DSLR vs P&S a replay of Film vs Digital?
In article , Helmsman3
wrote:
Let us for a moment presume there is a sealed-lens/sensor design that doesn't
allow in any dust. Takes images in absolute silence. The lens range is a full
180-degree fish-eye to an extremely long zoom, all with either an aperture or
sensor ISO high enough to capture even the most difficult of hand-held
situations in any settings. The body is of a titanium shell for extreme
durability. Few moving parts allows operation in deep sub-zero environments.
Let
us also presume that the electronic viewfinder (LCD and EVF) is high
resolution
enough that its display, feedback, and articulation abilities far exceed
anything that has been implemented so far, optically or otherwise. Lets also
presume that these P&S camera designers also had the foresight to include the
options of shooting in the IR and UV portions of the spectrum too. This of
course is dependent on an EVF system because no optical viewfinder in the
world
can accomplish this. Oh what the heck, while we're at it throw in high quality
video and CD quality stereo sound recording too so you don't even need your
camcorder as an accessory anymore. Why not.
Surprisingly I've already found all of these conditions met in only 2 P&S
cameras (minus the UV capability and a slightly higher resolution EVF) with
only
2 inexpensive, small, and light-weight adapter lenses.
and which two p&s cameras might those be?
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