Thread: Film scanners?
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Old April 21st 17, 12:05 AM posted to rec.photo.digital
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Default Film scanners?

In article , Ken Hart
wrote:

Well, I don't. I started with film, and had the requisite bathroom
darkroom. The only thing I didn't do was develop the film. Going
through the film steps, which you and Tony enjoyed, drove me up the
wall. I hated every bit of it, and nearly gave up on photography. But
more to the point, I disagree completely that the film steps are
*artistically* different from the digital steps. You are doing the
same thing, only with one you are using toxic chemicals, awkwardly
working slowly with trial and error, whereas with the other, you are
working towards identical artistic goals, but working much more
quickly. And the more quickly you can work, the more time you can
spend getting things exactly as you want them. Better yet, when you
fumble around with digital, all you waste is some electron flow and
some time, as opposed to some pricey chemicals and paper.

I respect those who work with film, it's hard. But I still don't think
there is any remaining legitimate reason for it, except for personal
entertainment, or sense of achievement.


I have to disagree with Mr Bill W's first paragraph. When developing the
film, artistry and trial & error should usually be somewhere down the
hall! The goal is to be able to get predictable results on the film.

That said, there may be times when you have to break the rules in film
developing to get any results at all: most typically push or pull
processing.

Once you have the best possible negative in your enlarger, then the
artistry starts: burning in or dodging, color balance, contrast, etc.

Thank you for your respect of the craft. But I don't find it hard (maybe
because I don't use a "bathroom darkroom"!), and a well printed, mounted
and framed enlargement gives me a sense of achievement.


whatever you can do in a darkroom can be done with digital, including
printing, mounting and framing prints.

it's also *much* easier to learn and a whole lot less expensive too,
particularly with colour, which in a darkroom can be rather time
consuming and not cheap, both for the equipment and for the processing.