A New Tool For Photographers
https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/
-- Regards, Savageduck |
A New Tool For Photographers
On Wed, 10 May 2017 14:37:09 -0700, Savageduck
wrote: https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/ As long as it works well, $300 doesn't seem too bad. Then again, people who already use meters might have a more useful opinion. |
A New Tool For Photographers
In article 2017051014370936716-savageduck1@REMOVESPAMmecom,
Savageduck wrote: https://petapixel.com/2017/05/10/ill...oth-light-colo r-meter/ very cool. |
A New Tool For Photographers
On Wed, 10 May 2017 14:37:09 -0700, Savageduck
wrote: https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/ There are smartphone aps that claim to do something similar. No idea how accurate they are. |
A New Tool For Photographers
On 2017-05-11 20:30:30 +0000, charles said:
On Wed, 10 May 2017 14:37:09 -0700, Savageduck wrote: https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/ There are smartphone aps that claim to do something similar. No idea how accurate they are. I have a lightmeter app, *FotometerV2* for my iPhone, and it does a somewhat reasonable job, but considering it is using the camera lenses I wouldn't call it a replacement for a good incident light meter such as a Sekonic, it probably has somewhat questionable accuracy. The *Illuminati* uses a measuring device that is separate from the phone, and only uses the CPU in the phone to make calculations based on the input from the measuring device. I would say the potential as an accurate light meter for the *Illuminati* is high. however, until it is properly road tested we are not going to know for sure. That said, compared to a Sekonic, in price and performance it looks very promising. -- Regards, Savageduck |
A New Tool For Photographers
On Thu, 11 May 2017 13:59:34 -0700, Savageduck
wrote: On 2017-05-11 20:30:30 +0000, charles said: On Wed, 10 May 2017 14:37:09 -0700, Savageduck wrote: https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/ There are smartphone aps that claim to do something similar. No idea how accurate they are. I have a lightmeter app, *FotometerV2* for my iPhone, and it does a somewhat reasonable job, but considering it is using the camera lenses I wouldn't call it a replacement for a good incident light meter such as a Sekonic, it probably has somewhat questionable accuracy. The *Illuminati* uses a measuring device that is separate from the phone, and only uses the CPU in the phone to make calculations based on the input from the measuring device. I would say the potential as an accurate light meter for the *Illuminati* is high. however, until it is properly road tested we are not going to know for sure. That said, compared to a Sekonic, in price and performance it looks very promising. I still have a Luna Pro SBC and a Soligor spot meter from back in the days when it mattered. For me, now, auto exposure works well enough. |
A New Tool For Photographers
On 2017-05-11 21:31:29 +0000, charles said:
On Thu, 11 May 2017 13:59:34 -0700, Savageduck wrote: On 2017-05-11 20:30:30 +0000, charles said: On Wed, 10 May 2017 14:37:09 -0700, Savageduck wrote: https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/ There are smartphone aps that claim to do something similar. No idea how accurate they are. I have a lightmeter app, *FotometerV2* for my iPhone, and it does a somewhat reasonable job, but considering it is using the camera lenses I wouldn't call it a replacement for a good incident light meter such as a Sekonic, it probably has somewhat questionable accuracy. The *Illuminati* uses a measuring device that is separate from the phone, and only uses the CPU in the phone to make calculations based on the input from the measuring device. I would say the potential as an accurate light meter for the *Illuminati* is high. however, until it is properly road tested we are not going to know for sure. That said, compared to a Sekonic, in price and performance it looks very promising. I still have a Luna Pro SBC and a Soligor spot meter from back in the days when it mattered. For me, now, auto exposure works well enough. I would say everything is going to depend on the needs of the photographer, and the type of shooting he/she does. For me, the metering done by the camera does a great job. However, there are times when the camera metering will fail you, or there is little choice but to go full manual and the assistance of a good incident/spot light is going to be invaluable. Consider shooting in a studio with variable artificial lighting, or outdoors using ND filters. -- Regards, Savageduck |
A New Tool For Photographers
On Thu, 11 May 2017 14:31:29 -0700, charles wrote:
On Thu, 11 May 2017 13:59:34 -0700, Savageduck wrote: On 2017-05-11 20:30:30 +0000, charles said: On Wed, 10 May 2017 14:37:09 -0700, Savageduck wrote: https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/ There are smartphone aps that claim to do something similar. No idea how accurate they are. I have a lightmeter app, *FotometerV2* for my iPhone, and it does a somewhat reasonable job, but considering it is using the camera lenses I wouldn't call it a replacement for a good incident light meter such as a Sekonic, it probably has somewhat questionable accuracy. The *Illuminati* uses a measuring device that is separate from the phone, and only uses the CPU in the phone to make calculations based on the input from the measuring device. I would say the potential as an accurate light meter for the *Illuminati* is high. however, until it is properly road tested we are not going to know for sure. That said, compared to a Sekonic, in price and performance it looks very promising. I still have a Luna Pro SBC and a Soligor spot meter from back in the days when it mattered. For me, now, auto exposure works well enough. My first exposure meter was a crud thing using a stepped optical wedge. Read the lowest number you could see and feed it into the calculator on