recorded on the film in at the expected density. The theory sort of falls apart due to the limits of the film. It can't always record all light levels. Reflective averaging makes sure the average density of the subject is grey, which is usually right, but not always. Now if you use the zone system you get around this, and can use it to your creative advantage, if you have the skill and time. In the real world, there is no best, only what works. -- Joseph E. Meehan 26 + 6 = 1 It's Irish Math |
#6
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reflected light vs incident light metering
George wrote:
"sreenath" wrote in message om... Hi All, I was reading Kodak Color handbook (a very old collection of booklets from Kodak, possibly late 60's), where there is a long treatment of various techniques. There is a statement in that book that surprised me: "Field studies have shown that pictures made using reflected metering appear to be more pleasant than those made with incident light metering" I may not be repeating exact words, but this is the idea. How is it that pictures made using reflected light metering are "more pleasant"? Thanks, Sreenath It doesn't surprise me in the least (let the flames begin). If you think about it, incident metering makes little sense in either vision or photography (another cue for dissenting opinions). What gives an object color, shape, and texture is the light that it REFLECTS back to your eye or your film/digital sensor. Take this to the extreme, and consider that you want to photograph a black hole (so dense, even light doesn't escape...remember that light behave both like a particle and a wave)...it REALLY DOESN'T matter how much light falls on it, none is coming back so it just appears to be a black area with no shape, color, or texture. I'm sorry, but the human eye and photographic processes ARE NOT sensitive to how much light FALLS on an object, only on how much comes back to the sensor (eye, digital sensor, film, etc.). So, careful (so as not to be deceived by a non-representative area) reflected metering yields results more like what you see and attracted you to the subject in the first place. Incident metering can yield results unlike what you are seeing so if the scene is unremarkable, you might prefer those results. [INSERT OPPOSING VIEWS HERE] In theory, incident metering eliminates the problem of how to photograph snow, or grass or shadow etc. Your meter will never be off because of the subject and each part of the subject will be recorded on the film in at the expected density. The theory sort of falls apart due to the limits of the film. It can't always record all light levels. Reflective averaging makes sure the average density of the subject is grey, which is usually right, but not always. Now if you use the zone system you get around this, and can use it to your creative advantage, if you have the skill and time. In the real world, there is no best, only what works. -- Joseph E. Meehan 26 + 6 = 1 It's Irish Math |
#7
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reflected light vs incident light metering
Gordon Moat writes:
they were in the distant past. A modern comparison of Incident .vs. Reflected metering is at: http://www.sekonic.com/BenefitsOfIncident.html The images show the comparison nicely. I mildly disagree with that page; not a big deal to me, but it _is_ written by a company promoting its incident meters. My very humble opinion is that no meter readings should be followed mindlessly. If one is using a reflected meter, one must think about where the gray should fall in the scheme of the values present in the scene. I think reading various items in a scene with a reflected meter gives me better control over which item I place as my main 'correct' reading. It may be that I would want a black plate black, but I may not want a shadow which would be rendered 'correctly' black to _be_ black in the final exposure. (I shoot slides, so my among my concerns are the limited lattitude of the film and blown out highlights.) I think the test shot on that page is rigged. :- It doesn't reflect the things _I_ take pictures of, incidentally. "Mercilessly recording all things as medium gray," as that Web page says is really the photographers' "Mindlessly reading all things a medium gray," not the meter's fault. Mindlessly following an incident meter will not guarantee that the result is what I _want_. I've read the original post and its quote, and I have no clue what the context was for that quote. I also question the source's use of "field tests" or whatever the phrase was. I remember Kodak surveying photographers for years about what they wanted, and the replies always were 'accurate colors.' Then Fuji showed people images and asked which they preferred. Accurate colors lost every time to the "bright golden haze on the meadow," as Rogers and Hammerstein wrote back in the 50s. I may not even want the accurate colors the incident meter mindlessly promises. And the "highlight and shadow areas [that] will fall naturally into place" may be outside my film's latitude. Shrug. People get to make their choices, and I have no idea what tests showed that reflected readings were more pleasing (I suspect the tests were skewed, but who knows), but using any meter without considering the range of readings, the reflectivity of the items in the shot, and what the photographer wants the subject of the image to be drives me to post my mild rant. -- Philip Stripling | email to the replyto address is presumed Legal Assistance on the Web | spam and read later. email to philip@ http://www.PhilipStripling.com/ | my domain is read daily. |
#8
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reflected light vs incident light metering
George wrote-
Take this to the extreme, and consider that you want to photograph a black hole (so dense, even light doesn't escape... OK, let's consider it. If an EV of 8 falls on the subject, an incident meter would call for some combination of exposure equivalent to f2.0 at 1/60. A reflected light meter would call for the maximum exposure possible. In both cases the photo would record the maximum black that the medium allows. Now if we were to photograph a pair of black slacks, rather than a black hole, things would be quite different, as well as much easier. Under the same lighting conditions as above, the incident meter would still call for the same exposure, and the pants would be rendered as black. A reflected light meter would, however, call for a much higher setting, rendering the pants overexposed. -- Eschew obfuscation! |
#9
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reflected light vs incident light metering
"Alan Browne" wrote in message ... George wrote: I'm sorry, but the human eye and photographic processes ARE NOT sensitive to how much light FALLS on an object, only on how much comes back to the sensor (eye, digital sensor, film, etc.). You're correct that a sensor can only detect what is being thrown at it; however for a given scene if a given amount of light falls on it, an incident reading of that light indicates what will be detected by the recording sensor (at that setting). Some objects may reflect an amount of light that falls below (or above) the latitude of the sensor, and they will be unrecorded or burned out... but that's an issue with film (sensor) not the meter. Incident metering wouldn't detect the light that will be detected by the recording sensor UNLESS the recording sensor is located at the subject pointed toward the camera position. Correct? And locating your camera at the subject and pointing away from it would be quite a different picture. Cheers, Alan. -- -- rec.photo.equipment.35mm user resource: -- http://www.aliasimages.com/rpe35mmur.htm -- e-meil: there's no such thing as a FreeLunch.-- |
#10
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reflected light vs incident light metering
"Alan Browne" wrote in message ... George wrote: I'm sorry, but the human eye and photographic processes ARE NOT sensitive to how much light FALLS on an object, only on how much comes back to the sensor (eye, digital sensor, film, etc.). You're correct that a sensor can only detect what is being thrown at it; however for a given scene if a given amount of light falls on it, an incident reading of that light indicates what will be detected by the recording sensor (at that setting). Some objects may reflect an amount of light that falls below (or above) the latitude of the sensor, and they will be unrecorded or burned out... but that's an issue with film (sensor) not the meter. Incident metering wouldn't detect the light that will be detected by the recording sensor UNLESS the recording sensor is located at the subject pointed toward the camera position. Correct? And locating your camera at the subject and pointing away from it would be quite a different picture. Cheers, Alan. -- -- rec.photo.equipment.35mm user resource: -- http://www.aliasimages.com/rpe35mmur.htm -- e-meil: there's no such thing as a FreeLunch.-- |
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