the back of the device and that gave you an approximation to the intensity of the light being reflected from the subject. I quickly upgraded to a Weston II with an incident light attachment. This measured the intensity of the light falling on the subject and the calculator gave you an exposure which would best capture the range of intensity of the light being reflected from the subject. [The Sekonic came along at about that time but I decided that for my purposes it was more of a status symbol than a useful tool.] All of these became redundant with advent of the digital camera. No longer do I have to use one form of estimation or another to determine the exposure to suit the light being reflected by the subject. All of the digital cameras I have used over the years have directly measured the range of light intensity being reflected by the subject and directly calculated the necessary exposure settings to be used by the camera. No more estimation: an exact measurement and calculation. And of course I can always adjust the exposure up or down to suit my intention. As far as I can see, these days, the only real use for an incident light meter is to assist with the setting of studio lighting. -- Regards, Eric Stevens |
A New Tool For Photographers
On 2017-05-11 23:20:22 +0000, Eric Stevens said:
On Thu, 11 May 2017 14:31:29 -0700, charles wrote: On Thu, 11 May 2017 13:59:34 -0700, Savageduck wrote: On 2017-05-11 20:30:30 +0000, charles said: On Wed, 10 May 2017 14:37:09 -0700, Savageduck wrote: https://petapixel.com/2017/05/10/illuminati-worlds-first-bluetooth-light-color-meter/ There are smartphone aps that claim to do something similar. No idea how accurate they are. I have a lightmeter app, *FotometerV2* for my iPhone, and it does a somewhat reasonable job, but considering it is using the camera lenses I wouldn't call it a replacement for a good incident light meter such as a Sekonic, it probably has somewhat questionable accuracy. The *Illuminati* uses a measuring device that is separate from the phone, and only uses the CPU in the phone to make calculations based on the input from the measuring device. I would say the potential as an accurate light meter for the *Illuminati* is high. however, until it is properly road tested we are not going to know for sure. That said, compared to a Sekonic, in price and performance it looks very promising. I still have a Luna Pro SBC and a Soligor spot meter from back in the days when it mattered. For me, now, auto exposure works well enough. My first exposure meter was a crud thing using a stepped optical wedge. Read the lowest number you could see and feed it into the calculator on the back of the device and that gave you an approximation to the intensity of the light being reflected from the subject. I quickly upgraded to a Weston II with an incident light attachment. This measured the intensity of the light falling on the subject and the calculator gave you an exposure which would best capture the range of intensity of the light being reflected from the subject. [The Sekonic came along at about that time but I decided that for my purposes it was more of a status symbol than a useful tool.] All of these became redundant with advent of the digital camera. No longer do I have to use one form of estimation or another to determine the exposure to suit the light being reflected by the subject. All of the digital cameras I have used over the years have directly measured the range of light intensity being reflected by the subject and directly calculated the necessary exposure settings to be used by the camera. No more estimation: an exact measurement and calculation. And of course I can always adjust the exposure up or down to suit my intention. As far as I can see, these days, the only real use for an incident light meter is to assist with the setting of studio lighting. ....or when using ND1000, or combos of ND/ND grad filters, necessitating manual exposure, and calculating long exposures. That is about the only time I can see I would need one today as I don't do any studio work with artificial lighting and/or gels. Like you 99% of my shooting depends on the AE capability of my cameras. -- Regards, Savageduck |
A New Tool For Photographers
On 5/11/2017 6:28 PM, Savageduck wrote:
snip I would say everything is going to depend on the needs of the photographer, and the type of shooting he/she does. For me, the metering done by the camera does a great job. However, there are times when the camera metering will fail you, or there is little choice but to go full manual and the assistance of a good incident/spot light is going to be invaluable. Consider shooting in a studio with variable artificial lighting, or outdoors using ND filters. I use the average reading from the meter, and then a quick calculation to adjust for the ND filter. https://www.dropbox.com/s/vnu51qaq5bepdxm/nubble%203475.jpg?dl=0 -- PeterN |
A New Tool For Photographers
In article 2017051115282110289-savageduck1@REMOVESPAMmecom, Savageduck
says... However, there are times when the camera metering will fail you, or there is little choice but to go full manual and the assistance of a good incident/spot light is going to be invaluable. Consider shooting in a studio with variable artificial lighting, or outdoors using ND filters. Not sure I understand why you would need an external metering device in such cases. Can't you just take the shot and if it comes over- or underexposed, simply adjust the exposure and retake the shot? -- Alfred Molon Olympus E-series DSLRs and micro 4/3 forum at http://tech.groups.yahoo.com/group/MyOlympus/ http://myolympus.org/ photo sharing site |
A New Tool For Photographers
In article , Alfred
Molon wrote: However, there are times when the camera metering will fail you, or there is little choice but to go full manual and the assistance of a good incident/spot light is going to be invaluable. Consider shooting in a studio with variable artificial lighting, or outdoors using ND filters. Not sure I understand why you would need an external metering device in such cases. Can't you just take the shot and if it comes over- or underexposed, simply adjust the exposure and retake the shot? a lot of times, there is no retaking the shot. |
A New Tool For Photographers
On 2017-05-12 18:29:36 +0000, Alfred Molon said:
In article 2017051115282110289-savageduck1@REMOVESPAMmecom, Savageduck says... However, there are times when the camera metering will fail you, or there is little choice but to go full manual and the assistance of a good incident/spot light is going to be invaluable. Consider shooting in a studio with variable artificial lighting, or outdoors using ND filters. Not sure I understand why you would need an external metering device in such cases. Can't you just take the shot and if it comes over- or underexposed, simply adjust the exposure and retake the shot? For many photographers there is a concept called "getting it right". -- Regards, Savageduck |
A New Tool For Photographers
On 12/05/2017 19:40, Savageduck wrote:
On 2017-05-12 18:29:36 +0000, Alfred Molon said: [] Not sure I understand why you would need an external metering device in such cases. Can't you just take the shot and if it comes over- or underexposed, simply adjust the exposure and retake the shot? For many photographers there is a concept called "getting it right". .... and "right" is what the camera produces, not what some incident light meter tells you. You may want some special effect (e.g. sunsets, night shots...). Colour temperature metering could be of interest, though, and possibly studio photography, which is not something I do. -- Cheers, David Web: http://www.satsignal.eu |
A New Tool For Photographers
On 2017-05-13 07:24:58 +0000, David Taylor
said: On 12/05/2017 19:40, Savageduck wrote: On 2017-05-12 18:29:36 +0000, Alfred Molon said: [] Not sure I understand why you would need an external metering device in such cases. Can't you just take the shot and if it comes over- or underexposed, simply adjust the exposure and retake the shot? For many photographers there is a concept called "getting it right". ... and "right" is what the camera produces, not what some incident light meter tells you. You may want some special effect (e.g. sunsets, night shots...). It is for those odd times and special effects when the camera isn't necessarily reliable thay an incident meter becomes useful. The outdoor/landscape scenario I can think of is using ND filters such as a Lee Big Stopper for long exposure shots. A lightmeter can make those calculations much more precisely than the guess work when depending on the camera which isn't going to meter accurately behind a 10 stop ND. Colour temperature metering could be of interest, though, and possibly studio photography, which is not something I do. -- Regards, Savageduck |
A New Tool For Photographers
In article 2017051211401737879-savageduck1@REMOVESPAMmecom, Savageduck
says... Not sure I understand why you would need an external metering device in such cases. Can't you just take the shot and if it comes over- or underexposed, simply adjust the exposure and retake the shot? For many photographers there is a concept called "getting it right". I thought that meant being able to get a good out of camera JPEG, without having to tweak a lot in post-processing. I mean, if you are there in the field, take the shot, notice that it is not properly exposed, what prevents you from retaking it with the right exposure? You might not always have this perfect external metering device with you... BTW, in an online forum I saw a post of a traitor who defected from the Fuji X-T2 to the Olympus E-M1 II ;-) -- Alfred Molon Olympus E-series DSLRs and micro 4/3 forum at http://tech.groups.yahoo.com/group/MyOlympus/ http://myolympus.org/ photo sharing site |
A New Tool For Photographers
On 2017-05-13 09:39:09 +0000, Alfred Molon said:
In article 2017051211401737879-savageduck1@REMOVESPAMmecom, Savageduck says... Not sure I understand why you would need an external metering device in such cases. Can't you just take the shot and if it comes over- or underexposed, simply adjust the exposure and retake the shot? For many photographers there is a concept called "getting it right". I thought that meant being able to get a good out of camera JPEG, without having to tweak a lot in post-processing. Yes, there is that concept. I try my best with the best tool I have and that is usually the camera. I mean, if you are there in the field, take the shot, notice that it is not properly exposed, what prevents you from retaking it with the right exposure? Sometimes there is only an opportunity for a single shot. These days many folks try to ensure capturing that the "Magnificent Miracle" shot by using AE bracketing. Sometimes that is enough, sometimes it isn't. There are also times when your only option is to go full manual, including manual exposure. Those are times when without a lightmeter, one has to make those calculations through experience, or dumb luck. It is something many do, I certainly have. You might not always have this perfect external metering device with you... To tell the truth, I haven't carried, or used a lightmeter in some 40+ years. However, I can appreciate there are times when lighting, or the addition of filters can make TLL metering questionable, and I could do with the assistance of a lightmeter. I also understand that today, most shooters have no idea that a tool such as a lightmeter even exists. BTW, in an online forum I saw a post of a traitor who defected from the Fuji X-T2 to the Olympus E-M1 II ;-) That happens. It also happens the other way along with changes made by the faithful of other brands. There are also shooters who shoot with a mix of cameras. Personally I am more that happy with my X-T2, and the Fujinon glass, just as I am sure there shooters who are going to be happy with their E-M1 II. -- Regards, Savageduck |
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